During their college years, Anjali was in love with her best-friend Rahul, but he had eyes only for Tina. Years later, Rahul and the now-deceased Tina's eight-year-old daughter attempts to reunite her father and Anjali.
After his wealthy family prohibits him from marrying the woman he is in love with, Devdas Mukherjee's life spirals further and further out of control as he takes up alcohol and a life of vice to numb the pain.
Sanjay Leela Bhansali
Shah Rukh Khan,
Aishwarya Rai Bachchan
A young man and woman - both of Indian descent but born and raised in Britain - fall in love during a trip to Switzerland. However, the girl's traditional father takes her back to India to fulfill a betrothal promise.
In India, open romance is forbidden, as is showing affection in public. A college principal named Narayan is a strong believer in this, aware that a male student named Vicky is in love with... See full summary »
Shah Rukh Khan,
In the 1970s, Om, an aspiring actor, is murdered, but is immediately reincarnated into the present day. He attempts to discover the mystery of his demise and find Shanti, the love of his previous life.
Shah Rukh Khan,
Raj and Priya come from two different strata of society. While Raj owns a small-time transport business and belongs to the economically middle class section of society, Priya belongs to the... See full summary »
After finding and losing his true love in London, Samar Anand defies death by becoming a bomb disposal expert for the Indian Army. Returning to London after 10 years, he suffers amnesia after an accident. Will he be reunited with his love?
Shah Rukh Khan,
Dev lives in the United States of America and is a foot ball player. He is married to Riya, who works and models for a magazine. Dev fractures his leg, becomes handicapped and dependent on ... See full summary »
Shah Rukh Khan,
A simple man (Vijay) from the city of mumbai is recruited by a police officer to masquerade as the Don, the leader of an international gang of smugglers. But things go wrong, the officer is killed and now vijay is on his own, with only his lover (Roma) and a lame ex con artist to help him to prove his innocence.
Shah Rukh Khan,
Veer Pratap Singh (Shah Rukh Khan) is an officer and pilot in the Indian Air Force who one day meets a beautiful Pakistani heiress, Zaara Hayaat Khan (Preity Zinta), as she travels to a small Indian village to scatter the ashes of one of her family's loyal servants. Veer has family in the village, and while most Indians show no affection for Pakistanis, his aunt and uncle are willing to take Zaara in for the night. It isn't long before Veer finds himself falling for her; however, Veer learns that Zaara is engaged to another man, Raza (Manoj Bajpai), a cruel and humorless Pakistani. A friend of Zaara contacts Veer and tells him that Zaara wants out of her engagement and has strong feelings for him, but when he comes to her rescue, matters take a turn for the worse and Veer winds up in jail. Twenty years later, Veer is still behind bars, and finds that his case is being given a new trial, but while he has a new chance at freedom, he discovers his lawyer will be going up against a state ... Written by
Yash Chopra had approached every music director to score the film, but couldn't find what he thought was the appropriate music for the film. His specific requirement was "old-world music," away from Western influences and having a strong melody line, with acoustic instruments. Madan Mohan's son, Sanjeev Kohli (also the CEO of Yash Raj Films), suggested some of his father's compositions. Out of the hundreds of tunes in Mohan's archives, 35 were tested to see if they would fit the mood of the film and eleven were selected by Aditya Chopra. See more »
In the Qawwali scene when Veer comes back, we see Zaara and Shabbo turning around to see him. Then when the camera comes back on them, we can see Shabbo turning around again. See more »
One early morning / Lifting the dark blanket of the night / From its pillow of mountain peak / The sun lifted its head / And saw... / The valley's heart is filled with the season of love / And the branches of memories have sprouted / Innumerable blossoms of moments past / That begin to scent the air. / Unspoken, unheard yearnings / Half asleep, half awake / Look out sleepily at life / As it flows in wave upon wave / Every moment new, but also the same / Yes, this life! / Which ...
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The end credits also show how Veer and Zaara spend their lives in Veer's home village, including Veer playing cricket with teenagers, discussing about progress of the village and erecting two statues of Chaudhary Sumer Singh and Maati. See more »
Humanity, respect and the power of love against time and circumstances
Yash Chopra's Veer-Zaara is a film about humanity, devotion, sacrifice, and the power of love. It is a visually stunning and emotionally touching picture about star-crossed lovers who meet once and are tied forever. Yash Chopra artistically combines realism with greatly unrestrained emotion and some overdone sentimentality. Although the love story itself, the separation and everything else is very typical, Chopra creates an entirely different film in the way it portrays the respect the lovers have for each other, the honour they pay to parents and elders, and their genuine willingness to sacrifice themselves for each other. It is a cross-border love story between an Indian and a Pakistani, yet their nationality is not what prevents them from being together. That's what really makes sense in this film. It flows very well through the stunning views of Indian and Pakistani fields and groves, and colourfully shows the bright sides of each country. The film does look a bit dated, but then it does not have a defined period of historical time, which makes it an all-time saga.
The film also addresses women's empowerment through Rani Mukherjee's role of a Pakistani lawyer who tries to overcome society. There are many surprising and touching moments in the film. The love story is portrayed grandiosely, with larger-than-life orchestral music of heavy violins and piano. The movie soundtrack is perhaps the most beautiful soundtrack in recent years, and the fact that it was actually composed many years ago contributes to the epic mood of the film. Shahrukh Khan and Preity Zinta are great choices for the film. They resuscitate their characters with restraint and dignity and have a credible chemistry despite not having much physical interaction. Khan is the main soul of the film and he is believable in everything his character goes through. Zinta is beautiful and compelling as the intelligent and headstrong Zaara, and looks great in traditional outfits. Rani Mukhejee makes a great impact with her relatively minor but pivotal role of the tenacious, level-headed Saammiya. She is natural and impressive and leaves the film as a winner.
Veer-Zaara, though a completely entertaining epic romance, is not the greatest film you'll see and it often goes over-the-top in its emotions. It is far from being flawless and has its share of loopholes where script is concerned. Having said that, it just doesn't matter here. This film is far ahead of anything it can be blamed for. It is about the main values a person should cherish in life: humanity, respect and love, and it conveys this message very well. It is one of those films which become classics instantly, and I recommend it to anyone, whoever and wherever he is.
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