Three constitutes an omnibus package of three short horror films made by Asian directors. "Memories," made by Kim Ji-Woon, is about a woman (Kim Hye-Soo) who disappears from the home she ... See full summary »
In Hong Kong, Aunt Mei is a cook famous for her home-made rejuvenation dumplings, based on a millenarian recipe prepared with a mysterious ingredient that she brings directly from China. ... See full summary »
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
After a thirteen-year imprisonment for the kidnap and murder of a six-year-old boy, Guem-Ja Lee seeks vengeance on the man truly responsible for the boy's death. With the help of fellow ... See full summary »
In the DMZ separating North and South Korea, two North Korean soldiers have been killed, supposedly by one South Korean soldier. But the 11 bullets found in the bodies, together with the 5 ... See full summary »
In the segment "Cut," towards the end of the film there is a panning shot looking in through a window. The reflection of one or more persons standing on the outside portion (the side the camera is on) can be seen. See more »
This is one very slick and glossy horror film that will challenge many Western viewers, particularly the more provincial-minded. It should shatter some prejudices and put a serious dent in some chauvinistic preconceptions.
Overall it is very artfully sexy. The actresses are beautiful; the actors are movie star handsome. The costumes, sets and photography are lush and sensual. The production values are as high as you can get in any movie, let alone a horror film. The final episode rivals Fellini's Amarcord for the sheer beauty of some of its imagery.
The first of the three stories relies heavily on irony, with its most powerful images as subtle as they are disturbing. The second one is more bombastic, and caters to the "Saw" crowd with its sadistic bent and convoluted story. The final story meanders and is perhaps a bit perverse, depending on how far you let your imagination roam to fill in the gaps.
I would caution that this is not a film for 12-year-olds having a sleepover. Not that it's too disturbing, since it's softer than most. But other than the second segment, it's probably too subtle. It's more likely to please sophisticated adults with a worldly view, looking for a sumptuously hedonistic slice of dark drama. Watch it in bed with a trayful of chocolate and strawberries, and a bottle of champagne.
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