In 2002, two rival Olympic ice skaters were stripped of their gold medals and permanently banned from men's single competition. Presently, however, they've found a loophole that will allow them to qualify as a pairs team.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Everybody knows that your life is a story. But what if a story was your life? Harold Crick is your average IRS agent: monotonous, boring, and repetitive. But one day this all changes when Harold begins to hear an author inside his head narrating his life. The narrator it is extraordinarily accurate, and Harold recognizes the voice as an esteemed author he saw on TV. But when the narration reveals that he is going to die, Harold must find the author of the story, and ultimately his life, to convince her to change the ending of the story before it is too late. Written by
When Karen first meets Penny, she mentions a photograph of a beautiful woman who had committed suicide by jumping from a building. This refers to an actual event, in which 23-year-old Evelyn McHale leaped to her death from the 86th floor of the Empire State Building on May 1, 1947. A full-page photo of her body was published in LIFE Magazine later that month, which is the photo Karen is referring to. See more »
Harold's apartment is partially destroyed by a front-end loader with hydraulic forks hooked to it. When Professor Hilbert talks to Harold in the next scene he mentions it being hit by a wrecking ball. See more »
Professor Jules Hilbert:
No, why did you change the book?
Lots of reasons. I realized I just couldn't do it.
Professor Jules Hilbert:
Because he's real?
Because it's a book about a man who doesn't know he's about to die and then dies. But if the man does know he's going to die and dies anyway, dies willingly, knowing he could stop it, then... I mean, isn't that the type of man you want to keep alive?
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During the end credits, the names of the characters and the actors who played them were displayed against stylized images of the places where the characters worked. See more »
I saw STRANGER THAN FICTION (STF) on its opening weekend, and I think it's one of the most engaging, funny, poignant movies about writing, the creative process, and human nature I've seen since ADAPTATION. While Will Ferrell is a fave in our household, I must admit this is the first time I've seen him in a movie and thought of him as the character he's playing, not as Will Ferrell. Toning down his screechy/crazy qualities without losing his ability to make audiences laugh, Ferrell stars as unassuming IRS agent Harold Crick, who loves his job, so you know his life needs an overhaul! :-) Even Harold's curly-topped sidewall haircut seems to hint that his well-ordered life is about to dissolve into craziness. One morning, it does, amid FIGHT CLUB-style captions and the plummy, ironic tones of a British female narrator accompanying Harold's thoughts and actions in the opening scene -- narration that Harold can hear along with those of us in the audience. Our increasingly puzzled, alarmed hero soon realizes he's the protagonist in a novelist's new book-in-progress -- not just any novelist, but the reclusive Karen "Kay" Eiffel (Emma Thompson), who's been suffering from writer's block for 10 years and whose novels always end with her protagonists dying! As Kay's publisher sends compassionate but no-nonsense troubleshooter Penny Escher (Queen Latifah) to help unblock her, Harold seeks help from literary professor Jules Hilbert (Dustin Hoffman), an expert on the problematic author's favorite phrase "Little did he know..." It might be a subject especially dear to a writer's heart (especially in gags like Hilbert questioning Harold on standard literary devices to see if he's the hero of a comedy or a tragedy: "Have you been invited to a country house and had to solve a murder?...To find out what story you're in, I have to find out what stories you're *not* in..."), but I found STF funny, touching, and playfully surreal as director Marc Forster and screenwriter Zach Helm prove to be the new Spike Jonze and Charlie Kaufman, only with a touch of sweetness. In addition to the excellent Ferrell, Hoffman, Thompson, and Queen Latifah, the great cast includes Linda Hunt and an all-but-unrecognizable Tom Hulce as well-meaning but unhelpful psychiatrists, and Maggie Gyllenhaal as Ana, an anti-establishment baker who refuses to pay taxes on munitions (The Clash's "Death or Glory" plays in the background when Harold visits her bakery to audit her, only to be booed and heckled by Ana and her customers. Later, Harold wins Ana over by bringing her flours -- that's right, flours, not flowers! :-). There's nice location shooting in Chicago, too. STF is well worth heading out to a theater to see, and when it inevitably comes out on home video, it'll definitely be in the Writers' Movies section of my DVD collection alongside ADAPTATION, THE SINGING DETECTIVE, and the underrated ALEX AND EMMA!
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