| Photos (see all 11 | slideshow) | Videos |
| Ricardo Darín | ... | Esteban Espinosa (The taxidermist) | |
| Dolores Fonzi | ... | Diana Dietrich | |
| Pablo Cedrón | ... | Sosa | |
| Nahuel Pérez Biscayart | ... | Julio | |
| Jorge D'Elía | ... | Urien | |
| Alejandro Awada | ... | Sontag | |
| Rafa Castejón | ... | Vega | |
| Manuel Rodal | ... | Carlos Dietrich | |
| Walter Reyno | ... | Montero | |
| Alejandro Gancé | |||
| Daniel Alejandro Ovando | |||
| rest of cast listed alphabetically: | |||
| Guido D'Albo | ... | Hotel administrator | |
| Daniel Delevin | |||
| Eva | ... | The dog | |
| Claudio Rissi | ... | Vega (voice) | |
| Victoria Vescio | ... | Vanina, the prostitue's daughter | |
Directed by | |||
| Fabián Bielinsky | |||
Writing credits(in alphabetical order) | ||
| Fabián Bielinsky | writer | |
Produced by | |||
| Mariela Besuievski | .... | producer | |
| Cecilia Bossi | .... | executive producer | |
| Pablo Bossi | .... | producer | |
| José Garcia Espina | .... | on-set executive producer | |
| Samuel Hadida | .... | producer | |
| Victor Hadida | .... | executive producer | |
| Gerardo Herrero | .... | producer | |
| Ariel Saúl | .... | executive producer | |
Original Music by | |||
| Lucio Godoy | |||
Cinematography by | |||
| Checco Varese | |||
Film Editing by | |||
| Alejandro Carrillo Penovi | |||
| Fernando Pardo | |||
Casting by | |||
| Eugenia Levin | |||
Art Direction by | |||
| Mercedes Alfonsín | |||
Costume Design by | |||
| Marisa Urruti | |||
Production Management | |||
| Federico Brizzio | .... | production manager | |
| Micaela Buye | .... | assistant production manager | |
| Federico Noejovich | .... | location production manager | |
Second Unit Director or Assistant Director | |||
| Federico Berón | .... | assistant director | |
| Martin Hodara | .... | second unit director | |
Sound Department | |||
| Carlos Abbate | .... | supervising sound editor | |
| José Luis Díaz | .... | supervising sound editor | |
| Droopy | .... | foley editor | |
| Droopy | .... | foley recordist | |
| Facundo Paco Girón | .... | boom operator | |
| Cecilia Rivero | .... | sound editor | |
| Victor Alejandro Tendler | .... | sound mixer | |
| Guido Valerga | .... | boom operator | |
Visual Effects by | |||
| Claudio Güell | .... | digital colorist | |
| Jorge Jesus | .... | digital colorist | |
| Claudio Langsam | .... | digital effects artist | |
Camera and Electrical Department | |||
| Leonardo Hermo | .... | first assistant camera | |
| Mathias Mesa | .... | camera operator: "a" camera | |
| Matías Mesa | .... | steadicam operator | |
| Jaime Muschietti | .... | electrician | |
| Gabriel Quevedo | .... | assistant camera | |
| Gabriel Quevedo | .... | assistant steadicam operator | |
| Ricardo W. Romero | .... | electrician | |
Costume and Wardrobe Department | |||
| Soledad Cancela | .... | costume assistant | |
Editorial Department | |||
| Luciana Pets | .... | assistant editor | |
| Cristina Rissotto | .... | negative cutter | |
Music Department | |||
| Dario Eskenazi | .... | composer: additional music | |
| Juan Pablo Gonzalez Saccone | .... | assistant music engineer | |
Transportation Department | |||
| Alejandro Sarquis | .... | transportation captain | |
Other crew | |||
| Juan Aguirre | .... | key accountant | |
| Raquel Flotta | .... | publicist: R.F. Comunicaciones | |
| Guillermo Greco | .... | continuity | |
| Lito Muratchik | .... | seguros | |
| Clarissa Pardina | .... | production assistant | |
| Paola Scagnet | .... | production coordinator | |
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| Lola rennt | Minority Report | The Eyes of Van Gogh | The Lookout | Snatch. |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb Argentina section | Add this title to MyMovies |
I think that more than half of all the Argentinian movies I have seen were starred by Ricardo Darín. I don't know if it's lack of good actors, but, anyway, all I can say is that he had great performances in every his movie movie I have seen and in this one it isn't different.
About the movie, people who watched Nueve Reinas could say that it's a bit slow and, in fact, it is at the beginning, but once you start to get involved with the plot and with Darín's character this slow pace turns to be something that bring us the feelings that the main character might be feeling.
If there's one thing that could be better explored, in my humble opinion, was photography, mainly in the scenes at the bush and the desert.
Anyway, if you became a Bielinsky fan because of Nueve Reinas, be prepared to find a completely different movie. Whereas in Nueve... you realize what's the movie about since its beginning, in this one you have to be a bit more patient. However, the plot is still clever and in the end you'll hardly be disappointed.
Highly recommended.