During their college years, Anjali was in love with her best-friend Rahul, but he had eyes only for Tina. Years later, Rahul and the now-deceased Tina's eight-year-old daughter attempts to reunite her father and Anjali.
A young man and woman - both of Indian descent but born and raised in Britain - fall in love during a trip to Switzerland. However, the girl's traditional father takes her back to India to fulfill a betrothal promise.
In India, open romance is forbidden, as is showing affection in public. A college principal named Narayan is a strong believer in this, aware that a male student named Vicky is in love with... See full summary »
Shah Rukh Khan,
In the 1970s, Om, an aspiring actor, is murdered, but is immediately reincarnated into the present day. He attempts to discover the mystery of his demise and find Shanti, the love of his previous life.
Shah Rukh Khan,
Raj and Priya come from two different strata of society. While Raj owns a small-time transport business and belongs to the economically middle class section of society, Priya belongs to the... See full summary »
After finding and losing his true love in London, Samar Anand defies death by becoming a bomb disposal expert for the Indian Army. Returning to London after 10 years, he suffers amnesia after an accident. Will he be reunited with his love?
Shah Rukh Khan,
Dev lives in the United States of America and is a foot ball player. He is married to Riya, who works and models for a magazine. Dev fractures his leg, becomes handicapped and dependent on ... See full summary »
Shah Rukh Khan,
A simple man (Vijay) from the city of mumbai is recruited by a police officer to masquerade as the Don, the leader of an international gang of smugglers. But things go wrong, the officer is killed and now vijay is on his own, with only his lover (Roma) and a lame ex con artist to help him to prove his innocence.
Shah Rukh Khan,
Veer Pratap Singh (Shah Rukh Khan) is an officer and pilot in the Indian Air Force who one day meets a beautiful Pakistani heiress, Zaara Hayaat Khan (Preity Zinta), as she travels to a small Indian village to scatter the ashes of one of her family's loyal servants. Veer has family in the village, and while most Indians show no affection for Pakistanis, his aunt and uncle are willing to take Zaara in for the night. It isn't long before Veer finds himself falling for her; however, Veer learns that Zaara is engaged to another man, Raza (Manoj Bajpai), a cruel and humorless Pakistani. A friend of Zaara contacts Veer and tells him that Zaara wants out of her engagement and has strong feelings for him, but when he comes to her rescue, matters take a turn for the worse and Veer winds up in jail. Twenty years later, Veer is still behind bars, and finds that his case is being given a new trial, but while he has a new chance at freedom, he discovers his lawyer will be going up against a state ... Written by
Yash Chopra had approached every music director to score the film, but couldn't find what he thought was the appropriate music for the film. His specific requirement was "old-world music," away from Western influences and having a strong melody line, with acoustic instruments. Madan Mohan's son, Sanjeev Kohli (also the CEO of Yash Raj Films), suggested some of his father's compositions. Out of the hundreds of tunes in Mohan's archives, 35 were tested to see if they would fit the mood of the film and eleven were selected by Aditya Chopra. See more »
When Saamiya first asks Veer to talk about his life, her hair fringe is mostly covering the side of her face. In the next shot when Veer looks at her, her hair is tucked neatly to the side. See more »
One early morning / Lifting the dark blanket of the night / From its pillow of mountain peak / The sun lifted its head / And saw... / The valley's heart is filled with the season of love / And the branches of memories have sprouted / Innumerable blossoms of moments past / That begin to scent the air. / Unspoken, unheard yearnings / Half asleep, half awake / Look out sleepily at life / As it flows in wave upon wave / Every moment new, but also the same / Yes, this life! / Which ...
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The end credits also show how Veer and Zaara spend their lives in Veer's home village, including Veer playing cricket with teenagers, discussing about progress of the village and erecting two statues of Chaudhary Sumer Singh and Maati. See more »
The Chopras have proved once again that you can always count on them to provide the highest quality cinema. I'd first like to applaud Shahrukh for outdoing himself once again by playing both a young, simple-natured squadron and an old, tormented prisoner so convincingly. His skillful subtleties and attention to each detail of his performance have undoubtedly turned him to the best actor I have ever seen. I think he has even surpassed Amitabh. Even though Rani and Preity's roles didn't seem to demand too much from them, they gave a wonderful performance. Even Manoj Bajpai did an excellent job. The story is fabulous. Where the traditional Bollywood film could take the same situations with different outcomes for each event to turn the film into the same familiar fare, Veer-Zaara makes turns it into an epic love story where Veer and Zaara's names can be added to the list of Devdas and Paro, Shah Jahaan and Mumtaaz, etc. The main minus point of the film is its music. Warning: Don't listen to the music before watching the film or it will sound horrendous! Tere Liye, however, is extremely beautiful and melodic. After watching the movie, Aisa Des Hai Mera and Main Yahan Hoon are quite likable. Unfortunately, the latter two are not ones that one can keep humming for several months. Another minor yet negligible drawback is that this movie can't appeal as much to the youth as Yash Chopra's previous film, Dil to Pagal Hai. An addicting soundtrack and a youthful appeal were two things that seemed to be missing, which are usually guaranteed in every Chopra extravaganza. Nonetheless, Veer-Zaara is fantastic!
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