A recounting of Domino Harvey's life story. The daughter of actor Laurence Harvey turned away from her career as a Ford model to become a bounty hunter.
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An aging cop is assigned the ordinary task of escorting a fast-talking witness from police custody to a courthouse. There are however forces at work trying to stop prevent them from making it.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
A police sergeant must rally the cops and prisoners together to protect themselves on New Year's Eve, just as corrupt policeman surround the station with the intent of killing all to keep their deception in the ranks.
Director:
Jean-François Richet
Stars:
Ethan Hawke,
Laurence Fishburne,
Gabriel Byrne
A low-ranking thug is entrusted by his crime boss to dispose of a gun that killed corrupt cops, but things get out of control when the gun ends up in wrong hands.
A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.
The daughter of an actor father and a social-climber mother, Domino Harvey, bored with her life, decides to join the team of Ed Moseby and becomes a bounty hunter. But she gets in trouble when the Mafia's money is stolen from an armored truck, while Moseby and his crew are participating in a reality show produced by Mark Heiss. The situation gets out of control when the sons of a rival mobster are kidnapped while the FBI is monitoring two gangs of mobsters. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Tony Scott met Domino ten years previously to make a movie of her life but only nailed the script when Richard Kelly came on board in 2002, creating the whole DMV plot to tie everything together. See more »
Goofs
During the bounty hunting seminar, Claremont holds a microphone in the opening shot; this disappears in the second shot, but reappears in the next. See more »
Quotes
Howie Stein:
Now, if 2 Live Crew has taught us anything, it's that horniness in today's society is out of control. And at one point within the next decade, mark my words, ladies and gentlemen, society will have reached something I call APATT..."All porno, all the time." Pornography will have become an epidemic in this country. Phase one... masturbation.
See more »
Crazy Credits
The credits for the principal cast are shown by first name only in the closing credits, ending with the real Domino Harvey, followed by an "In Loving Memory" title card for Domino. See more »
My name is Domino Harvery. {EDIT *dizzying* CHOP} My--my--my name is Domino Harvey. {CUT, CHOP} My name is Domino Harvey. {EDIT. CUT. Playback}
Never have I seen a director take so much flack for his style before. By now it is evident that most people do not appreciate Tony Scott's choppy, flashy, dizzying editing technique. If I have to choose between loving it and hating it, I'd say I love it. It was borderline distracting at times, but the end result was pretty good and it's nice to see a director with a creative edge to his style and some originality (even if it borrows heavily from MTV videos).
This stylistic edge manifests itself as Keira Knightley plays the role of cocky badass bounty hunter Domino Harvey and even her dialogue seems strangely choppy. Otherwise she plays her poorly because I pretty much hated her character and did not sympathize one bit with her, no matter how much she suffered. We follow Domino through her life as she joins up with fellow bounty hunters Mickey Rourke, Rizwan Abbasi and Edgar Ramirez. The crew become tangled up in the FBI and suddenly has a reality show contract under Christopher Walken's TV production company (what is Christopher Walken doing in every film, by the way?). I guess that is a clever film technique, because now Tony Scott is free to use as much flashy MTV/Reality Show editing footage as he likes. It becomes a pastiche of MTV culture at this point.
It followes then that the story is told at an amazingly rapid-fire pace, with lots of raunchy strong language and gun violence. There are some funny jokes; it's all very modern and surreal at the same time. It's a mess, but it's a rather enjoyable mess. It is ultimately flawed in so many ways (the actors try too hard to make their characters "cool", for one) but it works. I give it a weak 7/10 which may seem generous when compared to the general consensus of movie-goers who graded this film but I feel it had some good ideas and executed them well.
7 out of 10
89 of 130 people found this review helpful.
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My name is Domino Harvery. {EDIT *dizzying* CHOP} My--my--my name is Domino Harvey. {CUT, CHOP} My name is Domino Harvey. {EDIT. CUT. Playback}
Never have I seen a director take so much flack for his style before. By now it is evident that most people do not appreciate Tony Scott's choppy, flashy, dizzying editing technique. If I have to choose between loving it and hating it, I'd say I love it. It was borderline distracting at times, but the end result was pretty good and it's nice to see a director with a creative edge to his style and some originality (even if it borrows heavily from MTV videos).
This stylistic edge manifests itself as Keira Knightley plays the role of cocky badass bounty hunter Domino Harvey and even her dialogue seems strangely choppy. Otherwise she plays her poorly because I pretty much hated her character and did not sympathize one bit with her, no matter how much she suffered. We follow Domino through her life as she joins up with fellow bounty hunters Mickey Rourke, Rizwan Abbasi and Edgar Ramirez. The crew become tangled up in the FBI and suddenly has a reality show contract under Christopher Walken's TV production company (what is Christopher Walken doing in every film, by the way?). I guess that is a clever film technique, because now Tony Scott is free to use as much flashy MTV/Reality Show editing footage as he likes. It becomes a pastiche of MTV culture at this point.
It followes then that the story is told at an amazingly rapid-fire pace, with lots of raunchy strong language and gun violence. There are some funny jokes; it's all very modern and surreal at the same time. It's a mess, but it's a rather enjoyable mess. It is ultimately flawed in so many ways (the actors try too hard to make their characters "cool", for one) but it works. I give it a weak 7/10 which may seem generous when compared to the general consensus of movie-goers who graded this film but I feel it had some good ideas and executed them well.
7 out of 10