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A Prairie Home Companion (2006)

PG-13 | | Comedy, Drama, Music | 9 June 2006 (USA)
A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.

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Writers:

(screenplay), (story) | 1 more credit »

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5 wins & 21 nominations. See more awards »

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Conflict arises in the small town of Holly Springs when an old woman's death causes a variety of reactions among family and friends.

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Stars: Glenn Close, Julianne Moore, Liv Tyler
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Cast

Cast overview, first billed only:
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Lunch Lady
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Chuck Akers
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GK
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Makeup Lady
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Tom Keith ...
Himself - Sound Effects Man
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Storyline

A final live variety show broadcast via radio becomes a metaphor for the natural order of life. A concept and script by Garrison Keilor uses every natural and technical element of working with a tight and close ensemble producing a weekly show to sooth us and guide us through the natural but difficult transitions of aging, becoming less relevant and then dying as new, young life develops and strengthens during our final "performances." This is a rare film for it's remarkable cast and crew and one wonders how the great Robert Altman was able to gather them all at the same place and time to shoot this film. Written by Dave Seaman

Plot Summary | Add Synopsis

Taglines:

Live every show like it's your last. See more »

Genres:

Comedy | Drama | Music | Musical

Motion Picture Rating (MPAA)

Rated PG-13 for risque humor | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

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Release Date:

9 June 2006 (USA)  »

Also Known As:

Noches mágicas de radio  »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$4,566,293, 11 June 2006, Wide Release

Gross USA:

$20,342,852
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

For insurance purposes, and in the event that 80-year-old director Robert Altman was unable to finish shooting the film, Paul Thomas Anderson was employed as a standby director. See more »

Goofs

At the beginning of the film Guy Noir leaves Mickey's Diner and walks to the Fitzgerald Theater where the program is performed. The theater is located up the street and around the corner from the diner. One would not approach the theater from the Diner and see the big neon sign. From his angle he walked up a block, turned right, walked one more block (parallel to the theater), then turned back around to face it. See more »

Quotes

[first lines]
Radio Announcer: Market reports today, barrows and gilts uh two hundred twenty to two hundred sixty pounds, they're lower at forty dollars uh sows are steady three hundred five hundred pounds thirty four to thirty seven dollars going over to feeder cattle, beef steers - one hundred twenty to one hundred fifty dollars and two hundred to three hundred
[fade out]
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Crazy Credits

There is a credit for Sign Painter in the film, although it does not appear on the official site. See more »

Connections

Referenced in Diva: A Prairie Home Companion (2010) See more »

Soundtracks

She Is More To Be Pitied Than Censured
Music & Lyrics by William B. Gray
Performed by Woody Harrelson & John C. Reilly
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User Reviews

 
A Joyful Film About Death
10 June 2006 | by See all my reviews

As usual Altman will divide his audience in a radical way. He, clearly, doesn't do it on purpose but it happens more often than not with the works of real artists where there is no room (or very little) for concessions. It is what it is, his vision, his whole. He mentioned that the film was about death and found that not everyone agreed not even some of his closest and more devoted collaborators. That's what he saw, that's what it is but it's bound to be contradicted by critics and audiences alike. Personally, I don't think I'll see a better film this year. The work of an idiosyncratic artist and masterful craftsman doesn't hit the main stream screens every day of the week. My only reservation is that the film is too short. I wanted to go on and on and on. To say that Meryl Streep is sublime seems kind of redundant but never mind, she is, sublime, surprising, funny, very funny, moving, very, very moving. Lily Tomlin and Meryl have the best moments in the film. They appear, look and sound as if they had been working together all their lives. Total chemistry. Lindsay Lohan is the biggest surprise. Good for her. That's the way to forge a way ahead. Work with the best. Woody Harrelson and John C Reilly are simply glorious. Kevin Kline does a Kevin Kline in the most enchanting way. It was also a delight to see Garrison Keillor himself playing himself, not just wonderfully but very convincingly as well. I recommend it with all my heart.


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