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|Index||70 reviews in total|
This movie is incredibly cruel and unrelenting. It plays as a single
feature divided into three sections: "Dumplings", directed by Fruit
Chan of Hong Kong, "Cut" directed by Park Chan-Wook of Korea and "Box"
directed by Miike Takashi of Japan. Each section is like a dissertation
in horror, although "Dumplings" could also be classified as an
All of them are beautifully produced and directed, and I especially found "Box" to be quite lavish in sets, costumes and atmosphere. They each show a lot about the culture of the respective countries they were made in and also provide new takes on the terrifying and the appalling. They are each original in their own right, although "Cut" could be compared to the "Saw" or Hannibal Lecter franchises in that there's a psycho who's trying to get a message across by way of murder and mayhem.
I don't want to give details on the plots of any of them because I think that viewers need to experience them for themselves with no preconceptions going in, but what I can say is that "Dumplings" has the most plot and is probably the one with the highest "squeam" factor, "Cut" covers a rather familiar premise but with lots of fun moments (you'll see) and "Box" is more of an artistic endeavour with not much of a plot, but for some reason I was enthralled and couldn't look away; it's the one I liked the most.
A solid 8 out of 10 for the efforts of these genius Asian directors.
Wow, just went to go see these three shorts last night, which are about 45 mins a piece. I agree that "Cut" was one of the most enjoyable horror experiences I have had since High Tension. Takeshi Miike is probably the biggest name in the Asian horror biz, but I have to say that I miss the style of his earlier work, like Audition and Happiness of the Katakuri's. "Box" was very strange but it leaves little explanation for what has actually occurred, and I wish it delved a little deeper. And oh my! Mr. Fruit Chan, I have never heard of you before last night. "Dumplings" was by far one of the most deranged things I have ever watched. And the sound that was used in this short was was of the most intense, stomach curdling noises that are still sticking with me today. This was a very fun watch, and I am glad I got to see it before it left the theater. My recommendation....don't eat a big meal before you start!!!
The idea of having Chan-wook Park, Takashi Miike and Fruit Chan as part
of the same DVD set is enough to warrant a purchase. This was the sole
reason I watched these three shorts.
While Miike's offering was very enjoyable, and had some interesting scenery and Chan's Dumplngs was also very entertaining, Chan-wook Park stole the show in my opinion.
I now wonder if CUT isn't what SAW should have been.......?
Unfortunately I can't speak on the film too much as I could ruin the story, but if you are a fan of either OLDBOY or Sympathy for Mr Vengeance this short IS A MUST. Chan-wook Park continues to impress me with his creativity, and the camera work in this film was GREAT. There are two directors that I currently find to be very interesting, and I will watch anything they produce. Micheal Haneke is one, Chan-wook Park is another.
I have heard rumours of Sympathy for Ms Vengeance, and I can only hope they are confirmed.
This was an easy purchase.
This is an excellent blend of three horror films that characterize the ideal representation of Asian cinema. Each story is presented with ordinary people displaying qualities of evil and depravity. These directors use powerful cinematic storytelling elements in exploring their genres. This is not an ordinary horror film with a ghost or a slasher/killer with a knife but a combination of people who are capable of psychotic behavior. While all of the films are not perfect and contain some mildly dull aspects, watching all three will leave you intrigued with the art and approach of the horror genre utilized in various countries Asia. If you can hold your stomach through the first film "Dumplings", you will certainly enjoy one of these stories and won't be disappointed. A disturbingly good movie!!
*** This review may contain spoilers ***
watched "Three... Extremes" last night, and it was insanely good. All
three stories I thought were very thought provoking, and again a little
frustrating. Here's a short review...
Box-Takashi Miike (Japanese Language) This is a nightmarish tale of a woman's horrifying dreams becoming reality, but then again, maybe not. That's the difficulty with this story, there is so much surrealism, that it's hard to tell. I liked the story, some of which was very frightening. The ending however is completely totally bizarre, and it totally left me clueless as to what Miike intended for the viewer to take away from this, if anything. This is the weakest of the three stories, but still very interesting and definitely requires multiple viewings.
