In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
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On November 16, 1959, Truman Capote reads about the murder of a Kansas family. There are no suspects. With Harper Lee, he visits the town: he wants to write about their response. First he must get locals to talk, then, after arrests, he must gain access to the prisoners. One talks constantly; the other, Perry Smith, says little. Capote is implacable, wanting the story, believing this book will establish a new form of reportage: he must figure out what Perry wants. Their relationship becomes something more than writer and character: Perry killed in cold blood, the state will execute him in cold blood; does Capote get his story through cold calculation, or is there a price for him to pay? Written by
It could be a work of fiction. Just like the factual novel of Truman Capote. For maximum enjoyment one should forget last years "Capote". Like so many other things in modern pop culture the same stories can be told countless times, the versions vary but at its center there is a truth that its stranger than fiction. Truman Capote is like an alien visiting our planet, his intellect allows him to see beyond our limitations and his need to belong to be accepted transforms him into one of the greatest manipulators of all time. Toby Jones is extraordinary. There is no performance other that Capote's own daily performance to charm and seduce everyone who has anything he needs. He seems him quiver when his rapport with Perry King takes unexpected erotic turns. There is real sexual tension in their scenes together. I believed it, Perry King I mean, I believe that he felt compelled and attracted by this tiny,famous,alien celebrity. Daniel Craig is superb and his character has the power to get under our skin without betraying the brutal side of his nature. What Capote felt is another story. He lies so blatantly, so beautifully that it's impossible to tell, maybe even Capote himself couldn't tell. Doug McGrath's version of the events is funnier, more entertaining and certainly more theatrical that last year's version that I've advised you to forget - The advise is heartfelt but difficult to put into practice - Sandra Bullock, Juliet Stevenson, Sigourney Weaver and Isabella Rossellini contribute to the fun and to the theatrical feel of "Infamous" If you're a sucker for pop culture and who isn't? Run to see it.
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