Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
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A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations ... Written by
The rights of the story was first bought by Ray Stark, back in the late 70s, with Jack Nicholson to star as Benjamin. Later, the film rights were bought by Steven Spielberg, Kathleen Kennedy and Frank Marshall under the Amblin banner. When Kennedy and Marshall left to start their own production company, they also took the rights along and only started developing the movie in 1994. David Fincher admitted that he never read the source short story. He only read the 240-page script that Eric Roth wrote. His agent, who brought the script to Fincher's attention was a former assistant of Stark. His resolve to make the film came evidently after the death of his father in 2002. See more »
During WW2, German U-boats had their white painted numbers from the conning tower removed, whereas in the film you can quite clearly see the number "497" on the side of the conning tower. See more »
Before seeing The Curious Case of Benjamin Button I wondered how I would react to the story of a man who is born old and gets younger as he grows up. Of all of the stories I have come across, this is by far the most bizarre and intriguing. If i had to pick someone to bring this story to the screen I do no think David Fincher would have been my first choice.
How wrong I would have been. This film is by far one of the best if not the best of 2008. Fincher's direction is flawless! The film from start to finish does not let up. There are moments of joy and ecstasy followed by sorrow and understanding. Brad Pitt stars as Benjamin, a boy born an old man who must live his life in reverse. His friend from childhood, Daisy, is played by Cate Blanchett. The story is narrated from Benjamin's point of view with some particular highlights from Daisy.
The cast does nothing wrong. Pitt leads with Blanchett and a strong performance from Taraji P. Henson as Benjamin's surrogate mother Queenie, the only person in the world who seems to understand and truly love him from the start. Other cameos along the way bring a large array of characters, including Tilda Swinton, one of Benjamin's early love interests.
The film spans from the end of World War I to the the arrival of Hurricane Katrina in New Orleans. The transitions from life stage to life stage and decade to decade are seamless. Fincher does a tremendous job at maintaining a steady flow of action and dialogue. There is not a dull moment in the film. The cinematography is superb and couples nicely with Fincher's style of accentuating certain colors to enhance a mood or moment.
There really is nothing wrong with this film. Even with a runtime of about 160 minutes, time just flies by, much like it does for Benjamin, only we are going forward. This is a tender and meaningful film you do not want to wish.
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