Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
Dr. Sullivan Travis "Dr. T." is a wealthy Dallas gynecologist for some of the wealthiest women in Texas who finds his idealist life beginning to fall apart starting when his wife, Kate, ... See full summary »
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
"A Prairie Home Companion", hosted by humorist Garrison Keillor, is a down home radio variety show recorded and performed live in front of an audience in a theater in St. Paul, Minnesota. A show from another era, "A Prairie Home Companion" has been canceled. The regulars are performing on the last show, including Dusty & Lefty, singing/guitar playing cowboys with a risqué sense of humor, and the Johnson Girls, a sister singing duo of Rhonda and Yolanda who have a penchant for talking over each other. As the show goes on, the regulars, backstage, talk about their lives in relation to the show. Other goings-on include Yolanda and others trying to convince her shy somber daughter, Lola, to sing on this last show. As all this goes on, a mysterious woman in a white trench coat who is on a mission wanders around the theater, while the show's dim security guard, Guy Noir, who usually has nothing to do security-wise, follows. Written by
The cigarette behind Guy Noir's ear changes positions between shots. See more »
Market reports today, barrows and gilts uh two hundred twenty to two hundred sixty pounds, they're lower at forty dollars uh sows are steady three hundred five hundred pounds thirty four to thirty seven dollars going over to feeder cattle, beef steers - one hundred twenty to one hundred fifty dollars and two hundred to three hundred
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There is a credit for Sign Painter in the film, although it does not appear on the official site. See more »
Feb. 13th Berlinale showing of Altman's PHC a success
I saw "PHC" yesterday at the Berlinale: simultaneously laughing at the jokes and Guy's wonderful snarkiness, while - as a St. Paulite - blubbering, overcome with sentimental homesickness and memories of attending PHC broadcasts since the 70s. Thank you, GK, for bringing so much enjoyment to so many people for so many years.
I was dismayed to see that the film pressed the "Christian"-button so often. Is this a real representation of the PHC radio audience and/or the PHC staff? It disturbed me; seemed forced and fake. Are most PHC fans in this target audience? I think not.
The music was a hoot, of course, including all of its ragged edges and the Norwegian fish jingle. However it seemed too 'southern' to me. Where was the (non-southern) folk music that was such a main component of the show over the decades?
Kevin Kline, as always: a marvel and a delight. So fine to hear his melted-butter voice over the opening scene of Mickey's...."in a city that knows how to keep its secrets..."!
The livestock price reports in the opening 'roving across your radio dial' sequence were a cute, true, detail. The big stars attempting local (or Oshkosh, Wisconsin) accents were not at all convincing, at least to this native. That bugged me. The radio evangelist with a southern accent in the opening radio bits also seemed quite out of place.
I wonder how much of the movie is understandable to people who know nothing about the PHC show. The Berlinale audience seemed to 'get' the humor and enjoyed the film.
All in all: a delight.
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