An undercover state cop who infiltrated a Mafia clan and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her. Though, like Detective Nick Curran before him, Glass is entranced by Tramell and lured into a seductive game.
A boat has been destroyed, criminals are dead, and the key to this mystery lies with the only survivor and his twisted, convoluted story beginning with five career crooks in a seemingly random police lineup.
Terrible. There's no way to get around it. A script at the level of one from some Mexican soap opera, a choice and use of the places of shooting that make the movie labyrinthine and at the same time, repetitive and monotonous, with disastrous performances of almost the entire cast. The references to Tarantino's work, so poorly made, are more an insult than anything else. I suspect that was not for the shameless and plot-unrelated exploitation of Matadinho's generous curves , nobody would take the effort to go watch this film to any theater.
These are the kind of films that make me have no desire to watch Portuguese cinema.
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