| Tao Zhao | ... | Tao | |
| Taisheng Chen | ... | Taisheng | |
| Jue Jing | ... | Wei | |
| Zhong-wei Jiang | ... | Niu | |
| Yiqun Huang | ... | Qun | |
| Hongwei Wang | ... | Sanlai | |
| Jing Dong Liang | ... | Tao's ex-boyfriend | |
| Shuai Ji | ... | Erxiao | |
| Wan Xiang | ... | Youyou | |
| Alla Shcherbakova | ... | Anna | |
| rest of cast listed alphabetically: | |||
| Sanming Han | ... | Sanming | |
| Juan Iu | ... | Yanqing | |
| Xiaodong Liu | ... | Karaoke singer | |
| Xiaoshuai Wang | |||
Directed by | |||
| Zhangke Jia | |||
Writing credits(in alphabetical order) | ||
| Zhangke Jia | ||
Produced by | |||
| Keung Chow | .... | producer | |
| Shozo Ichiyama | .... | producer | |
| Masayuki Mori | .... | executive producer | |
| Hengameh Panahi | .... | producer | |
| Zhong-lun Ren | .... | producer | |
| Tianyan Wang | .... | supervising producer | |
| Takio Yoshida | .... | producer | |
| Nelson Yu Lik-wai | .... | associate producer (as Yu Lik Wai) | |
Original Music by | |||
| Giong Lim | |||
Cinematography by | |||
| Nelson Yu Lik-wai | |||
Film Editing by | |||
| Jing Lei Kong | |||
Production Design by | |||
| Li-zhong Wu | |||
Makeup Department | |||
| Yang Yuan Zhen | .... | hair stylist | |
Production Management | |||
| Elise Bastoul | .... | post-production supervisor | |
Sound Department | |||
| Laurent Bailly | .... | sound mixer | |
| Si Guo Li | .... | boom operator | |
| Yang Zhang | .... | sound | |
Camera and Electrical Department | |||
| Meng Da Yu | .... | grip | |
| Ricky Wong | .... | still photographer | |
Editorial Department | |||
| Aure Gelis | .... | post-production assistant | |
| Christophe Legendre | .... | grader | |
Other crew | |||
| Mathilde Incerti | .... | press attache | |
| Pan Jian Lin | .... | location manager | |
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| Saving Face | New York, I Love You | Paris, je t'aime | Lan Yu | Head-On |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb China section |
Few directors in any genre anywhere in the world have been able to capture the heart and true essence of a modern nation in just two short hours as Zhang has done with Shijie. After books like Ted Fishman's "China Inc." or Gordon Chang's "The Coming Collapse of China", this film arrives as a breath of fresh air sharing at a very personal level just how a rapidly changing China isn't always dealing with her 'prosperity' and globalization as easily as we would hope. The World is perhaps one of the best modern Asian films in years. We can only hope Zhang Ke Jia will continue to write, direct and interpret his homeland for us for years to come. Shijie is an emotional tour de force on modern China.