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Directed by | |||
| Baltasar Kormákur | |||
Writing credits(in alphabetical order) | ||
| Baltasar Kormákur | writer | |
| Edward Martin Weinman | co-writer | |
Original Music by | |||
| Mugison | |||
Cinematography by | |||
| Óttar Guðnason | |||
Film Editing by | |||
| Sigvaldi J. Kárason | |||
| Virginia Katz | |||
| Richard Pearson | |||
Casting by | |||
| Liora Reich | |||
Production Design by | |||
| Karl Júlíusson | |||
Art Direction by | |||
| Eggert Ketilsson | |||
Set Decoration by | |||
| Kristrun Eyjolfsdottir | |||
| Atli Geir Grétarsson | |||
| Rebekka A. Ingimundardóttir | |||
| Harrý Jóhannsson | |||
| Halfdan Pedersen | |||
Costume Design by | |||
| Helga I. Stefánsdóttir | |||
Makeup Department | |||
| Ragna Fossberg | .... | hair stylist | |
| Ragna Fossberg | .... | makeup artist | |
| Stefan Jorgen | .... | special makeup effects artist | |
Production Management | |||
| Rannveig Jónsdóttir | .... | unit production manager | |
| Leslie Rodier | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Leifur B. Dagfinnsson | .... | first assistant director | |
| Aryn Guiney | .... | second assistant director | |
| Silja Hauksdóttir | .... | second assistant director | |
Art Department | |||
| Jakob Fenger | .... | carpenter | |
| Atli Geir Grétarsson | .... | property master | |
| Sveinn Hjartasson | .... | props | |
| Karl Júlíusson | .... | set designer | |
| Daniel Newton | .... | props | |
| Colin Paul | .... | sets and prop buyer | |
| Baltasar Samper | .... | storyboard artist | |
Sound Department | |||
| Mark DeSimone | .... | adr mixer: New York | |
| Dimitra Drakopoulou | .... | dialogue editor | |
| Kjartan Kjartansson | .... | sound designer | |
| Nicolas Liebing | .... | sound effects editor | |
| Ingvar Lundberg | .... | sound re-recording mixer | |
| Björn Viktorsson | .... | dialog editor | |
Special Effects by | |||
| Baltasar Breki Baltasarsson | .... | special effects | |
| Stefan Jorgen | .... | rubber iron effects | |
| Gunnar Pálsson | .... | special effects supervisor | |
| Johannes Sverrisson | .... | special effects | |
Visual Effects by | |||
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Antonio Torres | .... | digital artist: Digital Intermediate, Pacific Title (uncredited) | |
Stunts | |||
| Aris Comninos | .... | stunt double | |
| Steve Griffin | .... | stunt supervisor | |
| Rob Hunt | .... | stunt performer | |
| Charles Jarman | .... | stunt double: Forest Whitaker | |
| Valdimar Jóhannsson | .... | stunt driver | |
| Adam Kirley | .... | stunt driver | |
| Kim McGarrity | .... | stunt double | |
Camera and Electrical Department | |||
| Matt Bardocz | .... | best boy electric | |
| Elli Cassata | .... | camera operator: "c" camera | |
| Elli Cassata | .... | focus puller: "b" camera | |
| Arnar Einarsson | .... | best boy grip | |
| Pétur Örn Eyjólfsson | .... | camera loader | |
| Arni Filippusson | .... | clapper loader | |
| Steingrimur G.H. | .... | electrician trainee (as Eysteinn Gudni Gudnason) | |
| Finnur Thor Gudjonsson | .... | additional electrician | |
| Styrmir Haflidason | .... | first assistant camera: "b" camera | |
| Omar Jabali | .... | second assistant camera | |
| Paul McIlvaine | .... | gaffer | |
| Nicolas Restrepo | .... | first assistant camera | |
| Víðir Sigurðsson | .... | camera operator: second unit | |
| Sigurgeir Thordarsson | .... | key grip (as Sigurgeir Thordarson) | |
Casting Department | |||
| Harpa Elisa Thorsdóttir | .... | extras casting | |
Costume and Wardrobe Department | |||
| Bergthóra Magnúsdóttir | .... | costumer | |
Editorial Department | |||
| Corinne Bogdanowicz | .... | assistant colorist | |
| Paul Bronkar | .... | supervising digital intermediate colorist | |
| Lizzy Calhoun | .... | assistant editor | |
| George Chavez | .... | color timer | |
| Doug Delaney | .... | digital intermediate colorist | |
| Steve Farman | .... | negative cutter | |
| Kacie Haggerty | .... | digital intermediate producer | |
| Sigvaldi J. Kárason | .... | additional editor | |
| Ladd Lanford | .... | digital intermediate executive | |
| Sean Thompson | .... | first assistant editor | |
| Amy Tompkins | .... | digital intermediate editor | |
| Byron Wong | .... | assistant editor | |
Other crew | |||
| Orn Alexander Amundasson | .... | runner | |
| Sigurbjörn Búi Baldvinsson | .... | production assistant | |
| Greg Bernstein | .... | legal services | |
| Ásta Briem | .... | production coordinator | |
| Aditya Ezhuthachan | .... | production coordinator: Los Angeles | |
| Aslaug Konradsdottir | .... | script supervisor | |
| Kristina Lankford | .... | dialect coach | |
| Davíd Óskar Ólafsson | .... | office production assistant | |
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| Basic Instinct | Body Double | Premonition | D-Tox | The Matador |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Iceland section | Add this title to MyMovies |
This was an intriguing, although not satisfying,, movie and one I still felt was worth my few bucks I paid to rent it.
It was filmed in Iceland - one of the few films I've heard of with that locale - but the story in the film takes place somewhere in Midwestern America. I knew that going in, so it made it kind of strange to view, in that respect. However, the story seemed very realistic. In parts, it almost felt like a documentary, it was so real and atmospheric.
However, as much as I enjoyed the movie, and particularly Forest Whitaker with his odd accent, the ending was a big disappointment. The film had so much promise up until then.
Some people say this film had the feel of a Coen Brothers movie, and I agree with that. To some, this might also have been a bit slow or boring but I thought it had unique atmosphere to it. With a more satisfying ending, I would have bought the DVD and watched it several more times.