| Katy Haywood | ... | Turkeylegs | |
| Ken Byrnes | ... | Mr. Turnupseed | |
| Will Oldham | ... | Donald Turnupseed | |
| Sheila Scullin | ... | Sadie | |
| Rich Schreiber | ... | Stool | |
| Kathleen Kennedy | ... | Ethel Firecracker | |
| Cory McAbee | ... | Spank Williams | |
| Ivan Dimitrov | ... | Ivan | |
| Andy Nadler | ... | Barnard | |
| Jim Ligons | ... | Curtis | |
| VaLonda Harris | ... | Delabia | |
| Sam Myers | ... | Lunchmeat | |
| Andy Sheffer | ... | Neckface | |
| T.J. Bream | ... | Leonard | |
| Christopher Morse | ... | Insurance Man | |
| Jim Krut | ... | Kenneth the Technician | |
| Jeff Hemphill | ... | Used Car Salesman | |
| Eric James | ... | Pee Kid | |
| Craig Moorhead | ... | Kenny | |
| Frank Bruchart | ... | Old Spank Williams |
Directed by | |||
| Todd Rohal | |||
Writing credits(in alphabetical order) | ||
| Todd Rohal | ||
Produced by | |||
| Lauren Capaldo | .... | assistant producer | |
| Megan Griffiths | .... | producer | |
| Jason Orfanon | .... | producer | |
| Nicholas Panagopulos | .... | executive producer | |
| Todd Rohal | .... | producer | |
| Marissa Ronca | .... | producer | |
Original Music by | |||
| David Wingo | |||
Cinematography by | |||
| Richie Sherman | |||
Film Editing by | |||
| Alan Canant | |||
Production Design by | |||
| Jim McNamee | |||
| Sage Rockermann | |||
Costume Design by | |||
| Melissa Clarke | |||
| Sage Rockermann | |||
Makeup Department | |||
| Cable Hardin | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Charlie Cline | .... | second unit director | |
| Megan Griffiths | .... | first assistant director | |
| Craig Moorhead | .... | second assistant director | |
Sound Department | |||
| Amanda Barcas | .... | boom operator | |
| Mark Garcia | .... | assistant sound re-recording mixer | |
| Christof Gebert | .... | sound designer | |
| Eric Offin | .... | sound re-recording mixer | |
| Phil Rosati | .... | sound mixer | |
Special Effects by | |||
| Cable Hardin | .... | special effects | |
Camera and Electrical Department | |||
| Lantz Barbour | .... | assistant camera: second unit | |
| Travis Cadalzo | .... | second assistant camera | |
| Suzanna Hardin | .... | grip | |
| Jeff Hemphill | .... | grip | |
| Kerry Hustwit | .... | gaffer | |
| Napoleon Juaniza | .... | assistant camera | |
| Jared Larson | .... | electrician | |
| Jason Pasch | .... | still photographer | |
| Andrew Peck | .... | additional camera assistant | |
| Christopher Smalley | .... | grip | |
| Dylan Stern | .... | grip | |
| Kenneth Wilson II | .... | director of photography: second unit | |
Animation Department | |||
| Skizz Cyzyk | .... | animator | |
Editorial Department | |||
| June Park | .... | assistant editor | |
Other crew | |||
| Justin Arawjo | .... | production assistant | |
| Connie Bleiler | .... | catering: on-set | |
| Doug Gauthier | .... | production assistant | |
| Jason Goodling | .... | demolition derby coordinator | |
| Courtney Koestler | .... | producer: mathematics content | |
| Craig Moorhead | .... | producer: second unit | |
| Tim Ronca | .... | production assistant | |
Thanks | |||
| Bill Ellis | .... | thanks | |
| Mike White | .... | special thanks | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I originally saw this film at Slamdance, and it left me wanting more. While it's visually arresting, the ideas all seem brilliant but incoherent. I struggled with the puzzle for a year. It took me that long to come around to the conclusion that it didn't all have to add up. That unlike most cinema, where there's the thematic wrap-up at the conclusion... this film doesn't leave you with that same sense of Hollywood satisfaction. It jumps through characters each struggling with their place in the world; each slamming and being slammed in an unpredictable fashion. And this is what I was left with. Not a neatly wrapped present but an open box that's had its guts dumped all over the ground. This is a film that I imagine will get better each time you watch it. Familiarity with the huge cast of characters, and their relationships to each other will only assist with interpretation. But brain-candy aside, the moments in the film are enough to keep you smiling. 8/10