Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Truman Capote, during his research for his book In Cold Blood, an account of the murder of a Kansas family, the writer develops a close relationship with Perry Smith, one of the killers.
Director:
Bennett Miller
Stars:
Allie Mickelson,
Philip Seymour Hoffman,
Catherine Keener
A true story about Frank Abagnale Jr., who, before his 19th birthday, successfully conned millions of dollars' worth of checks as a Pan Am pilot, doctor, and legal prosecutor.
Director:
Steven Spielberg
Stars:
Leonardo DiCaprio,
Tom Hanks,
Christopher Walken
Chopper tells the intense story of Mark "Chopper" Read, a legendary criminal who wrote his autobiography while serving a jail sentence in prison. His book, "From the Inside", upon which the film is based, was a best-seller.
A man befriends a fellow criminal as the two of them begin serving their sentence on a dreadful prison island, which inspires the man to plot his escape.
On November 16, 1959, Truman Capote reads about the murder of a Kansas family. There are no suspects. With Harper Lee, he visits the town: he wants to write about their response. First he must get locals to talk, then, after arrests, he must gain access to the prisoners. One talks constantly; the other, Perry Smith, says little. Capote is implacable, wanting the story, believing this book will establish a new form of reportage: he must figure out what Perry wants. Their relationship becomes something more than writer and character: Perry killed in cold blood, the state will execute him in cold blood; does Capote get his story through cold calculation, or is there a price for him to pay? Written by
<jhailey@hotmail.com>
Sigourney Weaver talked to Babe Paley's daughter while researching for the role. The girl told her about a habit her mother had (covered the teeth whenever she smiled) and Weaver actually did it on the movie. See more »
Goofs
Razor ribbon shown on the prison walls and fences was not invented until the late 1960s. See more »
Quotes
Gore Vidal:
[on Truman's voice]
To the lucky person who has never heard it, I can only say: imagine what a brussel sprout would sound like, if a brussel sprout could talk.
See more »
"There will be time to murder and create." T.S. Eliot's Prufrock
Truman Capote described murderer Perry Smith as between the "tender and the terrible." Such may be said about writer/director Douglas McGrath's superior Infamous, a tale of Truman Capote's (Toby Jones) love affair with his innovative novelization, In Cold Blood, and its protagonist,Perry Smith (Daniel Graig). The tender is Capote's love of his female friends, especially Harper Lee (Sandra Bullock) and Smith (DanielCraig), and the terrible slaughter of the Kansas farm family in 1959 by Smith and friend Dick Hickock (Lee Pace).
Inevitable as accusing Toby Jones of only imitating Capote is the comparison with Philip Seymour Hoffman's Oscar performance of the titular author in Capote (1955). Jones's turn is more complex than Hoffman's, alternating between Capote's imaginative connection with the crime and his growing respect, even love, for Smith. In fact, the well-known love between the men is avoided in Capote but highlighted in Infamous.
I was hooked in the first sequence, when Gwyneth Paltrow as Peggy Lee sings "What is this thing called love?" and breaks down in apparent awareness of her own losses. The song, perfect for the themes of the film, and the film's score carry a melancholy with them that McGrath captures in Tru's constantly frustrated search for truth and love and Lee's inability to pen another novel after her Pulitzer-Prize-winning To Kill a Mockingbird. For that matter, Capote never completes a significant piece after that himself.
Last year's Capote seemed centered on the conflict in Truman over whether or not he was exploiting Smith to get a story and then never fully engaging a campaign to free them. This year's Infamous (a poor title regardless of it double artistic appropriateness) is more interested in Truman's struggle to write a new kind of fiction (docudrama) and his true affection for Smith. Infamous fleshes out the story and the fabulous artist whose "Breakfast at Tiffany's" and "In Cold Blood" are cultural staples of 20th century life.
41 of 53 people found this review helpful.
Was this review helpful to you?
"There will be time to murder and create." T.S. Eliot's Prufrock
Truman Capote described murderer Perry Smith as between the "tender and the terrible." Such may be said about writer/director Douglas McGrath's superior Infamous, a tale of Truman Capote's (Toby Jones) love affair with his innovative novelization, In Cold Blood, and its protagonist,Perry Smith (Daniel Graig). The tender is Capote's love of his female friends, especially Harper Lee (Sandra Bullock) and Smith (DanielCraig), and the terrible slaughter of the Kansas farm family in 1959 by Smith and friend Dick Hickock (Lee Pace).
Inevitable as accusing Toby Jones of only imitating Capote is the comparison with Philip Seymour Hoffman's Oscar performance of the titular author in Capote (1955). Jones's turn is more complex than Hoffman's, alternating between Capote's imaginative connection with the crime and his growing respect, even love, for Smith. In fact, the well-known love between the men is avoided in Capote but highlighted in Infamous.
I was hooked in the first sequence, when Gwyneth Paltrow as Peggy Lee sings "What is this thing called love?" and breaks down in apparent awareness of her own losses. The song, perfect for the themes of the film, and the film's score carry a melancholy with them that McGrath captures in Tru's constantly frustrated search for truth and love and Lee's inability to pen another novel after her Pulitzer-Prize-winning To Kill a Mockingbird. For that matter, Capote never completes a significant piece after that himself.
Last year's Capote seemed centered on the conflict in Truman over whether or not he was exploiting Smith to get a story and then never fully engaging a campaign to free them. This year's Infamous (a poor title regardless of it double artistic appropriateness) is more interested in Truman's struggle to write a new kind of fiction (docudrama) and his true affection for Smith. Infamous fleshes out the story and the fabulous artist whose "Breakfast at Tiffany's" and "In Cold Blood" are cultural staples of 20th century life.