Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
"A Prairie Home Companion", hosted by humorist Garrison Keillor, is a down home radio variety show recorded and performed live in front of an audience in a theater in St. Paul, Minnesota. A show from another era, "A Prairie Home Companion" has been canceled. The regulars are performing on the last show, including Dusty & Lefty, singing/guitar playing cowboys with a risqué sense of humor, and the Johnson Girls, a sister singing duo of Rhonda and Yolanda who have a penchant for talking over each other. As the show goes on, the regulars, backstage, talk about their lives in relation to the show. Other goings-on include Yolanda and others trying to convince her shy somber daughter, Lola, to sing on this last show. As all this goes on, a mysterious woman in a white trench coat who is on a mission wanders around the theater, while the show's dim security guard, Guy Noir, who usually has nothing to do security-wise, follows. Written by
To broaden the film's appeal, Garrison Keillor considered retitling the film "Savage Love". Bob Berney, President of Picturehouse, was adamant that the film should retain its original title of "A Prairie Home Companion". See more »
In the Lobby scene when Guy Noir is talking to Donna, the make-up lady, he leaps over the bar to retrieve something. The bottles on the bar change just before he jumps over as the camera angle changes, then they change again to a third set of bottles after he leaps over the bar. See more »
Market reports today, barrows and gilts uh two hundred twenty to two hundred sixty pounds, they're lower at forty dollars uh sows are steady three hundred five hundred pounds thirty four to thirty seven dollars going over to feeder cattle, beef steers - one hundred twenty to one hundred fifty dollars and two hundred to three hundred
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There is a credit for Sign Painter in the film, although it does not appear on the official site. See more »
Robert Altman's "A Prairie Home Companion" is light, fluffy and fun, much like the radio show. As long as audiences keep this in mind, they'll be sold like Rhubarb pie and duct tape advertised during the broadcast.
The outstandingly cast ensemble and Altman's signature directing style stitch a flowing patchwork of laughs and tinges of nostalgia. Streep and Tomlin are dynamic together (and sing beautifully!), and Kline carries much of the film's comedy on his capable shoulders. The film represents a bygone era that the people of the show are still living in. Only Virginia Madsen, Lindsay Lohan and Tommy Lee Jones represent the outsiders to the otherwise coherent culture of the show, and as the film progresses, affect it and are affected by it in different ways.
I generally prefer films, however comic or fun they are, to have some deeper themes. But unlike the multi-layered theater that most of the film takes place in, there's nothing really behind the scenes here- it's art for arts sake. However, I still enjoyed the film and am actually relieved it didn't bog down in anything too serious.
Whether audiences are fans of the radio show or not, the film's worth its weight in Narco Bran Flakes.
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