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Diary of a Mad Black Woman (2005)

5.5
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Ratings: 5.5/10 from 8,992 users   Metascore: 36/100
Reviews: 198 user | 61 critic | 30 from Metacritic.com

A couple's seemingly solid marriage begins to crumble when the wife discovers that her husband intends to divorce her.

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Title: Diary of a Mad Black Woman (2005)

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Cast

Cast overview, first billed only:
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Charles
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...
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Brenda
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Debrah
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...
Reverend Carter
Carol Mitchell-leon ...
Mildred (as Carol Mitchell-Leon)
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BJ
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Christina
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Tiffany
...
Jamison (as Gary Sturgis)
Bart Hansard ...
Guard
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Chandra
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Storyline

Helen McCarter has everything a woman wants: a nice house and rich husband. However after her husband Charles throws her out of the house after admitting to an affair a distraught Helen turns to her mother, grandmother Madea and cousin Brian who take her in and turn back to God. Helen learns for the first time in her life to stand up on her two feet and is ready to remove herself from her relationship with Charles and move on with Orlando. But when her husband is almost killed by a vengeful client, Helen wonders if she has the heart to forgive him despite everything. Written by teyee_eng2388-1

Plot Summary | Plot Synopsis

Taglines:

Get ready to meet a real straight shooter See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for drug content, thematic elements, crude sexual references and some violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 February 2005 (USA)  »

Also Known As:

Tyler Perry's Diary of a Mad Black Woman  »

Filming Locations:


Box Office

Budget:

$5,500,000 (estimated)

Opening Weekend:

$21,905,089 (USA) (25 February 2005)

Gross:

$50,382,128 (USA) (15 April 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Tyler Perry paid for half of the $5.5 million budget with Lions Gate Films. See more »

Goofs

When Helen visits her mother she has bright lipstick on, her mother tells her to "come here" so she can console her and hold her. When she has her face on her mother's chest, her lips have no lipstick on. See more »

Quotes

Helen: Are you hungry?
[Charles nods]
Helen: Oh, maybe you should go into the kitchen and get yourself something to eat, huh?
Charles: [crying] Christina...
Helen: [calling] Christina!
[grins]
Helen: Christina's gone! Your little tramp didn't leave her any money to pay her, so she just left, like your slut. She packed up all her things, and a few of yours, and split. In fact, she cleaned out your bank account.
[laughing]
Helen: Isn't that just too much? You tried to keep it from me, and she just took it all. Huh? Huh? You are like so many men...
See more »

Connections

Referenced in Jessie: Diary of a Mad Newswoman (2013) See more »

Soundtracks

No Parking (On the Dance Floor)
Performed by Midnight Star
Written by William B. Simmons / Bobby Lovelace / M. Gentry / Vincent Calloway (as Vincent L. Calloway)
Published by Songs of Lastrada, Sony / ATV Songs LLC, Midstar Music Inc. / Calloco Music
Screen Gems-EMI Music Inc.
Courtesy of Solar Records (Africa) / Unidisc (Canada) / Sanctuary Records Group (World ex. North America & Africa)
Under License from EMI Film & Television Music (US)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

How Darren Grant Sold The Most Unlikely Film To The Masses
26 February 2005 | by (United States) – See all my reviews

Darren grant is a cool cucumber. After over 120 Music videos and commercials in just 8 years, the youngish helmer has delivered with "Diary of A Mad Black Woman". This debut director has entered the Hollywood fray on par with any big shooter. As a former Madison Avenue, ad agency creative director, I will admit I am biased because he directed an award- winning commercial for me 2 years ago.

Still, Mr. Grant pulled off the same trick he did with our controversial cinema/TV commercials (which featured a cigarette executive as a lethal "Hitman"): he took a complex, ethnically esoteric subject and simplified it, making it digestible for the masses. Slap me around a little, but I think that's what a good Director should do. The playwright, Tyler Perry has had things cooking for years on the Chittlin' Circuit, bringing his own unique brand of urban theatre to working-class, black America. Mr. Perry came to Hollywood as a pre-packaged star. And Hollywood has acknowledged his presence in grand fashion.

The rather surreal Madea character is more than just a man-in-drag; it is Perry's vessel of choice. Via Madea, he can impart a spiritual gospel that reflects his experience growing up in the black church. He can also channel his insights on politics and perhaps give a few pointers to wayward minorities who feel they are up against it. The rest of the characters in DIARY OF A MAD BLACK WOMAN: Helen, Charles, Orlando, Debrah, Brenda, Tiffany and Myrtle – not to mention, Brian, Madea and Joe – all played by Tyler Perry, serve to hone Mr. Perry's particular brand of cultural propaganda. To wit, love it or hate it, there is a well- defined black American subculture that cannot be ignored.

DIARY OF A MAD BLACK WOMAN is indeed complex. Whereas Robin Williams in "Mrs. Doubtfire" was, deliberately in drag as a scheming septuagenarian and as was Martin Lawrence in the "Big Momma's House" – Tyler Perry's Madea is a REAL woman! He's also Madea's dirty-old-man of a brother and takes off the makeup to play handsome young attorney. Tyler is almost on par with Eddie Murphy as he bandies about in multiple roles. Again, credit Darren Grant's deft understanding of the characters' interaction. The only criticism here is that Tyler Perry is actually a more convincing actor when he is talking to himself(s)!

Kimberly Elise is a true A-list acting talent. If Madea is comic relief, Elise's Helen fulfills the dramaturgy aspect of the film. She admirably holds her own with screen legend, Cicely Tyson as her mother. Steve Harris is menacingly effective as an Ike Turner-esque, booji Atlanta attorney who emotionally terrorizes his wife and associates. Shemar Moore gives a breakout performance that is sure to take him to the next level in Hollywood. Watch as he is next transformed into a mainstream matinée idol …

What's most important about this film is how it OWNS the right to speak of an ethnic genre. Darren Grant and Tyler Perry have cleverly positioned themselves as experts on American black culture. And how there are thousands of similar stories yet untold. Look for this director to, perhaps, do what Spike Lee intended; what Carl Franklin suggested; and what the Van Peebles' aspired to do: become the definitive, fresh, new voice in Black American film.

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I felt sorry for Charles TheRealQ
Torturing the handicapped is awesome! blacksabbath128
seriously, she's madea's granddaughter mslady89
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