Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Sonny lives with his intellectually disabled older brother, and works as a bellhop at a second-rate hotel. This changes when Monique a beautiful, suicidal nut-case checks in. Sonny is offered a part in a heist that goes wrong.
Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a mess of thrashed relationships and exposed family secrets.
Jennifer Jason Leigh,
An American girl inherits a fortune and falls into a misguided relationship with a gentleman confidence artist whose true nature, including a barbed and covetous disposition, turns her life into a nightmare.
In 1958, in New York City, the upper class Diane Arbus is a frustrated and lonely woman with a conventional marriage with two daughters. Her husband is a photographer sponsored by the wealthy parents of Diane, and she works as his assistant. When Lionel Sweeney, a mysterious man with hypertrichosis (a.k.a. werewolf syndrome, a disease that causes excessive body hair), comes to live in the apartment in the upper floor, Diane feels a great attraction for him and is introduced to the world of freaks and marginalized people, falling in love with Lionel. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the beginning of the movie, during the fur coat fashion show, Diane goes out onto the porch to expose herself. When she first walks out, the top two buttons of her dress are unbuttoned. The scene cuts to a close-up of Diane and the top two buttons are now buttoned. See more »
I found this to be an incredibly interesting film with fine performances all round, and beautiful cinematography, art direction and a lovely score amongst other things. Kidman is very convincing though she does seem to be 'acting for an Oscar' at many points through out the film. When I saw the film I did not know very much about the photographer Diane Arbus, those disappointed that the film is not more of a biopic shouldn't be because the film creates such an intriguing portrait of the photographer that I for one was compelled to learn more about the artist. This is definitely a film to see in the cinema rather than one to watch on DVD.
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