Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
The movie is a coming-of-age drama about a boy growing up in Astoria, N.Y., during the 1980s. As his friends end up dead, on drugs or in prison, he comes to believe he has been saved from their fate by various so-called saints.
Robert Downey Jr.,
Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a a mess of thrashed relationships and exposed family secrets.
Jennifer Jason Leigh,
A mysterious antique store owner sells an unusual fox fur piece to a young man in drag. He goes to a telephone to describe the exciting purchase to his boyfriend, but in the phone booth he ... See full summary »
Elizabeth Ann Drumheller,
In 1958, in New York City, the upper class Diane Arbus is a frustrated and lonely woman with a conventional marriage with two daughters. Her husband is a photographer sponsored by the wealthy parents of Diane, and she works as his assistant. When Lionel Sweeney, a mysterious man with hypertrichosis (a.k.a. werewolf syndrome, a disease that causes excessive body hair), comes to live in the apartment in the upper floor, Diane feels a great attraction for him and is introduced to the world of freaks and marginalized people, falling in love with Lionel. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I would be delighted if the Arbus estate, after having seen this film, commission a film called "The True Life of Diane Arbus" with an ending in the same vein as the film portrait of Sylvia Plath.
My feeling, and it is only that, Ms Arbus was never timid in her photography of people. Nor were the people on the fringe of society organised in the way the film suggests they were.
If you like lingering shots of Ms Kidman and enjoy bubblegum for the eyes then do go and see it. If, on the other hand, and that was my motive for going to see the film, you wish to learn more about a talented photographer of worth, then your cinema ticket price might be better spent on a book about Diane Arbus.
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