8 items from 2015
No film buff wants to see a promising, or prominent filmmaker pull a disappearing act a la Terrence Malick, (though it seems he isn’t keen to repeat another lapse like the one between Days of Heaven to The Thin Red Line), but whether they’re dealing with unforeseeable professional (endless pre-production woes, writer’s block) or personal issues, sometimes there is a considerable time between projects.
With John Cameron Mitchell, Charlie Kaufman, Rebecca Miller, Patty Jenkins, Kenneth Lonergan and more recently, Barry Jenkins recently moving out of the so called “inactive” period, we decided to compile a list of the top ten American filmmakers who, for the most part, we’ve lost sight of and would like to see get back in the director’s chair again. Most of the filmmakers listed below have gone well over half a decade without a substantial movement in this category. Here is »
- Nicholas Bell
There are few composers working today who are as prolific as Harry Gregson-Williams. A veteran of over 20 years, his impressive career spans television, video games, and films such as the Shrek and The Chronicles of Narnia franchises.
Last August we were invited to the world famous Abbey Road Studios where Gregson-Williams was finishing up his score for The Martian, Ridley Scott’s highly anticipated fall blockbuster. We were lucky enough to see 15 minutes of footage set to his musical cues, with the quickly catchy theme being employed in interesting ways. The finished product is sure to be a memorable addition to both Scott’s filmography and Gregson-Williams’ discography.
Before that aural treat, we had the opportunity to sit down with Gregson-Williams, and during the course of our illuminating tête-à-tête the composer talks about working with the Scott brothers, »
- Luke Owen
A new poster and “behind-the-waves” featurette have arrived online for upcoming action remake Point Break, both of which you can view right here…
See Also: Watch the first trailer for the Point Break remake
A young FBI agent, Johnny Utah (Luke Bracey), infiltrates a cunning team of thrill-seeking elite athletes – led by the charismatic Bodhi (Edgar Ramirez). The athletes are suspected of carrying out a spate of crimes in extremely unusual ways.
Deep undercover, and with his life in imminent danger, Utah strives to prove they are the architects of this string of inconceivable crimes.
The film is replete with the most daring athleticism ever seen in a motion picture. These action adventure feats are performed by elite athletes representing the world’s best in class in big-wave surfing, wingsuit flying, sheer-face snowboarding, free rock climbing, and high-speed motorcycling.
The new version of the 1991 hit is directed by Ericson Core »
- Scott J. Davis
Headey opted out of going naked for the harrowing six-minute sequence "for several reasons", one of which was so she could fully focus on the emotions in her performance.
The actress also wasn't involved in the casting process for her double, adding: "I was like, 'Listen guys, she happens to have a beautiful body, but I don't do casting'. If somebody is brave enough to do this, I applaud it."
We've found 11 other actors and actresses who've spoken candidly about choosing a body double instead of baring their naked bits on the big screen.
And you may find some film scenes quite surprising (it wasn't really Kevin Costner frolicking naked in a waterfall!).
1. Mila Kunis had actresses moon for her
Mila Kunis happily revealed that she used »
One way of telling the history of photographic arts is to describe a linear progression of more and more realistic picture-making, as if painter's brushes and pencils aimed mainly to approximate the human eye until, finally, photography emerged. (This is the premise André Bazin famously explored in “The Ontology of the Photographic Image.”) Given photography's automatic reproduction, painting could move on to express more boldly, more experimentally, more abstractly. Realism was no longer necessary. Incidentally, a lot of the most visible and most discussed uses of CGI and SFX in contemporary cinema have embodied images, actions, and temporalities that are far from realistic. These digital platforms enable visions of worlds that alter our own sufficiently so as to provide something—escape? Improvement? Color? It doesn't ultimately matter. The point is that the pixel has often been directed towards ends that seem to go against photography (and cinematography's) automatic capture of the world. »
- Zach Campbell
Cast your minds back to 2002 - a time when Pop Idols didn't need to have The X Factor, Fifty Shades of Grey were just colours on a paint sampler chart and David Beckham was a mere international superstar rather than global megastar.
Bend It Like Beckham, with a modest estimated budget of £3.7 million, opened that same year and became a critical and commercial success - breaking box office records and scoring BAFTA and Golden Globe nominations, as well as making household names of many of its stars.
As the cast continues preparing for the West End stage adaptation of Gurinder Chadha's screen hit ahead of previews on May 15, find out what the movie's ensemble cast went on to achieve - including who is coming back for the musical...
Parminder Nagra (Jess Bhamra)
Nominated for Best Newcomer at the Empire Awards on the back of the movie's success, Parminder went »
Brooklyn mobster and prolific hit man Jimmy Conlon (Neeson), once known as The Gravedigger, has seen better days. Longtime best friend of mob boss Shawn Maguire (Harris), Jimmy, now 55, is haunted by the sins of his past—as well as a dogged police detective (Vincent D’Onofrio) who’s been one step behind Jimmy for 30 years. Lately, it seems Jimmy’s only solace can be found at the bottom of a whiskey glass.
But when Jimmy’s estranged son, Mike (Joel Kinnaman), becomes a target, Jimmy must make a choice between the crime family he chose and the real family he abandoned long ago. With Mike on the run, Jimmy’s only penance for his past mistakes may be to keep »
- Michelle McCue
This Sunday, over 3,000 dolled-up guests will traverse 500 feet of red carpet on their path into the 87th Annual Academy Awards at the Dolby Theatre (where it’ll be hosted for the 14th time). But before they reach for that first glass of Piper-Heidsieck brut during the ritzy Oscar cocktail hour, a series of events, benefits, award shows and gifting suites will properly launch the festivities. Here’s where the industry’s brightest will be primping, prepping, donating and gallivanting in the days leading up to Hollywood’s biggest night.
Icon Mann Industry Panels
Where: L.A. SAG-aftra office, 11 a.m.
Why you don’t want to miss it: Industry vets will examine the evolution of black male characters throughout film history and »
- Jasmin Rosemberg
8 items from 2015
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