Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
Stephanie Roth Haberle
With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Richard E. Grant
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's ... See full summary »
Everybody knows that your life is a story. But what if a story was your life? Harold Crick is your average IRS agent: monotonous, boring, and repetitive. But one day this all changes when Harold begins to hear an author inside his head narrating his life. The narrator it is extraordinarily accurate, and Harold recognizes the voice as an esteemed author he saw on TV. But when the narration reveals that he is going to die, Harold must find the author of the story, and ultimately his life, to convince her to change the ending of the story before it is too late. Written by
The film borrows heavily from 'Niebla' by Miguel de Unamuno, a Spanish novel about a character who becomes aware he is being narrated by a writer and goes to visit him. In Unamuno's story, however, the main character commits suicide. See more »
When Ana Pascal and Harold Crick are kissing on the couch, after she says "I want you too," he slips her jacket down to her elbows. When the shot changes, her jacket sleeve is only on one arm, but when the camera changes angles, her jacket is on both arms again. See more »
This is a story about a man named Harold Crick and his wristwatch. Harold Crick was a man of infinite numbers, endless calculations, and remarkably few words. And his wristwatch said even less. Every weekday, for twelve years, Harold would brush each of his thirty-two teeth seventy-six times. Thirty-eight times back and forth, thirty-eight times up and down. Every weekday, for twelve years, Harold would tie his tie in a single Windsor knot instead of the double, thereby ...
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During the end credits, the names of the characters and the actors who played them were displayed against stylized images of the places where the characters worked. See more »
I saw STRANGER THAN FICTION (STF) on its opening weekend, and I think it's one of the most engaging, funny, poignant movies about writing, the creative process, and human nature I've seen since ADAPTATION. While Will Ferrell is a fave in our household, I must admit this is the first time I've seen him in a movie and thought of him as the character he's playing, not as Will Ferrell. Toning down his screechy/crazy qualities without losing his ability to make audiences laugh, Ferrell stars as unassuming IRS agent Harold Crick, who loves his job, so you know his life needs an overhaul! :-) Even Harold's curly-topped sidewall haircut seems to hint that his well-ordered life is about to dissolve into craziness. One morning, it does, amid FIGHT CLUB-style captions and the plummy, ironic tones of a British female narrator accompanying Harold's thoughts and actions in the opening scene -- narration that Harold can hear along with those of us in the audience. Our increasingly puzzled, alarmed hero soon realizes he's the protagonist in a novelist's new book-in-progress -- not just any novelist, but the reclusive Karen "Kay" Eiffel (Emma Thompson), who's been suffering from writer's block for 10 years and whose novels always end with her protagonists dying! As Kay's publisher sends compassionate but no-nonsense troubleshooter Penny Escher (Queen Latifah) to help unblock her, Harold seeks help from literary professor Jules Hilbert (Dustin Hoffman), an expert on the problematic author's favorite phrase "Little did he know..." It might be a subject especially dear to a writer's heart (especially in gags like Hilbert questioning Harold on standard literary devices to see if he's the hero of a comedy or a tragedy: "Have you been invited to a country house and had to solve a murder?...To find out what story you're in, I have to find out what stories you're *not* in..."), but I found STF funny, touching, and playfully surreal as director Marc Forster and screenwriter Zach Helm prove to be the new Spike Jonze and Charlie Kaufman, only with a touch of sweetness. In addition to the excellent Ferrell, Hoffman, Thompson, and Queen Latifah, the great cast includes Linda Hunt and an all-but-unrecognizable Tom Hulce as well-meaning but unhelpful psychiatrists, and Maggie Gyllenhaal as Ana, an anti-establishment baker who refuses to pay taxes on munitions (The Clash's "Death or Glory" plays in the background when Harold visits her bakery to audit her, only to be booed and heckled by Ana and her customers. Later, Harold wins Ana over by bringing her flours -- that's right, flours, not flowers! :-). There's nice location shooting in Chicago, too. STF is well worth heading out to a theater to see, and when it inevitably comes out on home video, it'll definitely be in the Writers' Movies section of my DVD collection alongside ADAPTATION, THE SINGING DETECTIVE, and the underrated ALEX AND EMMA!
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