Amidst a vibrant house party, Downing explores the complicated minefield of teenage sexuality as John, the isolated local gay lad, finds an opportunity to exact revenge on his straight oppressor, the popular and handsome Daniel.
Ross William Wild,
Felix is secretly in love with Ralph. This doesn't seem to be the biggest problem. But Felix is 15 and Ralph his 34 years old soccer coach. They meet every day in an ambush. One day Felix ... See full summary »
Joaquin (Polo Ravales), an unassuming fisherman, is forced to confront his homosexuality when his sex-starved wife Cynthia (Althea Vega) returns from her overseas job eager to get pregnant.... See full summary »
Fernando, a.k.a. Fernanda, a 19-year-old Brazilian transvestite, travels to Milan and becomes a prostitute to finance sex-change surgery. Fernanda dreams of becoming a "real" woman, but in ... See full summary »
Ingrid de Souza,
Young girl spends her adolescence in an institution for minors, developing some masculine traits in her personality. In this hostile environment, she can only find some sympathy in a ... See full summary »
Ana Beatriz Nogueira,
Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of ... See full summary »
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
A couple of gay men must break up due the impossibility of one of them to accept his homosexual condition. The farewell gets very difficult when the other one tries to convince him to accept himself and not to leave him.
Lonely teenager Marc is secretly in love with Olaf, the cool boy-next-door. He dreams about a relationship with him, and when the two go camping, this dream seems to become reality for Marc... See full summary »
It's Christmas Eve 1971 in Manhattan's Greenwich Village, and the regulars of the local gay bar "The Blue Jay" are celebrating. Not much has changed since the Stonewall riots, and while the... See full summary »
On November 16, 1959, Truman Capote reads about the murder of a Kansas family. There are no suspects. With Harper Lee, he visits the town: he wants to write about their response. First he must get locals to talk, then, after arrests, he must gain access to the prisoners. One talks constantly; the other, Perry Smith, says little. Capote is implacable, wanting the story, believing this book will establish a new form of reportage: he must figure out what Perry wants. Their relationship becomes something more than writer and character: Perry killed in cold blood, the state will execute him in cold blood; does Capote get his story through cold calculation, or is there a price for him to pay? Written by
Early in the movie Harper Lee and Capote order drinks in a Holcomb, Kansas restaurant. At the time of the movie's action, Kansas was dry as a bone. You couldn't buy a drink in a Kansas restaurant until state liquor laws began to change in the mid '80s. See more »
[on Truman's voice]
To the lucky person who has never heard it, I can only say: imagine what a brussels sprout would sound like, if a brussels sprout could talk.
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"There will be time to murder and create." T.S. Eliot's Prufrock
Truman Capote described murderer Perry Smith as between the "tender and the terrible." Such may be said about writer/director Douglas McGrath's superior Infamous, a tale of Truman Capote's (Toby Jones) love affair with his innovative novelization, In Cold Blood, and its protagonist,Perry Smith (Daniel Graig). The tender is Capote's love of his female friends, especially Harper Lee (Sandra Bullock) and Smith (DanielCraig), and the terrible slaughter of the Kansas farm family in 1959 by Smith and friend Dick Hickock (Lee Pace).
Inevitable as accusing Toby Jones of only imitating Capote is the comparison with Philip Seymour Hoffman's Oscar performance of the titular author in Capote (1955). Jones's turn is more complex than Hoffman's, alternating between Capote's imaginative connection with the crime and his growing respect, even love, for Smith. In fact, the well-known love between the men is avoided in Capote but highlighted in Infamous.
I was hooked in the first sequence, when Gwyneth Paltrow as Peggy Lee sings "What is this thing called love?" and breaks down in apparent awareness of her own losses. The song, perfect for the themes of the film, and the film's score carry a melancholy with them that McGrath captures in Tru's constantly frustrated search for truth and love and Lee's inability to pen another novel after her Pulitzer-Prize-winning To Kill a Mockingbird. For that matter, Capote never completes a significant piece after that himself.
Last year's Capote seemed centered on the conflict in Truman over whether or not he was exploiting Smith to get a story and then never fully engaging a campaign to free them. This year's Infamous (a poor title regardless of it double artistic appropriateness) is more interested in Truman's struggle to write a new kind of fiction (docudrama) and his true affection for Smith. Infamous fleshes out the story and the fabulous artist whose "Breakfast at Tiffany's" and "In Cold Blood" are cultural staples of 20th century life.
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