| Peter Bart | ... | Himself | |
| Verna Bloom | ... | Herself | |
| Billy Crystal | ... | Himself | |
| Michael Douglas | ... | Himself | |
| Jane Fonda | ... | Herself | |
| Milos Forman | ... | Himself | |
| Troy Garity | ... | Himself | |
| Ronnie Gilbert | ... | Herself | |
| Conrad L. Hall | ... | Himself | |
| Conrad W. Hall | ... | Himself | |
| Tom Hayden | ... | Himself | |
| Dennis Hopper | ... | Himself | |
| Ron Howard | ... | Himself | |
| Norman Jewison | ... | Himself | |
| Elia Kazan | ... | Himself (archive footage) | |
| Irvin Kershner | ... | Himself | |
| George Lucas | ... | Himself | |
| Albert Maysles | ... | Himself | |
| Daniel Moder | ... | Himself (as Danny Moder) | |
| Paul Newman | ... | Himself | |
| Sidney Poitier | ... | Himself | |
| Julia Roberts | ... | Herself | |
| John Sayles | ... | Himself | |
| Martin Sheen | ... | Himself | |
| Lee Tamahori | ... | Himself | |
| Studs Terkel | ... | Himself | |
| Haskell Wexler | ... | Himself (also archive footage) | |
| Mark Wexler | ... | Himself (also archive footage) | |
| Simon Wexler | ... | Himself (archive footage) | |
| Jonathan Winters | ... | Himself | |
| D.P. Carlson | ... | Himself (uncredited) | |
| Johnny Grant | ... | Himself (uncredited) | |
| Rob Reiner | ... | Himself (uncredited) |
Directed by | |||
| Mark Wexler | (as Mark S. Wexler) | ||
Writing credits(in alphabetical order) | ||
| Robert DeMaio | ||
| Mark Wexler | (as Mark S. Wexler) | |
Produced by | |||
| Mark Luethi | .... | associate producer | |
| Mark Wexler | .... | producer (as Mark S. Wexler) | |
Original Music by | |||
| Blake Leyh | |||
Cinematography by | |||
| Mark Wexler | (as Mark S. Wexler) | ||
Film Editing by | |||
| Robert DeMaio | |||
Sound Department | |||
| Marty Church | .... | foley mixer | |
| Michael Kowalski | .... | sound mixer | |
Visual Effects by | |||
| Jeff Defalque | .... | AfterFX artist | |
| Ricardo Echevarria | .... | AfterFX artist (as Rick Echevarria) | |
Camera and Electrical Department | |||
| Joan Churchill | .... | additional camera operator | |
| John Ealer | .... | additional camera operator | |
| Jon Else | .... | additional camera operator | |
| Sarah Levy | .... | additional photographer | |
| Patrick Loungway | .... | additional camera operator | |
| Keith Walker | .... | additional camera operator | |
| Clay Westervelt | .... | camera operator | |
| Haskell Wexler | .... | additional camera operator | |
Editorial Department | |||
| Randy L. Anderson | .... | color timer | |
| Nathan Adams | .... | technical consultant (uncredited) | |
Other crew | |||
| Barbara Gregson | .... | clearance consultant | |
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| The Aviator | The Kid Stays in the Picture | Chris & Don. A Love Story | The Stunt Man | My Own Private Idaho |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
A virtuoso effort.
This documentary is one of the best I have ever seen even after the fifth viewing.
"Tell them Who You Are" is about the great exploration of a father and son's troubled relationship.
It also shows the professional side of Haskell Wexler and has great interviews with many famous stars telling their tales of working with him.
Mark Wexler is truly a gifted filmmaker.
He is, dare I say, much like his father in that he doesn't sugar coat any aspect of this film.
It is a great film for all audiences.