On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
In August, 1939, a worker goes into labor while working in a slaughterhouse and dies after a complicated labor, though the deformed child survives. The possibly orphaned baby is dumped in a garbage container and found by a beggar later, who brings him home. Along the years, the mentally retarded and disturbed boy called Thomas is raised by the Hewitt family in spite of having psychological problems as well as suffering from an unnamed skin disorder, later working in a meat packing plant. In July, 1969, when the facility is closed, the inhabitants move to other places, but the deformed, mentally childlike Thomas flies into a rage after being insulted and kills the foreman. His deranged brother (considered his uncle due to their age difference) executes the sheriff that is going to arrest Thomas, and assumes his identity, wearing his clothes,driving his car though the roads in Texas and entitling himself as Sheriff Hoyt. Meanwhile, the brothers Eric and Dean are traveling in a Jeep with... Written by
Claudio Carvalho, Rio de Janeiro, Brazil and Nicole Moore, Detroit, Michigan
During filming, R. Lee Ermey was called away to his mother's death bed. For the remainder of the time, filming was done around his character. See more »
At the very end of the movie when the car hits the Texas trooper and the guy he pulled over, as the car comes to a stop the bodies are nowhere near the centerline of the highway. As the killer begins to walk away the bodies are closer to the centerline. Then on the last shot of the accident as the killer walks away one of the bodies is completely over the centerline and directly in the middle of the highway. See more »
Impresively taking "Texas Chainsaw" back to its roots, horror fans and cinema-goers alike should definitely give this prequel to the daring 2003 remake a chance. Although the remake in 2003 was excellent and had a tighter, more involving plot than this film, it breaks a barrier because rather than directly approaching the style of the remake and trying to live up to its success, this equally grisly thriller ignores all of the gloss, cinematography, pacing and story that it was inspired from. Instead, it goes back to the film style which made the nightmare in 1974, a more direct homage to the in your face horror that started it all.
This story is in 1963, right before the events of the 2003 film which took place in the early seventies. Jordana Brewster plays Chrissie, who is on a fun road-trip across Texas with her friends, Eric, Dean, and Bailey, played well off of each other by Matthew Bomer, Taylor Handley and Diora Baird.
Shortly after the terrifying, recognizable psycho Leatherface commits his first murders, a cross story involving an encounter with some nasty bikers throws the doomed teenagers flipping across the road in a surprisingly brutal accident.
After Sheriff Hoyt arrives (R. Lee Ermy in another chilling performance), to take control of the scene, the nightmare begins for Chrissie's friends as she watches them get taken away in his police car, unknowingly headed for the house which would become a place of torment and nightmares for years to ensue.
Appropriately gory and no-holds barred, Jonathan Liebesman creates a tight, slick and sadistic thriller in the eyes of Chrissie as she endlessly attempts to rescue her friends from a demented madman's clutches. This is a highly worthy and satisfying entry in the horror series that will make an indelible mark on your imagination, if not already done by the seemingly endless spew of remakes and graphic horror films.
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