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Red Eye (2005)

6.5
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Ratings: 6.5/10 from 86,835 users   Metascore: 71/100
Reviews: 663 user | 220 critic | 36 from Metacritic.com

A woman is kidnapped by a stranger on a routine flight. Threatened by the potential murder of her father, she is pulled into a plot to assist her captor in offing a politician.

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(screenplay), (story), 1 more credit »
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Cast

Cast overview, first billed only:
...
...
...
...
Blonde Woman
...
Headphone Kid
...
...
Nice Lady
...
Senior Flight Attendant
...
Charles Keefe
Terry Press ...
Marianne Taylor (as Teresa Press-Marx)
...
Bob Taylor
...
Taxi Driver
...
Airline Representative (as Mary-Kathleen Gordon)
...
Irate Passenger
...
Dallas Ticket Agent
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Storyline

This is the story of a young resourceful heroine woman named Lisa Reisert who hates to fly, but the terror that awaits her on the night flight to Miami has nothing to do with a fear of flying! Upon boarding the plane, Lisa is trapped on a red-eye flight with a creepy villainous handsome and charming man by the name of Jackson Rippner, who's playing middle-man in the plot to assassinate a Homeland Security official. He's got her father pinned down by a would-be killer, using that advantage to coerce Lisa into phoning the luxury resort where she works and arranging to move the target into a pre-set position. Written by Anthony Pereyra <hypersonic91@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

Fear Takes Flight


Motion Picture Rating (MPAA)

Rated PG-13 for some intense sequences of violence, and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

19 August 2005 (USA)  »

Also Known As:

Vuelo nocturno  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$669,913 (Spain) (23 September 2005)

Gross:

$57,859,105 (USA) (7 October 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

As mentioned by Wes Craven in the "making of", the lady that plays the irate customer in the beginning and end of the film was cast after Craven met her at a board meeting. He had a feeling that she would make an excellent irate customer from her persona, walked up to her after the meeting, and asked her to be in his movie. She eventually agreed. See more »

Goofs

(at around 8 mins) When Lisa is talking to Jackson in the queue, in a close-up some hair is sticking across her face near her mouth, in a side shot it's gone. See more »

Quotes

[first lines]
Marianne Taylor: Taylor. Bob and Marianne Taylor.
Cynthia: Just bear with me one second.
Marianne Taylor: There are other hotels in Miami.
Cynthia: I'm sorry.
Marianne Taylor: What is the problem? We made these reservations over six months ago.
Cynthia: I know, ma'am, I'm just not seeing it.
Marianne Taylor: Well, where's Lisa? Lisa always takes care of us.
Cynthia: I know, ma'am. She's out of town. Her grandmother passed away.
Bob Taylor: Cynthia, is it?
[...]
See more »

Connections

References The Parallax View (1974) See more »

Soundtracks

Look Up
Written by Henry Binns and Sam Hardaker
Performed by Zero 7
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The perfect in-flight movie
12 September 2005 | by (London, UK) – See all my reviews

Red Eye is not the kind of movie that's going to win the Palme D'or, but Wes Craven has never been that kind of director, anyway, and his branding is a good indication of what a film-goer can expect.

The fact that Red Eye is a tight little, undemanding package at 94 minutes is part of its charm and an indication of Craven's craft in producing lightweight, but generally enjoyable, box office fare. In fact, it's the perfect kind of movie to show as inflight entertainment, attention-holding without putting any intellectual or emotional challenges on the viewer.

Overall there is a cheesy feeling to the plot, vague terrorist subplot motivation and the supporting characters, and the main section has a TV movie feel. However, there are definite elements of Hitchcockian suspense, and echoes of Schumacher's Phone Booth, which ultimately is a more sophisticated (and pretentious) play on the same idea of emotional crisis being played out suppressed in public.

For a film that focuses mainly on two people sitting in airline seats, it lives or dies on the characters and script. Cillian's icy but eloquent Jackson Rippner and Rachel MacAdams resourceful Lisa are the main reasons the film gets carried off. Not only making the dialogue zing but also giving some sort of Adam's Rib type dimension to their battle of 'male logic' against feminine 'sensitivity'.

In the final portion of the film Craven indulges himself a little Scream style as man-chases-girl-with-knife. The most surprising revelation here is what Brian Cox looks like after the 'Just for Men' treatment, his ubiqutous appearance in films as diverse as Super Troopers, The Ring and this making him the sexegenarian version of Jude Law.

Short haul fun.


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