In Uruguay in the early 1970s, an official of the US Agency for International Development (a group used as a front for training foreign police in counterinsurgency methods) is kidnapped by ... See full summary »
Anton Ludvik, aka Gerard, is vice-minister of Foreign Affairs of Czechoslovakia. He realizes he is watched and followed. One day, he is arrested and put into jail, in solitary confinement. ... See full summary »
Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean... See full summary »
In the Cameroon village of Koundi, the inhabitants have established a "national Thursday". Once day a month, they will work on creating a cocoa plantation. Village life through the prism of self-management.
Bruno Davert, a chemist working for a paper company, is fired. After three years he's still unemployed, too much competition for the few job position he could fit in his sector. He sent tons of resumes, he attended many qualifying courses, he tried everything but there is nothing to do: no job for him in the industry. The only healthy company in the sector is "Arcadia", but joining it is just an impossible dream. At this point Bruno is desperate. What he could do: to kill all the competitors? Could he? Written by
People who characterize this film as a comedy obviously haven't got it. The comic element is just a thin surface. This is a tragic story and a very strong political statement. Obviously Bruno's decisions and actions are absurd, but his circumstances are not. The movie offers an incisive look at the dark reality of chronic unemployment. Corporate greed leads to story after story after story of desperation. Westlake and Gavras know that in order to pass the message you have to lighten up the atmosphere (a la Truman Show), or else the viewer won't sit the whole movie. In order to appreciate the film you have to marginalize the main plot element (the murder story) and concentrate on all the subplots.
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