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Domino (2005)

6.0
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Ratings: 6.0/10 from 53,359 users   Metascore: 36/100
Reviews: 368 user | 181 critic | 36 from Metacritic.com

A recounting of Domino Harvey's life story. The daughter of actor Laurence Harvey turned away from her career as a Ford model to become a bounty hunter.

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(screenplay), (story), 1 more credit »
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Title: Domino (2005)

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Cast

Cast overview, first billed only:
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Choco (as Edgar Ramirez)
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Brian Austin Green
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Ian Ziering
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Storyline

The daughter of an actor father and a social-climber mother, Domino Harvey, bored with her life, decides to join the team of Ed Moseby and becomes a bounty hunter. But she gets in trouble when the Mafia's money is stolen from an armored truck, while Moseby and his crew are participating in a reality show produced by Mark Heiss. The situation gets out of control when the sons of a rival mobster are kidnapped while the FBI is monitoring two gangs of mobsters. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Based on a true story - sort of... See more »


Motion Picture Rating (MPAA)

Rated R for strong violence, pervasive language, sexual content/nudity and drug use | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

14 October 2005 (USA)  »

Also Known As:

Домино  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$316,097 (Australia) (2 December 2005)

Gross:

$1,063,044 (Australia) (16 December 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

For Domino's Reality TV Show in the movie, the producers created a promo poster of the three hunters with Domino on the far right. Domino's mother said they'd only go for it if Domino was in the center. The final movie poster is the same as the reality poster, with Domino in the center. See more »

Goofs

Alf is supposed to be Afghani, but when he started talking towards the end of the movie he doesn't speak in Afghani/Arabic, he is speaking in Hindi. See more »

Quotes

Domino Harvey: I've been training since I was twelve. Knives, guns, throwing stars. You name it, and I can fight with it. I'm a hard worker. I'm a hard worker and a fast learner. Nothing scares me. I'm not afraid to die.
See more »

Crazy Credits

On the Australian DVD the credits end with the real-life Domino but do not start with Keira. She is just before the real Domino See more »

Connections

References Night of the Living Dead (1968) See more »

Soundtracks

The Barrio
Written and Performed by Heitor Pereira
See more »

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User Reviews

 
Domino, we hardly knew ye...
16 June 2008 | by (Hellfudge, Pennsylvania) – See all my reviews

Tony Scott has never been a very good director, but every film he's made after "Crimson Tide" seems to bring him one step closer to being the inarguable worst working today (Michael Bay may fall into the same category, but at least his big, dumb, delusional epics entertain on some primally perverse level). And like other overblown Hollywood biopics ("De-Lovely" and "Confessions of a Dangerous Mind," for instance) chronicling the lives of pretentious, overrated, or outright shallow ciphers given an aura of "mystique" by a society that thrives on the juicy behind-the-scenes details, "Domino" is a film that begins with little potential, and dashes that infinitesimal amount before the sixty-minute mark. With an already-distended running time of 128 minutes, the film feels twice as long, and spending time with characters this obnoxiously superficial and forgettable (unlike the superior "Rules of Attraction," Scott's attempts to tinge the proceedings with irony via Domino's smug, self-aware-rich-girl voice-over only draws attention to the film's sledgehammer cluelessness) becomes an act only masochists could find pleasurable. The story? Spoiled-upper-crust-babe Domino Harvey (Keira Knightley, in an ersatz-badass performance as shallow as her gorgeous looks) is sick of the shallow lifestyles of the rich and famous in Los Angeles, and accosts gruff bounty hunters Mickey Rourke and Edgar Ramirez to learn a more exciting trade; along the way, there are double-crosses, shootouts, media attention (courtesy of a tongue-in-cheek Christopher Walken, phoning in his trademark sleazebag), and laughable hints at romance. Scott cuts the film together in segments that rarely last more than a few seconds, cranking up the resolution to make the film a neon-drenched nightmare that's frankly unpleasant to watch--if Scott's given an opportunity to shakily frame an image, ghost it, or distort it in some way, he will; but all this tacky stylistic overload overwhelms what little plot, characterization, and suspense the film has (to say nothing for its, ehm, "entertainment" value). Most of the characters come off as either contemptible or stereotypical, oftentimes both (observe the unbearable, several-minute segment where an African-American introduces a new list of racial categorizations on "Jerry Springer"), and I found myself wishing they would all get the "tails" end of our protagonist's coin by the end. "Domino" is utter, unmitigated trash--whatever interest in this individual Scott hoped to inspire in his audience, it is lost in a sea of migraine-inducing neon pretension a few minutes in.


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Any one else actualy like it? quentinrules
Does this style of directing really appeal to anyone? jhopkin1
ANYBODY WANT THE SOUNDTRACK? bluisamood
BRILLIANT HERES WHAT I THINK.... quentinrules
Why are both Brian Austin Green and Ian Ziering playing themselves ? nonni_toni
The best bit of the film in my opinion. annaFTW
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