In 1995, Chasen's closed its doors after 60 years of serving chili to movie stars and visiting dignitaries, Presidents and the Pope. During its two final weeks, Chasen regulars (actors and ... See full summary »
Shari Springer Berman,
David, a struggling comic book creator from Cleveland, spends his days cutting grass and his nights smoking it while desperately trying to keep his superhero fantasies alive. When Robyn, ... See full summary »
In this tale of sexual dysfunction and unhappiness, a lady tries her best to manage her comic book business and her most unusual marriage. The daily grind is sometimes too much as eccentric... See full summary »
This documentary, shown on the American Movie Classics (AMC) cable channel, answers the question "What does a movie producer do?" It takes the viewer through every step of movie production.... See full summary »
The endings of many films featured in the documentary are shown, which may act as spoilers for some viewers. See more »
Several films are shown with an incorrect year of release, such as Detour (listed as 1946), Easy Rider (listed as 1968), Badlands (listed as 1974), Rain Man (listed as 1987), Pee-wee's Big Adventure (listed as 1986) and Y tu mamá también (listed as 2002). See more »
The road film is the subject of the fantastic documentary "Wanderlust" by Shari Springer Berman and Robert Pulcini. They had previously made the semi-documentary "American Splendor" which starred Paul Giamatti. Given these two examples, they are certainly filmmakers to watch. With "Wanderlust" they focus their attention on the seemingly American fascination with the open road and by association the road film. Using innumerable clips from nearly seventy years of film, excerpts from the likes of Jack Kerouac and Robert Pirsig, and interviews from filmmakers and cultural historians, the documentary presents an effective case for the road film as an echo of the social or political situation of their given time. It's a very watchable, interesting piece of film-making that succeeds at evoking an emotional response at unexpected points, mainly because this is more than just a clip show. It's a well-made film that leaves the viewer longing for the freedom of the open road with no particular destination in mind.
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