The story revolves around three soldiers - Colee, TK and Cheever - who return from the war after suffering injuries and learn that life has moved on without them. They end up on an ... See full summary »
On the invitation of her childhood best friend Patsy McCann née Willets, famed opera singer Francesca Prine - whose real name is Marie Beck - returns to Marmora, Ontario to sing in a ... See full summary »
Barbara Willis Sweete
An uptight, conservative, businesswoman accompanies her boyfriend to his eccentric and outgoing family's annual Christmas celebration and finds that she's a fish out of water in their free-spirited way of life.
Sarah Jessica Parker,
A werewolf loose in Los Angeles changes the lives of three young adults, who, after being mauled by the beast, learn they must kill their attacker if they hope to change their fate to avoid becoming werewolves too.
Portia de Rossi
During a sunny Sicilian summer Tanino has a sweet and tender story with Sally, a young American tourist. But when summer is over, Sally flies back to the States forgetting Tanino and her ... See full summary »
This is the story of a young resourceful heroine woman named Lisa Reisert who hates to fly, but the terror that awaits her on the night flight to Miami has nothing to do with a fear of flying! Upon boarding the plane, Lisa is trapped on a red-eye flight with a creepy villainous handsome and charming man by the name of Jackson Rippner, who's playing middle-man in the plot to assassinate a Homeland Security official. He's got her father pinned down by a would-be killer, using that advantage to coerce Lisa into phoning the luxury resort where she works and arranging to move the target into a pre-set position. Written by
Anthony Pereyra <firstname.lastname@example.org>
As mentioned by Wes Craven in the "making of", the lady that plays the irate customer in the beginning and end of the film was cast after Craven met her at a board meeting. He had a feeling that she would make an excellent irate customer from her persona, walked up to her after the meeting, and asked her to be in his movie. She eventually agreed. See more »
(at around 8 mins) When Lisa is talking to Jackson in the queue, in a close-up some hair is sticking across her face near her mouth, in a side shot it's gone. See more »
Red Eye is not the kind of movie that's going to win the Palme D'or, but Wes Craven has never been that kind of director, anyway, and his branding is a good indication of what a film-goer can expect.
The fact that Red Eye is a tight little, undemanding package at 94 minutes is part of its charm and an indication of Craven's craft in producing lightweight, but generally enjoyable, box office fare. In fact, it's the perfect kind of movie to show as inflight entertainment, attention-holding without putting any intellectual or emotional challenges on the viewer.
Overall there is a cheesy feeling to the plot, vague terrorist subplot motivation and the supporting characters, and the main section has a TV movie feel. However, there are definite elements of Hitchcockian suspense, and echoes of Schumacher's Phone Booth, which ultimately is a more sophisticated (and pretentious) play on the same idea of emotional crisis being played out suppressed in public.
For a film that focuses mainly on two people sitting in airline seats, it lives or dies on the characters and script. Cillian's icy but eloquent Jackson Rippner and Rachel MacAdams resourceful Lisa are the main reasons the film gets carried off. Not only making the dialogue zing but also giving some sort of Adam's Rib type dimension to their battle of 'male logic' against feminine 'sensitivity'.
In the final portion of the film Craven indulges himself a little Scream style as man-chases-girl-with-knife. The most surprising revelation here is what Brian Cox looks like after the 'Just for Men' treatment, his ubiqutous appearance in films as diverse as Super Troopers, The Ring and this making him the sexegenarian version of Jude Law.
Short haul fun.
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