Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »
A chronicle of John Lennon's first years, focused mainly in his adolescence and his relationship with his stern aunt Mimi, who raised him, and his absentee mother Julia, who re-entered his life at a crucial moment in his young life.
Kristin Scott Thomas,
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
Ian Curtis is a quiet and rather sad lad who works for an employment agency and sings in a band called Warsaw. He meets a girl named Debbie whom he promptly marries and his band, of which the name in the meantime has been changed to Joy Division, gets more and more successful. Even though Debbie and he become parents, their relationship is going downhill rapidly and Ian starts an affair with Belgium Annik whom he met after one of the gigs and he's almost never at home. Ian also suffers from epilepsy and has no-good medication for it. He doesn't know how to handle the feelings he has for Debbie and Annik and the pressure the popularity of Joy Division and the energy performing costs him. Written by
Marco van Hoof <email@example.com>
The actors playing Joy Division learned how to play the songs themselves. So the scenes where the band is playing live is not from tape, but actually the actors playing live. See more »
On the contract signed in Tony's blood, drummer Stephen Morris' name is spelled Steven. (The band mocks Tony's lightheadedness from the blood loss by falsely telling him that "Morris" needs to have a second "s" added, but no mention is made of the misspelling of his first name.) See more »
John Cooper Clarke:
The colour scheme is fuckin' brown Everywhere in chicken town, The fuckin' pubs are fuckin' dull The fuckin' clubs are fuckin' full of fuckin' girls and fuckin' guys with fuckin' murder in their eyes, A fuckin' bloke gets fuckin' stabbed waitin' for a fuckin' cab, You fuckin' stay at fuckin' home, The fuckin' neighbours fuckin' moan, Keep the fuckin' racket down This is fuckin' chicken town The fuckin' pies are fuckin' old, The fuckin' chips are fuckin' cold, The fuckin' beer is fuckin' flat, ...
See more »
For every icon, there is an unknown predecessor who paves the way. Before there was Kurt Cobain, there was Ian Curtis, lead singer of the post-punk band, Joy Division. 27 years after his tragic death, Curtis' incredible contribution to music is finally being recognized in Anton Corbijn's film, "Control." It's only fitting that Corbijn serve as director since it was his early photographs of Joy Division that reflected the band's dark, introspective songs. Corbijn went on to photograph and direct videos for such musical greats as U2, David Bowie, Depeche Mode, R.E.M. and Metallica.
With his first feature film, Corbijn avoids the pitfalls of many music video directors who inundate us with flashy and unnecessary edits and camera angles. Instead, he lets the stark black and white of the film tell the story of a lead singer tortured by epilepsy, guilt, depression and suicidal thoughts. The use of black and white also captures the factory town of Manchester, England in the late 1970s, a city crumbling under industrial and economic stress. Manchester has since rebounded and is once again thriving.
Curtis is played by relative newcomer, Sam Riley, who's quiet and unassuming approach portrays an artist inspired by his heroes, David Bowie and Iggy Pop. At a chance meeting following a Sex Pistols concert, Curtis bonds with three fellow musicians to form the band.
As Joy Division begins to flourish, Ian's relationship with his young wife, Deborah, continues to distance itself. Academy Award nominee, Samantha Morton plays the confused wife trying to understand her husband's depressed soul. The film is based on Deborah Curtis' autobiography, "Touching From A Distance", so it comes as a surprise that Morton's character does not have more scenes in the movie.
The key to Control is understanding Curtis' depression, which the film accomplishes to near perfection. As he battles epilepsy, the young singer lives in constant fear that his next seizure will be his last. His only option is to swallow a daily cocktail of prescription drugs with side effects so terrible, that most of us would rather tempt fate than endure the aftermath of the pills.
Ian's spirit is also tortured by overwhelming guilt brought on by an extra-marital affair with a part-time journalist, played by Romanian-born Alexandra Maria Lara.
The most telling scene comes when Ian records an in-studio track for the song "Isolation." While Curtis stoically sings into the microphone, his band mates are distracted with the normal banter that typically occurs in a studio.
"Mother, I tried, please believe me. I'm doing the best that I can. I'm ashamed of the things I've been put through. I'm ashamed of the person I am." The lyrics seem to fall on deaf ears except for those of the sound engineer who refers to it as "genius." But Ian's brilliance is also a desperate cry for help ignored by everyone in the studio.
The 27-year-old Riley does an excellent job of capturing Curtis' aloofness on stage. Singers such as Jim Morrison, Kurt Cobain and even the early years of Michael Stipe would often drift into the moment of the song. But when Curtis performed, he immersed himself into his own world where the music simply served as the soundtrack. Riley skillfully draws us into Ian's dark world with a range of subtle head movements and facial expressions to a whirling explosion of arm gyrations that came to personify the singer's stage performances.
Overwhelmed with grief, shame and depression, Ian finally succumbs to his demons at the young age of 23. He left behind a wife, a child and a musical legacy that is finally receiving its just rewards nearly three decades later.
For those looking for a story solely about Joy Division, Control may not be for you. But for those seeking an intuitive perspective into the anguished spirit of one of the most influential alternative bands in history, you will certainly find it in this depressing but incredibly beautiful film.
151 of 173 people found this review helpful.
Was this review helpful to you?