Tanner on Tanner (2004– )"Everybody's Making Pictures," observes Martin Scorsese in this sly sequel to Robert Altman and Garry Trudeau's Emmy Award-winning satirical miniseries... See full synopsis » |
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Tanner on Tanner (2004– )"Everybody's Making Pictures," observes Martin Scorsese in this sly sequel to Robert Altman and Garry Trudeau's Emmy Award-winning satirical miniseries... See full synopsis » |
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| Series cast summary: | |||
| Cynthia Nixon | ... |
Alex Tanner
(4 episodes, 2004)
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| Michael Murphy | ... |
Jack Tanner
(4 episodes, 2004)
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| Pamela Reed | ... |
T.J. Cavanaugh
(4 episodes, 2004)
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| Matt Malloy | ... |
Deke Connors
(4 episodes, 2004)
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| Ilana Levine | ... |
Andrea Spinelli
(4 episodes, 2004)
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| Luke Macfarlane | ... |
Stuart DeBarge
(4 episodes, 2004)
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| Aasif Mandvi | ... |
Salim Barik
(4 episodes, 2004)
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| Harry Belafonte | ... |
Himself
(2 episodes, 2004)
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Carl Bernstein | ... |
Himself
(2 episodes, 2004)
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| Janeane Garofalo | ... |
Herself
(2 episodes, 2004)
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| Richard Gephardt | ... |
Himself
(2 episodes, 2004)
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| Robert Redford | ... |
Himself
(2 episodes, 2004)
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| Alexandra Kerry | ... |
Herself
(2 episodes, 2004)
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Jim Fyfe | ... |
Emile Berkoff
(2 episodes, 2004)
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| Chris Matthews | ... |
Himself
(2 episodes, 2004)
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| Al Sharpton | ... |
Himself
(2 episodes, 2004)
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Michael Kaycheck | ... |
New York policeman
(2 episodes, 2004)
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| Avery Clyde | ... |
Rebecca
(2 episodes, 2004)
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| Marla Sucharetza | ... |
Roxanne Newman
(2 episodes, 2004)
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| Ryan Spahn | ... |
Ryan
(2 episodes, 2004)
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| Krysten Ritter | ... |
Saleswoman
(2 episodes, 2004)
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"Everybody's Making Pictures," observes Martin Scorsese in this sly sequel to Robert Altman and Garry Trudeau's Emmy Award-winning satirical miniseries... See full synopsis »
I watched this last night on Sundance. Altman must be the most hit or miss director of note ever. This show, despite its "star power" is utterly non-compelling, and its political insights--which I as a proud liberal in no way disagree with--are shallow and clunky, and seem ripped from the headlines of USA Today, despite the fact it's coming out of the mouth of someone as esteemed as Mario Cuomo. The drama, as such, is not very dramatic, and the comedy is not funny. The only points of interest, really, are seeing how New Yorkers live their lives, and the loyalty of a cast and crew to reassemble a show that keeps insisting has some cult following from 1988. Sometimes it seems like Altman's sole contribution to cinema has been the art of having all your actors talk at once, the effect of which is one feels depressingly like they're a stranger at a wedding.