Critic Reviews



Based on 19 critic reviews provided by Metacritic.com
Entertainment Weekly
Ricardo Darín, wearing a mild-mannered expression of emotional remove, plays the unnamed antihero, obsessed with imagining the perfect robbery. The ''aura'' is the clarity with which he sees -- or imagines he sees -- the world in moments preceding an epileptic attack.
The film is a sure winner for arthouse audiences enamored of the new Argentine cinema, but it has crossover appeal for venturesome viewers in search of a good mystery, as well.
Chicago Tribune
Darin is an actor who's really consummate at suggesting two simultaneous levels of character.
The Aura is richer and less showy than "Nine Queens," and it lifts off from the gangster genre to contemplate deeper mysteries.
New York Daily News
The tension and intrigue between the pretender and his would-be associates is as dense as the woods surrounding their hiding place.
Bielinsky's "Nine Queens" was a complex romp through the machinations of high-stakes con artists, but this intricately plotted mystery ventures into darker psychological territory and never misses a step.
The Globe and Mail (Toronto)
Its rhythm is deliberate and unhurried, yet the film is rich with detail and with small, meaningful character revelations -- the running time of more than two hours feels just right.
The Hollywood Reporter
Bielinsky is a most expressive director, achieving considerable nuances and depths of emotion with characters' looks, gestures, body language and silences.
While an enjoyable twist on the noir genre, a little more character development would have been nice.
The careful camera work, beautifully dank cinematography and the quietly nuanced performance by Darín keep our attention, but in the end, the film's bigger challenge isn't its length, or its deliberate pace: It's that it's overly freighted with symbolism and meaning.

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