A young man and woman - both of Indian descent but born and raised in Britain - fall in love during a trip to Switzerland. However, the girl's traditional father takes her back to India to fulfill a betrothal promise.
After his wealthy family prohibits him from marrying the woman he is in love with, Devdas Mukherjee's life spirals further and further out of control as he takes up alcohol and a life of vice to numb the pain.
Sanjay Leela Bhansali
Shah Rukh Khan,
Aishwarya Rai Bachchan
In India, open romance is forbidden, as is showing affection in public. A college principal named Narayan is a strong believer in this, aware that a male student named Vicky is in love with... See full summary »
Shah Rukh Khan,
In the 1970s, Om, an aspiring actor, is murdered, but is immediately reincarnated into the present day. He attempts to discover the mystery of his demise and find Shanti, the love of his previous life.
Shah Rukh Khan,
A simple man (Vijay) from the city of mumbai is recruited by a police officer to masquerade as the Don, the leader of an international gang of smugglers. But things go wrong, the officer is killed and now vijay is on his own, with only his lover (Roma) and a lame ex con artist to help him to prove his innocence.
Shah Rukh Khan,
Raj and Priya come from two different strata of society. While Raj owns a small-time transport business and belongs to the economically middle class section of society, Priya belongs to the... See full summary »
Veer Pratap Singh (Shah Rukh Khan) is an officer and pilot in the Indian Air Force who one day meets a beautiful Pakistani heiress, Zaara Hayaat Khan (Preity Zinta), as she travels to a small Indian village to scatter the ashes of one of her family's loyal servants. Veer has family in the village, and while most Indians show no affection for Pakistanis, his aunt and uncle are willing to take Zaara in for the night. It isn't long before Veer finds himself falling for her; however, Veer learns that Zaara is engaged to another man, Raza (Manoj Bajpai), a cruel and humorless Pakistani. A friend of Zaara contacts Veer and tells him that Zaara wants out of her engagement and has strong feelings for him, but when he comes to her rescue, matters take a turn for the worse and Veer winds up in jail. Twenty years later, Veer is still behind bars, and finds that his case is being given a new trial, but while he has a new chance at freedom, he discovers his lawyer will be going up against a state ... Written by
Director of photography Anil Mehta slipped a sepia tint into the film to give it a "golden oldies" mood, and to convey the feeling of nostalgia and memories in the film. This kind of cinematography was later copied by other filmmakers. See more »
When Saamiya first asks Veer to talk about his life, her hair fringe is mostly covering the side of her face. In the next shot when Veer looks at her, her hair is tucked neatly to the side. See more »
One early morning / Lifting the dark blanket of the night / From its pillow of mountain peak / The sun lifted its head / And saw... / The valley's heart is filled with the season of love / And the branches of memories have sprouted / Innumerable blossoms of moments past / That begin to scent the air. / Unspoken, unheard yearnings / Half asleep, half awake / Look out sleepily at life / As it flows in wave upon wave / Every moment new, but also the same / Yes, this life! / Which ...
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The end credits also show how Veer and Zaara spend their lives in Veer's home village, including Veer playing cricket with teenagers, discussing about progress of the village and erecting two statues of Chaudhary Sumer Singh and Maati. See more »
I am one of those fussy people who watches selected films. Most films bore me because either they are a re-make (old Indian or American)or the story just does not grab me. I went to see this film after a very long time at the cinema and within the first five minutes, I told me husband what I thought the story would be and I was so shocked to find that the films story was not what I had predicted. I also hate films were the lovers have to die in the end (as they did in "Qayamat Se Qayamat Tak), because I truly believe that true love can conquer all.
Yash Chopra has, as always, delivered an all-round entertainer. The songs were mesmerising; Madan Mohans' tunes were beautiful, Lata Mangeshkars voice was 'an out of this world' experience, Javed Akhtars' lyrics and Aditya Chopras' poem meant so much to those who understand them.
Photography was enchanting; such films make people like me who love India, love it even more.
The acting was par excellence, Shahrukh Khan did not disappoint at all, Preity Zinta was the essence of beauty and innocence and Rani was good as well.
I would just like to say thank you to Mr Chopra for a wonderful experience.
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