As a prison riot erupts into violence, Red comes face to face with the ring leader: the man who once held him hostage and nearly drove him mad. But what they don't know is a killer's amongst them, preying on their weaknesses.
Detective Superintendent Jane Tennison's investigation of the murder of a Bosnian refugee leads her to one, or possibly two, Serbian war criminals determined to silence the last witness to a massacre a decade before.
A series of brutal sex murders disturbingly similar to the pattern of Superintendent Jane Tennison's first major case leads to the awful suggestion that she may have caught the wrong man the first time.
As a prison riot erupts into violence, Red comes face to face with the ring leader: the man who once held him hostage and nearly drove him mad. Injured prisoners are moved to a crumbling, overstretched hospital. But what they don't know is a killer's amongst them, preying on their weaknesses. As the vicious murders spiral out of control, can Red and his team put aside their own emotional torment and find a method in his madness? Written by
Following a horrific prison riot, injured inmates are taken to a local hospital where they're stalked by a merciless serial killer.
Third in a series of BBC/Paramount co-productions which began in 2001 with MESSIAH, an adaptation of the novel by Boris Starling which introduced the character of Red Metcalfe (played on-screen by intense Scottish actor Ken Stott), a battle-scarred police detective who specializes in major crimes. This complex opener weaved themes of betrayal and redemption into a genuinely frightening scenario in which a psychopath uses religious iconography as motive for a series of appalling murders (no kidding - this one gives SE7EN a run for it's money!). MESSIAH 2: VENGEANCE IS MINE (2002) uses much the same template but is less sure-footed in narrative terms, with an especially poor climactic 'reveal', and a motive which renders the killings both excessive and pointless.
Like the first sequel, "The Promise" ups the number of victims whilst downplaying the gore (big mistake), but Lizzie Mickery's elaborate script focuses attention on one of Stott's colleagues (Frances Grey), an experienced detective plagued by nightmares of a childhood trauma which may - or may not - be connected to the current wave of atrocities. Seasoned mystery addicts will guess the killer's identity fairly quickly, but few will predict the ironic twist which closes proceedings on a note of quiet tragedy. As with previous entries in this ambitious series, the movie combines police proceduralism with scenes of Gothic horror (the fate of the character played by IL CARTAIO's Liam Cunningham is especially shocking), while Stott and his team strive to unravel a series of increasingly bizarre clues, some of which begin to point uncomfortably close to home. Though not even half as good as the original MESSIAH, this third entry is a powerful thriller in its own right, with a strong ensemble cast and impeccable technical credits. Directed by David Drury (HOSTILE WATERS), and followed by MESSIAH: THE HARROWING (2005).
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