| Tadanobu Asano | ... | Private detective Kogorô Akechi (2x); A man; Masaki (story "Imomushi", "Kagami jigoku", "Kasei no unga", and "Mushi") | |
| Yûko Daike | ... | (segment "Kagami jigoku") | |
| Chisako Hara | ... | (segment "Kagami jigoku") | |
| Masami Horiuchi | ... | (segment "Kagami jigoku") | |
| Mikako Ichikawa | ... | (segment "Kagami jigoku") | |
| Hanae Kan | ... | (story "Imomushi") | |
| Ryûhei Matsuda | ... | Tarô Hirai (story "Imomushi") (as Ryuuhei Matsuda) | |
| Kaiji Moriyama | ... | (story "Kasei no unga") | |
| Tomoya Nakamura | ... | (story "Kagami jigoku") | |
| Hiroki Narimiya | ... | Tooru (story "Kagami jigoku") | |
| Tamaki Ogawa | ... | Fuyu Kinoshita (segment "Mushi") | |
| Nao Ohmori | ... | First Lieutenant Sunaga (story "Imomushi") (as Nao Oomori) | |
| Yukiko Okamoto | ... | Tokiko Sunaga (story "Imomushi") | |
| Hiromasa Taguchi | ... | (segment "Mushi") | |
| Minori Terada | ... | (segment "Kagami jigoku") | |
| Susumu Terajima | ... | (segment "Kagami jigoku") | |
| Yumi Yoshiyuki | ... | (segment "Kagami jigoku") |
Directed by | |||
| Akio Jissoji | (story "Kagami jigoku") (as Akio Jissôji) | ||
| Atsushi Kaneko | (story "Mushi") | ||
| Hisayasu Sato | (story "Imomushi") (as Hisayasu Satô) | ||
| Suguru Takeuchi | (story "Kasei no unga") | ||
Writing credits(in alphabetical order) | ||
| Rampo Edogawa | short stories (as Edogawa Ranpo) | |
| Atsushi Kaneko | screenplay for "Mushi" | |
| Akio Satsukawa | screenplay for "Kagami jigoku" | |
| Suguru Takeuchi | screenplay for "Kasei no unga" | |
| Shirô Yumeno | screenplay "Imomushi" | |
Original Music by | |||
| Saiko Ai | |||
| Aramaki Kôhei | |||
| Yoshihide Ohtomo | |||
| Ikeda Ryôji | |||
Visual Effects by | |||
| Tsuyoshi Kazuno | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Sam Goldie | .... | focus puller: Iceland | |
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| The Holy Mountain | Enter the Void | Fellini Satyricon | Venus in Furs | In the Realm of the Senses |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Fantasy section | IMDb Japan section |
I was watching Rampo Noir on my portable DVD player the other night when the battery ran out of power mid-film; normally this kind of inconvenience would have made me angry, but in this case I was actually appreciative of the break, such is the mind-numbingly tedious nature of this dreary, overlong piece of pretentious art-house drivel.
The film comprises of four strange and erotic tales based on the works of celebrated Japanese author Edogawa Rampo, each connected by the recurring themes of mirrors, perverse love, obsession and the fact that they are all utterly incomprehensible.
Even though extreme boredom had set in within the first minute of opening tale 'Mars Canal', I persevered, telling myself that, with each part realised by a different director, there was the possibility that one of them might be worth a watch. Sadly, all four episodes turn out to be just as stupefyingly dull as the first, despite the introduction of the odd bit of bondage sex, mutilation and other assorted deviancy.
Hell, even Hisayasu Sato, director of such gloriously twisted films as Naked Blood and Wife Collector, fails to impress, having succumbed to the same soporific artsy-fartsy style as his contemporaries. And when that guy doesn't deliver the goods, it's time to start praying for the battery to run out!