Dumplings-Fruit Chan (Chinese Language) This little story is my favorite of the bunch and also very very disturbing and pretty gruesome. Not because of gore or anything like that, but because of the subject matter. It's no secret or spoiler that this movie is about vanity and a women's need to enhance her physical appearance to try and win her husband back from his whoring around. It concerns as most of you know, the grisly meat a former lady abortionist uses to treat her rich clients vanity needs. This movie made me squirm on more than one occasion as the woman chomps down on the dumplings with a wicked crunching sound of tiny bones. This story has a lot of humor but it is very dark and totally black humor. Some may call it totally sick humor, and all would apply in my opinion. The ending is very confusing for me, especially one particular scene and I hope somebody explains it to me. I'm not talking about the grand finale, where the leading lady commits the ultimate gross-out, but the scene with all the blood where some guy has been attacked by a women. This appears to happen at the apartment of Aunt Mei, and then it shows her packing up and leaving. What was that all about? Who was the woman covered in blood, and the guy that was attacked? Anyway, the grand finale as Ching looks directly into the camera and commits what must be THE ultimate sin is flat out creepy as hell. Excellent short story, and now I'm thinking whether I need to see the extended version.
Cut-Chan-wook Park (Korean Language) Now this is one gruesome story, which revolves around a movie director (Lee) and a former extra of his that's gone completely insane and terrorizes the director and his wife at their home. Park's short story touches on adultery, relationships, regret, fame and childhood memories - as well as featuring amputation, torture, child abuse, and a crazy set - as Lee and his kidnapper spar until the shocking (but not altogether satisfying) end. In fact, the ending is the only bad part about this otherwise intriguing story. This is the most graphic of the three stories, and the most brutal. But the twists and turns that happen towards the end, tend to confuse the whole story. Nevertheless, this is a great little horror movie, and now I'm very hyped to watching my new DVD of Park's "Oldboy".
Summary This is one of the most entertaining dvds in the horror genre to come out of Asian for a long time. With three short movies totally over two hours, it makes a great evening of demented entertainment by three exotic filmmakers. The second disc which contains a text portion which explains the plot of each story, and then a "Making Of" extra for all three stories is very good. It's always interesting to see how these directors work and the interviews with the actors is excellent. The other thing I found interesting with this package, is that each movie is in a different language which intrigues me. Since I'm watching so many Asian movies recently, I find the languages of the Chinese, Korean, and Japanese to be so different, but then again similar. This is especially true with "Cut" which has the psycho maniac speaking in a totally different Korean dialect which is almost funny to me being a Westerner, and the other actors speaking in the standard Korean language. Not sure why they did that, but the interview with the actor playing the psycho said he had a very hard time learning and speaking that interesting dialect. I had to watch several parts of each movie over again after I finished the first viewing, because it's pretty hard to figure out what the hell's going on with one viewing. I'll never forget those chilling eyes of Ching in the closing scenes of "Dumplings" and that crunching sound as she enjoys her latest and most extreme serving of dumplings. yum yum........
Three short films that are plenty extreme and if the endings of all three leave us wondering maybe that is good. I did however find the end of Cut more than a little baffling. There again 'unsatisfactory' endings of Eastern films as judged by Westerners is nothing new. All three are beautifully shot with great camera-work and excellent use of colour. I found Miiki's the most perfect if not as much like his usual output as many would like. Park's Cut is a little pedestrian at times but so gloriously over the top and bewildering at others. Dumplings is a little predictable and I am surprised that it is said to still work at 90 minutes as it seems very much a single idea film. It's a good idea though and not without social interest and it has to be said the grossest of the three. The sound of tiny bones being crunched - aagh!! I watched all three on separate occasions, fearing that otherwise they might blur into one another - no fear of that though so I'll watch them again soon, all together. Good effort by all concerned
3 extremes were 3 short stories about extreme situations. Each story has very different qualities and gave the viewer something to enjoy. Not American style, scream queen, psychobabble laden horror films. More intellectual and artistic as the characters are made to look good rather than deviant. Shorts were you can turn off the subtitles and still understand the plot are hard to come by, but these fit the bill. I wish I could speak the languages of the films because the English translation detracted from the emotional content and context. If you like slasher movies and jump out of your seat scary, pass on these. If you like more artistic, intelligent, and subtle horror films, then these shorts are for you. Some blood and minor amounts of gore. A job well done.
