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A recounting of Domino Harvey's life story. The daughter of actor Laurence Harvey turned away from her career as a Ford model to become a bounty hunter.



(screenplay), (story) | 1 more credit »
3,919 ( 393)
2 wins. See more awards »



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Cast overview, first billed only:
Choco (as Edgar Ramirez)
Brian Austin Green
Ian Ziering


The daughter of an actor father and a social-climber mother, Domino Harvey, bored with her life, decides to join the team of Ed Moseby and becomes a bounty hunter. But she gets in trouble when the Mafia's money is stolen from an armored truck, while Moseby and his crew are participating in a reality show produced by Mark Heiss. The situation gets out of control when the sons of a rival mobster are kidnapped while the FBI is monitoring two gangs of mobsters. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis


Heads You Live... Tails You Die. See more »

Motion Picture Rating (MPAA)

Rated R for strong violence, pervasive language, sexual content/nudity and drug use | See all certifications »

Parents Guide:




| |


Release Date:

14 October 2005 (USA)  »

Also Known As:

Домино  »

Box Office


$50,000,000 (estimated)

Opening Weekend:

£481,409 (UK) (14 October 2005)


$10,137,232 (USA) (4 November 2005)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Edgar Ramírez wanted to meet Gerard Quiocho, the real life 'Choco', but according to Ramírez, Tony Scott had mistakenly been told that Quiocho was dead. Scott later found out through Domino Harvey that Quiocho was alive. See more »


At Laurence Harvey's funeral, Domino is holding and smelling a rose. In the next few frames the stem of the rose she's holding is actually a tulip stem and leaves. Then we cut back to Domino throwing a rose onto her father's casket. See more »


Claremont Williams: It's very simple. The, DMV is the de facto conduit for all humanity, and every human being that we track down has a record in the DMV database. Whether it be LAPD, Social Services, the Credit Bureau, or the FBI, they all use the DMV's database as their hub. So, we have people on the inside who feed us the information.
Ed: And who would know it? The gatekeepers of humanity turn out to be a bunch of sassy black women.
See more »

Crazy Credits

On the Australian DVD the credits end with the real-life Domino but do not start with Keira. She is just before the real Domino See more »


References Sunset Boulevard (1950) See more »


Jesus Gonna Be Here
Written by Tom Waits
Performed by Tom Waits
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
See more »

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User Reviews

Tony Scott's Postmodern Masterpiece
16 October 2005 | by (United States) – See all my reviews

" Domino " has been widely condemned on this site for its frenetic editing style and " sickening " photography. It's detractors cite its superficiality and criticize its deployment of " style over substance" I couldn't disagree more. I believe that " Domino " represents the absolute height of Tony Scott's film-making career.

After having created the dominant Hollywood action movie style throughout the late eighties and early nineties Tony Scott has moved progressively closer to a more subjective style of cinema. As early as "Crimson Tide" Scott used his stylistic talent to portray the inner worlds of his characters- the claustrophobia and drama inherent in the conflict on board a nuclear submarine was embodied in the excellent use of long lenses combined with dutched-angle framing. This was then carried through to " Enemy Of The State" and "Spy Game" which visually represented the worlds of surveillance and espionage respectively.

" Man On Fire" was an extreme departure , a move into an expressionist more painterly aesthetic. Here Scott used an antiquated hand cranked camera and flash frames to express his character's explosive rage . Although not entirely successful it introduced the techniques which were to find their full expression in " Domino"

Couched in the framing device of an FBI interrogation " Domino" presents the life of the infamous bounty hunter via her narrated disjointed fragments of memory. She grasps at memories as we all do- in fragments, flashes and brief snatches. As Domino relays her story verbally Scott relays it visually illustrating not only the events which she describes but also the point of view which guides them. She does have " traces of mescaline" in her system but her individual vision is anyway Unusual -that of an woman who eschewed the life of luxury for bounty hunting.

It is when Domino begins to relate the events which lead to her captivity that Scott really lets rip. Together with Cinematographer Dan Mindel and composer Harry-Gregson Williams Scott orchestrates a postmodern canvas of contemporary Americana. Gradually we begin to realize that unusual though she may be Domino is no more disjointed than the "90210" culture she has rejected. As she wades through this cultural melange Scott makes his viewer more aware of the innocence which it destroys through the underprivileged children which the narrative introduces. Ultimately Scott portrays their salvation as the only escape we have from this surreal trip.

To criticize this movie for being overly stylized is akin to criticizing a Picasso or a Pollock for not representing that which is recognizably human. Like any great painting the meaning in " Domino" is in the surface and the surface is everything.

I am not in any way associated with Scott Free but have always been and will continue to be a huge admirer of Tony Scott's work

213 of 390 people found this review helpful.  Was this review helpful to you?

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Any one else actualy like it? quentinrules
Does this style of directing really appeal to anyone? jhopkin1
Quiet possibly the worst movie I've ever seen! abrules
Why are both Brian Austin Green and Ian Ziering playing themselves ? nonni_toni
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