The Hollywood Memorial Park cemetery was run down and bankrupt. Tyler Cassity, a young visionary from St. Louis, bought it for a song. Not only did he renovate the cemetery (the burial ... See full summary »
Road Drama (2004) Struggling to hold together her train wreck family, Kelly tracks down her drifter brother to a seedy, remote island off Chile and discovers him living with a ragged group of expatriates.
In 1995, Chasen's closed its doors after 60 years of serving chili to movie stars and visiting dignitaries, Presidents and the Pope. During its two final weeks, Chasen regulars (actors and ... See full summary »
Shari Springer Berman,
Eva is a beautiful drifter who propositions couples to make love in front of her. George is a young recluse who fills his days creating soundscapes in his bedroom. They are two misfits from... See full summary »
The endings of many films featured in the documentary are shown, which may act as spoilers for some viewers. See more »
Several films are shown with an incorrect year of release, such as Detour (listed as 1946), Easy Rider (listed as 1968), Badlands (listed as 1974), Rain Man (listed as 1987), Pee-wee's Big Adventure (listed as 1986) and Y tu mamá también (listed as 2002). See more »
The road film is the subject of the fantastic documentary "Wanderlust" by Shari Springer Berman and Robert Pulcini. They had previously made the semi-documentary "American Splendor" which starred Paul Giamatti. Given these two examples, they are certainly filmmakers to watch. With "Wanderlust" they focus their attention on the seemingly American fascination with the open road and by association the road film. Using innumerable clips from nearly seventy years of film, excerpts from the likes of Jack Kerouac and Robert Pirsig, and interviews from filmmakers and cultural historians, the documentary presents an effective case for the road film as an echo of the social or political situation of their given time. It's a very watchable, interesting piece of film-making that succeeds at evoking an emotional response at unexpected points, mainly because this is more than just a clip show. It's a well-made film that leaves the viewer longing for the freedom of the open road with no particular destination in mind.
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