more a drama than a horror movie, dumplings is so wonderfully acted
that his strange subject have become believable and disturbing . The
picture is astonishing ,the color perfectly fit the backgrounds so that
it creates a special atmosphere. for the fans of gore don't't suspect a
lot of goo. But still, a couple of scenes will disturb you.. Very
intelligent, this movie provides a lot of thinking; incest, abortion,
cannibalism and the search for youth are the topics approached. Those
taboos will make you see horrible things that happens in everyday's
life around the globe. The use of the incredible music is done with
professionalism so it helps a lot on the spooky mood of certain scenes.
The end pour vrai là.
This compilation movie of three horror stories is dark and disturbing. The first story concerns a woman's greed for beauty and the bizarre path she takes to get it. The second story centers on a director who gets held captive by a film extra with an agenda. This leads to torture and a strange game of cat and mouse. The final story regards a writer with a twisted past. This part is surreal and at times awkward in storytelling and direction. I enjoyed this film as a fan of the horror genre. The elements of surrealism and paranormal activity were effective in each story. While the movie did have a relatively slow pace, the intensity of each stories climax made for a fulfilling watch. Recommended for fans of Tales from the Darkside, Tales from the Crypt, The Twilight Zone and admirers of Takashi Miike and Chan-wook Park.
*** This review may contain spoilers ***
A short synopsis and vote on each of the 3 films in THREE...EXTREMES:
BOX (Takashi Miike) - Kyoko is haunted by the accidental death of her sister. She has severe nightmares and has a hard time differentiating between her nightmares and reality. How much of what Kyoko envisions is dream, and how much is reality... 7 out of 10
DUMPLINGS (Fruit Chan) - centers around a woman who uses a sickening "special ingredient" for her dumplings, which causes age-reversing effects in those that eat them... 8.5 out of 10
CUT (Park Chan-Wook) - A film director who apparently lives the "ideal" life, is thrown into a hellish nightmare when he is confronted by one of his previous employees... 8.5 out of 10
I enjoyed THREE...EXTREMES for the most part. Each film had a unique style and vision, and all were good in their own way. I preferred BOX the least because it was the most slow and plodding, and it was the one I could make the least sense of. In fact all 3 films have strange, abstract endings that leave a lot open to individual interpretations. I have read many peoples ideas on the endings of each of these films, and many reviewers have some decent insights - but I still think it's up to the individual to take what they will from these films. Also, BOX has the "creepiest" atmosphere, but the least actual violence. DUMPLINGS had a very sickly humorous, almost exploitative feel to it. In fact, the whole time I was watching it, I was thinking "This would have made a great premise for one of the mid-90's Hong Kong Cat III films"- it just had that sort of feel to it. DUMPLINGS, in my opinion, had the most "squirm-inducing" scenes, although they were not extremely graphic and mostly implied, and were apparent due to the subject matter of the film. CUT had a good story and a decent amount of gore (though nothing "too" out-there...)and really just needs to be viewed to be "understood".
All the films in THREE...EXTREMES have some decent things going on, although as much as I like a lot of Miike's work, BOX just didn't do a whole lot for me - but DUMPLINGS and CUT were definitely worth the price of admission for these films. 8/10 overall - definitely recommended
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