This film takes a serious look at the lives of Westernized Non-Resident Indians (NRIs) in North America. Whereas Dilwale Dulhania Le Jayenge was about NRIs with Indian hearts, Pardes is ... See full summary »
Shah Rukh Khan,
Shah Rukh Khan and Sharad Kapoor are the leaders of the two rival gangs. Aishwarya Rai is Shah Rukh Khan's twin sister. Shah Rukh is in love with Priya Gill. Chandrachur Singh is Sharad ... See full summary »
Shah Rukh Khan,
Aishwarya Rai Bachchan,
There are lots of poor people in India who want to get rich soon. A woman named Seema is one of them. She is very beautiful and has an admirer by the name of Sidharth. This man is very rich... See full summary »
Shah Rukh Khan,
Yashvardhan Raichand lives a very wealthy lifestyle along with his wife, Nandini, and two sons, Rahul and Rohan. While Rahul has been adopted, Yashvardhan and Nandini treat him as their own... See full summary »
In India, open romance is forbidden, as is showing affection in public. A college principal named Narayan is a strong believer in this, aware that a male student named Vicky is in love with... See full summary »
Shah Rukh Khan,
A Hindu man and a Muslim woman fall in love in a small village and move to Mumbai, where the have two children. However, growing religious tensions and erupting riots threaten to tear the family apart.
Veer Pratap Singh (Shah Rukh Khan) is an officer and pilot in the Indian Air Force who one day meets a beautiful Pakistani heiress, Zaara Hayaat Khan (Preity Zinta), as she travels to a small Indian village to scatter the ashes of one of her family's loyal servants. Veer has family in the village, and while most Indians show no affection for Pakistanis, his aunt and uncle are willing to take Zaara in for the night. It isn't long before Veer finds himself falling for her; however, Veer learns that Zaara is engaged to another man, Raza (Manoj Bajpai), a cruel and humorless Pakistani. A friend of Zaara contacts Veer and tells him that Zaara wants out of her engagement and has strong feelings for him, but when he comes to her rescue, matters take a turn for the worse and Veer winds up in jail. Twenty years later, Veer is still behind bars, and finds that his case is being given a new trial, but while he has a new chance at freedom, he discovers his lawyer will be going up against a state ... Written by
Veer's prisoner number is 786, which Saamiya sees as a good omen. According to the Arabic language system, which assigns numerical values to each letter, the number 786 is the numerical value of the phrase "Bismillah Ar-Rahman Ar-Rahim" ("In the name of God, the Compassionate, the Merciful"), the first verse in the Qur'an. See more »
When Saamiya first asks Veer to talk about his life, her hair fringe is mostly covering the side of her face. In the next shot when Veer looks at her, her hair is tucked neatly to the side. See more »
One early morning / Lifting the dark blanket of the night / From its pillow of mountain peak / The sun lifted its head / And saw... / The valley's heart is filled with the season of love / And the branches of memories have sprouted / Innumerable blossoms of moments past / That begin to scent the air. / Unspoken, unheard yearnings / Half asleep, half awake / Look out sleepily at life / As it flows in wave upon wave / Every moment new, but also the same / Yes, this life! / Which ...
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The end credits also show how Veer and Zaara spend their lives in Veer's home village, including Veer playing cricket with teenagers, discussing about progress of the village and erecting two statues of Chaudhary Sumer Singh and Maati. See more »
Humanity, respect and the power of love against time and circumstances
Yash Chopra's Veer-Zaara is a film about humanity, devotion, sacrifice, and the power of love. It is a visually stunning and emotionally touching picture about star-crossed lovers who meet once and are tied forever. Yash Chopra artistically combines realism with greatly unrestrained emotion and some overdone sentimentality. Although the love story itself, the separation and everything else is very typical, Chopra creates an entirely different film in the way it portrays the respect the lovers have for each other, the honour they pay to parents and elders, and their genuine willingness to sacrifice themselves for each other. It is a cross-border love story between an Indian and a Pakistani, yet their nationality is not what prevents them from being together. That's what really makes sense in this film. It flows very well through the stunning views of Indian and Pakistani fields and groves, and colourfully shows the bright sides of each country. The film does look a bit dated, but then it does not have a defined period of historical time, which makes it an all-time saga.
The film also addresses women's empowerment through Rani Mukherjee's role of a Pakistani lawyer who tries to overcome society. There are many surprising and touching moments in the film. The love story is portrayed grandiosely, with larger-than-life orchestral music of heavy violins and piano. The movie soundtrack is perhaps the most beautiful soundtrack in recent years, and the fact that it was actually composed many years ago contributes to the epic mood of the film. Shahrukh Khan and Preity Zinta are great choices for the film. They resuscitate their characters with restraint and dignity and have a credible chemistry despite not having much physical interaction. Khan is the main soul of the film and he is believable in everything his character goes through. Zinta is beautiful and compelling as the intelligent and headstrong Zaara, and looks great in traditional outfits. Rani Mukhejee makes a great impact with her relatively minor but pivotal role of the tenacious, level-headed Saammiya. She is natural and impressive and leaves the film as a winner.
Veer-Zaara, though a completely entertaining epic romance, is not the greatest film you'll see and it often goes over-the-top in its emotions. It is far from being flawless and has its share of loopholes where script is concerned. Having said that, it just doesn't matter here. This film is far ahead of anything it can be blamed for. It is about the main values a person should cherish in life: humanity, respect and love, and it conveys this message very well. It is one of those films which become classics instantly, and I recommend it to anyone, whoever and wherever he is.
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