Insurance investigators track a serial killer who seduces women with access to big bucks, convinces them to embezzle, then kills them.

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(story "Slow Seduction, Sudden Death"), (story "Slow Seduction, Sudden Death") | 2 more credits »
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Cast

Credited cast:
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Art Kirkland / Pavalek
...
Susan Vercillino
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Zack Kirkland / Pavalek
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Elroy
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Gates
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Emily Morgan
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Jeanne
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Jesse Grant
Allison Hossack ...
Carole Ross
Rest of cast listed alphabetically:
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Trooper
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Draper
...
Howell
Jenn Forgie ...
Park Ranger
Damon Johnson ...
Phone Store Clerk
...
Mr. Muriyami
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Storyline

Art Kirkland and his bullied boy Zach enjoy the good life, especially rented luxury cars, which they can only afford because Art regularly seduces women with access to substantial company funds, kills them and moves out of state. After Zach can't properly dispose of a body because of a police man passing-by, freelance insurance investigator Jesse Grant's computer whiz Gates gets their team on the bloody trail. Written by KGF Vissers

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Thriller | Drama | Crime

Motion Picture Rating (MPAA)

Rated R for strong sexual content, language and brief drug use | See all certifications »
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Language:

Release Date:

18 February 2005 (USA)  »

Also Known As:

Epangelma dolofonos  »

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Connections

References Casablanca (1942) See more »

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User Reviews

Neat little TV thriller, but I don't believe it
8 March 2005 | by (United States) – See all my reviews

This "Ladies' Night" is a neat little TV thriller, with Paul Michael Glaser appropriately nasty as the villain and Colin Ferguson nicely hunky as the ex-cop turned insurance investigator who goes after him. Director Norma Bailey stages it well and the big action climax is both exciting and suspenseful. (I also liked the open ending in which at least one of the crooks gets away.) But I don't for one moment believe the opening credit that this is "based on a true story." As neatly as Bailey stages it, there's something fundamentally silly about the sequence in which the insurance investigators tail one of the suspects through a mall without noticing that he's also one of their co-workers. True, the Astaire-Rogers "Top Hat" used much the same mistaken-identity gimmick, but one can accept this in a light-hearted musical far more easily than one can in a suspense film.


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