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Diary of a Mad Black Woman (2005)

PG-13  |   |  Comedy, Drama, Romance  |  25 February 2005 (USA)
5.6
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Ratings: 5.6/10 from 9,754 users   Metascore: 36/100
Reviews: 199 user | 61 critic | 30 from Metacritic.com

A couple's seemingly solid marriage begins to crumble when the wife discovers that her husband intends to divorce her.

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Title: Diary of a Mad Black Woman (2005)

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Cast

Cast overview, first billed only:
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Carol Mitchell-leon ...
Mildred (as Carol Mitchell-Leon)
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BJ
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Christina
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Tiffany
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Jamison (as Gary Sturgis)
Bart Hansard ...
Guard
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Storyline

Helen McCarter has everything a woman wants: a nice house and rich husband. However after her husband Charles throws her out of the house after admitting to an affair a distraught Helen turns to her mother, grandmother Madea and cousin Brian who take her in and turn back to God. Helen learns for the first time in her life to stand up on her two feet and is ready to remove herself from her relationship with Charles and move on with Orlando. But when her husband is almost killed by a vengeful client, Helen wonders if she has the heart to forgive him despite everything. Written by teyee_eng2388-1

Plot Summary | Plot Synopsis

Taglines:

Get ready to meet a real straight shooter See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for drug content, thematic elements, crude sexual references and some violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 February 2005 (USA)  »

Also Known As:

Tyler Perry's Diary of a Mad Black Woman  »

Filming Locations:


Box Office

Budget:

$5,500,000 (estimated)

Opening Weekend:

$21,905,089 (USA) (25 February 2005)

Gross:

$50,382,128 (USA) (15 April 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Based around the character of Madea played by Tyler Perry in a series of hit African-American gospel stage plays: I Can Do Bad All By Myself (2000), Diary of a Mad Black Woman (2001), Madea's Family Reunion (2002), Madea's Class Reunion (2003), Meet the Browns (2004), and Madea Goes to Jail (2004). See more »

Goofs

When Helen removes Charles from the tub and wheels him out of the bathroom, he moves his leg. See more »

Quotes

Helen: Orlando, what's going...
Orlando: I know you don't believe in fairy tales. But, if you did, I'd want to be your knight in shining armor. You've been through so much. I don't want to see you hurt anymore. Now I may not be able to give you all that your used to. But I do know I can love you past your pain. I don't want you to worry about anything. You just wake up in the morning, that's all you have to do and I'll take it from there. There's one condition. You have to be my wife.
See more »

Connections

Referenced in Chelsea Lately: Episode #6.158 (2012) See more »

Soundtracks

Dazz
Performed by Brick
Written by Reginald Hargis (as R. Hargis) / Ray Ransom (as R. Ransom) / Eddie Irons (as E. Irons Jr.)
Published by H & R Lastrada Music / Sony-ATV Tunes LLC / Silver Cloud Music
Courtesy of Epic Records
By Arrangement with Sony BMG Music Licensing
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Frequently Asked Questions

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User Reviews

 
Mad about "Mad"
5 March 2005 | by (USA) – See all my reviews

First of all, let me lay my cards on the table. (Poker, anyone?) I am white, male, nonchristian, over 40, college-educated, and live in the northeast. I'm old enough to remember the original "Diary of a Mad Housewife" and when "Miss Jane Pittman" first aired, and I have done the electric slide, lived in the south (never been to Atlanta, but love Georgia), and have attended barbecues--but know very little about the "chitlin circuit." Yet I (and the two white friends I went with) loved this movie!

As I see it, people who have witnessed this movie can be divided into two camps: 1) reviewers (probably mostly white) who disliked the movie even when they tried to like it and 2) ordinary people (mostly probably black, as many tell us) who loved it. So why do many apparently white viewers not "get it"? Why did I see it in my mostly white area with only about five other people in the audience?

Well, a lot of people didn't like "Showgirls" or "Carwash" or "Lonely Lady" when they first came out, and now those are cult hits, even "classics." "Diary" is only like those movies in that it is similarly over-the-top, unapologetic, irony-free, awkward, amateurish (that is, not slick), and yet so intrinsically watchable you can't take your eyes of the screen for a split second. I must admit that I probably laughed at some "inappropriate" moments, but then so did Madea. The whole faith-based initiative Christian-values quasi-Republican "message" might have made me wince or even gag in another context, but is delivered so sincerely here you can't help but forgive just as Jesus (or Helen!) would.

One could only call this movie operatic or "Shakespearian." Wait--I'm not trying to sound pretentious, only trying to point out that like Shakespeare this movie mixes high melodrama with "low" comedic relief, music, and spectacle. The comic actors comment upon and undercut the ultra-seriousness or piety of the rest of the story--and so we can only enjoy it more when the plot rides another twist on its emotional roller-coaster.

Tyler Perry is obviously a man with a vision--he doesn't have the finesse of Eddie Murphy, perhaps, but I admit I was halfway through the movie before I realized he was playing both Madea and old Joe AND Brian. My fear is now that he will be sucked in by Hollywood, the executives will convince him to deliver what they think white people want or "need," and he will lose his rough but raucous magic. So when Hollywood comes knocking, please don't answer, Mr. Perry!

When I went into this movie I was grumbling that ticket prices had gone up to ten dollars, but since we are given about five films for the price of one, I consider it a very good deal. It is simply one of the most astonishing movies I've ever seen.


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