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A Prairie Home Companion (2006)

PG-13 | | Comedy, Drama, Music | 9 June 2006 (USA)
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A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.

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Writers:

(screenplay), (story) | 1 more credit »
5 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Lunch Lady
...
...
Chuck Akers
...
The Axeman
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GK
...
...
...
Dangerous Woman
...
...
Molly
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Stage Manager
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Makeup Lady
...
...
Tom Keith ...
Himself - Sound Effects Man
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Storyline

A final live variety show broadcast via radio becomes a metaphor for the natural order of life. A concept and script by Garrison Keilor uses every natural and technical element of working with a tight and close ensemble producing a weekly show to sooth us and guide us through the natural but difficult transitions of aging, becoming less relevant and then dying as new, young life develops and strengthens during our final "performances." This is a rare film for it's remarkable cast and crew and one wonders how the great Robert Altman was able to gather them all at the same place and time to shoot this film. Written by Dave Seaman

Plot Summary | Add Synopsis

Taglines:

Radio like you've never seen it before. See more »

Genres:

Comedy | Drama | Music

Motion Picture Rating (MPAA)

Rated PG-13 for risque humor | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

|

Release Date:

9 June 2006 (USA)  »

Also Known As:

Noches mágicas de radio  »

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$4,566,293 (USA) (9 June 2006)

Gross:

$20,338,609 (USA) (6 October 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

To broaden the film's appeal, Garrison Keillor considered retitling the film "Savage Love". Bob Berney, President of Picturehouse, was adamant that the film should retain its original title of "A Prairie Home Companion". See more »

Goofs

In the Lobby scene when Guy Noir is talking to Donna, the make-up lady, he leaps over the bar to retrieve something. The bottles on the bar change just before he jumps over as the camera angle changes, then they change again to a third set of bottles after he leaps over the bar. See more »

Quotes

[first lines]
Radio Announcer: Market reports today, barrows and gilts uh two hundred twenty to two hundred sixty pounds, they're lower at forty dollars uh sows are steady three hundred five hundred pounds thirty four to thirty seven dollars going over to feeder cattle, beef steers - one hundred twenty to one hundred fifty dollars and two hundred to three hundred
[fade out]
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Crazy Credits

There is a credit for Sign Painter in the film, although it does not appear on the official site. See more »

Connections

Featured in Altman (2014) See more »

Soundtracks

Grandfather's Clock
Music & Lyrics by Henry Clay Work
Performed by The Guys All-Star Shoe Band
See more »

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User Reviews

 
A Joyful Film About Death
10 June 2006 | by (United States) – See all my reviews

As usual Altman will divide his audience in a radical way. He, clearly, doesn't do it on purpose but it happens more often than not with the works of real artists where there is no room (or very little) for concessions. It is what it is, his vision, his whole. He mentioned that the film was about death and found that not everyone agreed not even some of his closest and more devoted collaborators. That's what he saw, that's what it is but it's bound to be contradicted by critics and audiences alike. Personally, I don't think I'll see a better film this year. The work of an idiosyncratic artist and masterful craftsman doesn't hit the main stream screens every day of the week. My only reservation is that the film is too short. I wanted to go on and on and on. To say that Meryl Streep is sublime seems kind of redundant but never mind, she is, sublime, surprising, funny, very funny, moving, very, very moving. Lily Tomlin and Meryl have the best moments in the film. They appear, look and sound as if they had been working together all their lives. Total chemistry. Lindsay Lohan is the biggest surprise. Good for her. That's the way to forge a way ahead. Work with the best. Woody Harrelson and John C Reilly are simply glorious. Kevin Kline does a Kevin Kline in the most enchanting way. It was also a delight to see Garrison Keillor himself playing himself, not just wonderfully but very convincingly as well. I recommend it with all my heart.


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