Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations ... Written by
The rights of the story was first bought by Ray Stark, back in the late 70s, with Jack Nicholson to star as Benjamin. Later, the film rights were bought by Steven Spielberg, Kathleen Kennedy and Frank Marshall under the Amblin banner. When Kennedy and Marshall left to start their own production company, they also took the rights along and only started developing the movie in 1994. David Fincher admitted that he never read the source short story. He only read the 240-page script that Eric Roth wrote. His agent, who brought the script to Fincher's attention was a former assistant of Stark. His resolve to make the film came evidently after the death of his father in 2002. See more »
Oti is referred to as a pygmy and refers to madjembe (a pygmy word for intestinal worms) which places him as a native of The Congo or Central African Republic. However, he tells Benjamin that his country has been divided by the English and Dutch. The [now: Democratic Republic of] Congo and Central African Republic were only colonized by Belgium and France respectively, while Great Britain and The Netherlands colonized South Africa. See more »
Possibly the most anticipated winter film of 2008, The Curious Case of Benjamin Button is a curious film indeed. It's got an intriguing and completely absorbing story, as well as my favorite director, David Fincher, on the top of his game. With "Button", Fincher cements his place as one of the best directors alive, as his film is nothing short of magical, mesmerizing, riveting, ground breaking, and ultimately, timeless.
When I first heard about this movie, I had to wonder...how was Fincher, the guy responsible for realistic, gripping, crime thrillers like Seven and Zodiac going to pull off the fantasy film of a lifetime? Armed with a massive budget, Fincher uses everything a director can use to craft the most charming and technically brilliant film of the year. It's a film to be cherished for ages.
"Button" has struck me like this because a recurring theme in the film is that age is only a number, and that we as people can choose what we do with our lives, no matter what our age is. What better way to tell this message than through a story where the titular character ages backwards, and must experience life in such a way? How does one fall in love when he could one day appear young enough to be his spouse's child? How does a 5 year old play with the neighborhood children when he's confined to a wheelchair stricken with old age? Fincher's epic explores our choices, lives, and the timelessness of life itself.
Brad Pitt plays the title role of Benjamin Button with a certain air of likability like he always does. While I felt he did a good job with the part, he didn't have to do much...Benjamin, fittingly, is a rather quiet character (I'd be willing to bet he narrates more than he actually talks in the film). In terms of acting, the film belongs to the ladies, Cate Blanchett and Taraji P. Henson in particular. Though Blanchett may seem overrated to some, there's no denying her unrivaled talent at playing a character as complex and deep as Daisy, and she pulls it off with ease and charisma. Taraji P. Henson will warm your heart as Benjamin's mother, as she's humorous, warm, and loving, so loving that I felt as if she was my mother.
The main complexity behind the film, especially with a director like David Fincher, is keeping the film grounded in reality, while maintaining the undeniable magic within. As a director, you don't want to lose too much of either quality, instead keeping a healthy balance of the two. I feel that Fincher accomplished this perfectly. He is mainly helped out by a magical score, and absolutely stunning cinematography (which immediately identified it as a Fincher film, because of the darkness and lighting of it).
Despite the wonder and awe of the film, mixed with the realism that Fincher always brings, the true allure of the film is not just Benjamin's aging problem, but the romance between Benjamin and Daisy, which is beautiful. Two people in love, regardless of age, time, or place. It's one of the most compelling romances of the year.
"Button" is also the most technically well made movie of 2008, as the true standouts are the Visual Effects and the Makeup, both of which are Oscar worthy. Pitt plays the character at almost every age, but it's almost impossible to tell when the CGI is being used on him. You know it's there, obviously, but you can't tell it's being used. When the transition is just smooth enough for the Visual Effects to be retired, but just rough enough to use makeup, it's absolutely perfect. If you've ever wanted to see Brad Pitt look 20 again, look no further, as the effects that make our actors young again (the same goes for Blanchett) are just as stunning as those that make them older.
Despite a long runtime, the film never drags. If I had to point out one thing I would've liked to have seen a little more of, it would've been more of Benjamin as a little kid, as I felt that was rushed (for those who don't know what I mean, I mean the last parts of the film when he's old, but his body is young). This doesn't hurt the film in any way, as it's just my wishful thinking.
I know I've used the word 'magical' a lot in this review, and don't think it's on accident. If I could pick one word to describe David Fincher's masterpiece, that would be it: magical. "The Curious Case of Benjamin Button" is a captivating piece of art that shouldn't be missed by anyone.
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