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Red Eye (2005)

PG-13 | | Mystery, Thriller | 19 August 2005 (USA)
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A woman is kidnapped by a stranger on a routine flight. Threatened by the potential murder of her father, she is pulled into a plot to assist her captor in offing a politician.

Director:

Writers:

(screenplay), (story) | 1 more credit »
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Popularity
4,028 ( 615)
2 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Blonde Woman
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Headphone Kid
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Nice Lady
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Senior Flight Attendant
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Charles Keefe
Terry Press ...
Marianne Taylor (as Teresa Press-Marx)
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Bob Taylor
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Taxi Driver
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Airline Representative (as Mary-Kathleen Gordon)
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Irate Passenger
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Dallas Ticket Agent
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Storyline

This is the story of a young resourceful heroine named Lisa Reisert who hates to fly, but the terror that awaits her on the night flight to Miami has nothing to do with a fear of flying! Upon boarding the plane, Lisa is trapped on a red-eye flight with a creepy villainous handsome and charming man by the name of Jackson Rippner, who's playing middle-man in the plot to assassinate a Homeland Security official. He's got her father pinned down by a would-be killer, using that advantage to coerce Lisa into phoning the luxury resort where she works and arranging to move the target into a pre-set position. Written by Anthony Pereyra <hypersonic91@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

Fear Takes Flight

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for some intense sequences of violence, and language | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

19 August 2005 (USA)  »

Also Known As:

Don't Airport  »

Box Office

Budget:

$26,000,000 (estimated)

Opening Weekend:

$16,167,662 (USA) (19 August 2005)

Gross:

$57,859,105 (USA) (7 October 2005)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the Audio Commentary, Wes Craven mentions the many cameos that members from the crew can be seen throughout the movie, including writer Carl Ellsworth as a passenger in the terminal, Dreamworks marketing head Terry Press as the irate hotel guest, producer Marianne Maddalena as a passenger in First-class, and production manager Tina Anderson as Rebecca's mother. Craven also mentions that assistant property master Skip Crank, first assistant director Mark Cotone, and producer Jim Lemley make an appearance as the men on the fishing boat. See more »

Goofs

Throughout the film, you can see that Jackson Rippner's eyebrows are visibly thicker or thinner in some scenes. Due to playing a trans-gendered female in Breakfast on Pluto prior to Red Eye, Cillian Murphy (Jackson) had had his eyebrows tweezed for that role. See more »

Quotes

[first lines]
Marianne Taylor: Taylor. Bob and Marianne Taylor.
Cynthia: Just bear with me one second.
Marianne Taylor: There are other hotels in Miami.
Cynthia: I'm sorry.
Marianne Taylor: What is the problem? We made these reservations over six months ago.
Cynthia: I know, ma'am, I'm just not seeing it.
Marianne Taylor: Well, where's Lisa? Lisa always takes care of us.
Cynthia: I know, ma'am. She's out of town. Her grandmother passed away.
Bob Taylor: Cynthia, is it?
[...]
See more »

Connections

Featured in Wes Craven: A New Kind of Thriller (2006) See more »

Soundtracks

Look Up
Written by Henry Binns and Sam Hardaker
Performed by Zero 7
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The perfect in-flight movie
12 September 2005 | by (London, UK) – See all my reviews

Red Eye is not the kind of movie that's going to win the Palme D'or, but Wes Craven has never been that kind of director, anyway, and his branding is a good indication of what a film-goer can expect.

The fact that Red Eye is a tight little, undemanding package at 94 minutes is part of its charm and an indication of Craven's craft in producing lightweight, but generally enjoyable, box office fare. In fact, it's the perfect kind of movie to show as inflight entertainment, attention-holding without putting any intellectual or emotional challenges on the viewer.

Overall there is a cheesy feeling to the plot, vague terrorist subplot motivation and the supporting characters, and the main section has a TV movie feel. However, there are definite elements of Hitchcockian suspense, and echoes of Schumacher's Phone Booth, which ultimately is a more sophisticated (and pretentious) play on the same idea of emotional crisis being played out suppressed in public.

For a film that focuses mainly on two people sitting in airline seats, it lives or dies on the characters and script. Cillian's icy but eloquent Jackson Rippner and Rachel MacAdams resourceful Lisa are the main reasons the film gets carried off. Not only making the dialogue zing but also giving some sort of Adam's Rib type dimension to their battle of 'male logic' against feminine 'sensitivity'.

In the final portion of the film Craven indulges himself a little Scream style as man-chases-girl-with-knife. The most surprising revelation here is what Brian Cox looks like after the 'Just for Men' treatment, his ubiqutous appearance in films as diverse as Super Troopers, The Ring and this making him the sexegenarian version of Jude Law.

Short haul fun.


51 of 75 people found this review helpful.  Was this review helpful to you?

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