| Photos (see all 2 | slideshow) | Videos |
| Ling Bai | ... | Mei (segment "Dumplings") | |
| Pauline Lau | ... | Li's Maid (segment "Dumplings") | |
| Tony Leung Ka Fai | ... | Lee (segment "Dumplings") | |
| Meme Tian | ... | Connie (segment "Dumplings") (as Meme) | |
| Miriam Yeung Chin Wah | ... | Ching (segment "Dumplings") | |
| Sum-Yeung Wong | ... | Old Hairdresser (segment "Dumplings") | |
| Kam-Mui Fung | ... | Vomiting Woman (segment "Dumplings") | |
| Wai-Man Wu | ... | Nurse (segment "Dumplings") | |
| Chak-Man Ho | ... | Wang (segment "Dumplings") | |
| Miki Yeung | ... | Kate (segment "Dumplings") | |
| So-Fun Wong | ... | Kate's Mother (segment "Dumplings") | |
| Kai-Piu Yau | ... | Gynaecologist (segment "Dumplings") | |
| Byung-hun Lee | ... | Director (segment "Cut") | |
| Won-hie Lim | ... | Stranger (segment "Cut") (as Won-Hee Lim) | |
| Hye-jeong Kang | ... | Director's Wife (segment "Cut") | |
| Dae-yeon Lee | ... | Actor in School Girl Uniform (segment "Cut") | |
| Gene Woo Park | ... | Assistant Director (segment "Cut") | |
| Mi Mi Lee | ... | Kyung-Ah (segment "Cut") | |
| Gyu-sik Kim | ... | Old Man Mannequin (segment "Cut") | |
| Jung-ah Yum | ... | Vampire Actress (segment "Cut") | |
| Kyoko Hasegawa | ... | Kyoko (segment "Box") | |
| Atsuro Watabe | ... | Yoshii / Higata (segment "Box") | |
| Mai Suzuki | ... | Kyoko (Age 10) (segment "Box") | |
| Yuu Suzuki | ... | Shoko (Age 10) (segment "Box") | |
| Mitsuru Akaboshi | ... | Circus Member (segment "Box") | |
| rest of cast listed alphabetically: | |||
| Lee Jun Goo | |||
Directed by | |||
| Fruit Chan | (segment "Dumplings") | ||
| Takashi Miike | (segment "Box") | ||
| Chan-wook Park | (segment "Cut") | ||
Writing credits(in alphabetical order) | ||
| Haruko Fukushima | segment "Box" | |
| Lilian Lee | segment "Dumplings" | |
| Chan-wook Park | segment "Cut" | |
| Bun Saikou | story (segment "Box") | |
Produced by | |||
| Peter Chan | .... | producer | |
| Fumio Inoue | .... | producer (segment "Box") | |
| Kazuo Kuroi | .... | executive producer (segment "Box") | |
| Yu-jin Lee | .... | executive producer (segment "Cut") (as Eu-Gene Lee) | |
| Jung-Wan Oh | .... | executive producer (segment "Cut") | |
| Naoki Sato | .... | producer (segment "Box") | |
| Shun Shimizu | .... | producer (segment "Box") | |
| Ahn Soo-Hyun | .... | producer (segment "Cut") | |
| Eric Tsang | .... | executive producer (segment "Dumplings") | |
Original Music by | |||
| Kwong Wing Chan | (segment "Dumplings") | ||
| Kôji Endô | (segment "Box") | ||
Cinematography by | |||
| Chung-hoon Chung | (segment "Cut") | ||
| Christopher Doyle | (segment "Dumplings") | ||
| Kôichi Kawakami | (segment "Box") | ||
Film Editing by | |||
| Fruit Chan | (segment "Dumplings") | ||
| Jae-beom Kim | (segment "Cut") | ||
| Sang-Beom Kim | (segment "Cut") | ||
| Yasushi Shimamura | (segment "Box") | ||
Production Design by | |||
| Seong-hie Ryu | |||
| Takashi Sasaki | (segment "Box") | ||
| Chung Man Yee | (segment "Dumplings") | ||
| Seong-hie Yu | (segment "Cut") | ||
Art Direction by | |||
| Pater Wong | (segment "Dumplings") | ||
Costume and Wardrobe Department | |||
| Sang-gyeong Jo | .... | costume designer: segment "Cut" | |
| Dora Ng | .... | costume designer: segment "Dumplings" | |
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| City of Shoulders and Noses | Grindhouse | Black Christmas | Body Double | Pon |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Hong Kong section | Add this title to MyMovies |
Three short films that are plenty extreme and if the endings of all three leave us wondering maybe that is good. I did however find the end of Cut more than a little baffling. There again 'unsatisfactory' endings of Eastern films as judged by Westerners is nothing new. All three are beautifully shot with great camera-work and excellent use of colour. I found Miiki's the most perfect if not as much like his usual output as many would like. Park's Cut is a little pedestrian at times but so gloriously over the top and bewildering at others. Dumplings is a little predictable and I am surprised that it is said to still work at 90 minutes as it seems very much a single idea film. It's a good idea though and not without social interest and it has to be said the grossest of the three. The sound of tiny bones being crunched - aagh!! I watched all three on separate occasions, fearing that otherwise they might blur into one another - no fear of that though so I'll watch them again soon, all together. Good effort by all concerned