Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Richard E. Grant
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's ... See full summary »
Everybody knows that your life is a story. But what if a story was your life? Harold Crick is your average IRS agent: monotonous, boring, and repetitive. But one day this all changes when Harold begins to hear an author inside his head narrating his life. The narrator it is extraordinarily accurate, and Harold recognizes the voice as an esteemed author he saw on TV. But when the narration reveals that he is going to die, Harold must find the author of the story, and ultimately his life, to convince her to change the ending of the story before it is too late. Written by
The name of Ana Pascal's bakery is "The Uprising". See more »
When Harold and Ana are talking in the bakery and she has made him cookies, one scene camera is on Ana and there are approximately 5 cookies on the tray; the camera flashes to Harold, then back to Ana, and there are only 3 cookies on the tray. See more »
I saw this film at the Chicago Film Festival opening last night. I went not knowing a thing about it in advance, and was pleasantly surprised. I'd suggest that people DON'T read specifics about this film before seeing it.
The story/script is fantastic - I'd be surprised if it didn't get nominated for the big original screenplay awards. It's interesting, funny, poignant, and quite charming, actually.
The casting in general is wonderful... As someone else said, Hoffman is perfectly understated... I'd never seen Maggie Gyllenhaal before, but I'm a fan after seeing this one. And Emma Thompson could see a best supporting actress nod for this film.
Sadly, I thought the film's weakest point was the casting of Will Ferrell in the lead. He's not bad by any means, but he just doesn't work at the same level as the rest of the cast. Kudos to him for what he DOES accomplish in this film, but it would've had plenty of starpower without him, and the role could've been used to showcase someone else's talent.
All in all, thumbs up.
Just my two cents.
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