The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen, and ultimately the fall of Versailles.
"All eyes will be on you," says the Austrian Empress, Maria Theresa to her youngest daughter Marie Antoinette. The film, marketed for a teen audience, is an impressionistic retelling of Marie Antoinette's life as a young queen in the opulent and eccentric court at Versailles. The film focuses on Marie Antoinette, as she matures from a teenage bride to a young woman and eventual queen of France. Written by
Even though the Hall of Mirrors at the Palace of Versailles was in restoration - until spring 2007 - Sofia Coppola was allowed to film there a ball scene for the wedding of Marie-Antoinette and Louis XVI. See more »
The masquerade ball held in the Paris Opera is clearly seen to take place in the Palais Garnier in Paris, built between 1861 and 1875 during the reign of Napoleon III. This impressive opera house, with its lavishly decorated and easily recognizable grand staircase replaced the old and less sumptuous opera house of Rue le Peletier. See more »
I had reached the point in my life where I could not bare the idea of seeing another historical-costume-drama. The thought of seeing another actor attempting the stilted period lingo and mello-drama gives me a headache, BUT Miss Coppola has undone my pain with this fresh take on the period drama, with her lovely and off-beat MARIE-ANTOINETTE. Usually you watch the piece from afar, thinking, "Wow, life sure was hard back then," but you never really can relate to the characters, but Coppola breaks tradition in a completely refreshing way, so that you can really understand these characters. She uses modern day music (not like the horrible A KNIGHT'S TALE did) and hand held camera work. Her style is much more free and alive. She takes her time with the material so that we get a feel for time period and all of the free time they had. The acting is first rate, other than a mis-cast Rip Torn who's a little too over-the-top. If you've enjoyed her other movies (THE VIRGIN SUICIDES & LOST IN TRANSLATION), then you are sure to enjoy this film. But if you are looking for another stilted period drama with forced accents and dead camera work then rent THE PARTRIOT or VANITY FAIR. I really enjoyed MARIE-ANTIONETTE, though I'm not sure how historically accurate it is, it's a fine film. Some have criticized Coppola for making a French subject so American, but that is not the point, she has created an accessible historical biopic, that people of MARIE-ANTIONETTE's age could enjoy and relate to.
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