| Cast overview, first billed only: | |||
| Sarah Silverman | ... |
Sarah
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| Brian Posehn | ... |
Friend
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| Laura Silverman | ... |
Friend
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| Bob Odenkirk | ... |
Manager
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| Steve Agee | ... |
Guy in Wings
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Jim Bodma | ... |
Grandma's Friend
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| Jon Cellini | ... |
Funeral Attendee
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David Derby | ... |
Bass Guitar Player
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Suzannah Fagan | ... |
Soccer Mom
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Robin Goldwasser | ... |
Harmonies
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Dee Kaye | ... |
Soccer Mom
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| Jonathan Kimmel | ... |
Harmonies
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Michael Kotch | ... |
Guitar Player /
Keyboards
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| Kiyano La'vin | ... |
African American Guy
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Ben Matthews | ... |
Grandma's Friend
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Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance. It begins and ends with her in conversation with two friends: at the start, she's the loser compared to their recent artistic successes; by the end, she's the star, in her dressing room, dismissive and cutting. Written by <jhailey@hotmail.com>
Of course there is nothing that could possibly survive between Lenny Bruce and Joan Rivers. That's why Sarah Silverman is unique. She reminds you of others but she's not like anybody else. The outrageous boldness of her comedy is the classiest piece of gross vulgarity I've ever came across. "60 million would be unforgivable" I was gasping and laughing without being able to stop. Dangerous stuff. Wonderful stuff. She's pretty like one of Charlie Chaplin's daughters. Awkwardly so, making the comedy all the more refreshing, shockingly so. I'm buying a few DVDs of "Jesus is Magic" and sending them anonymously to some friends and relatives. Oh yes, my targets deserve the side splitting pain inflicted by this superb Silverwoman.