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A Prairie Home Companion (2006)

PG-13 | | Comedy, Drama, Music | 9 June 2006 (USA)
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A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.

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(screenplay), (story) | 1 more credit »
3 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Lunch Lady
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Chuck Akers
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The Axeman
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GK
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...
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Dangerous Woman
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Molly
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Stage Manager
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Makeup Lady
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Tom Keith ...
Himself - Sound Effects Man
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Storyline

A final live variety show broadcast via radio becomes a metaphor for the natural order of life. A concept and script by Garrison Keilor uses every natural and technical element of working with a tight and close ensemble producing a weekly show to sooth us and guide us through the natural but difficult transitions of aging, becoming less relevant and then dying as new, young life develops and strengthens during our final "performances." This is a rare film for it's remarkable cast and crew and one wonders how the great Robert Altman was able to gather them all at the same place and time to shoot this film. Written by Dave Seaman

Plot Summary | Add Synopsis

Taglines:

Radio like you've never seen it before. See more »

Genres:

Comedy | Drama | Music

Motion Picture Rating (MPAA)

Rated PG-13 for risque humor | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

9 June 2006 (USA)  »

Also Known As:

Noches mágicas de radio  »

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$4,566,293 (USA) (9 June 2006)

Gross:

£75,355 (UK) (5 January 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Garrison Keillor got the name Lola for Lindsay Lohan's character from the song "Whatever Lola Wants, Lola Gets" from the musical "Damn Yankees" after Lohan successfully lobbied for a place in the film, even though there was no part written for her in the original script. Her character's name was also Lola in Confessions of a Teenage Drama Queen (2004). See more »

Goofs

When the Dangerous Lady enters the diner, her top left button is covered by the lapel due to her coat being closed tight. In the next shot the coat is opened more and the button is exposed. Then in the next shot, the button is covered by the lapel again. See more »

Quotes

[first lines]
Radio Announcer: Market reports today, barrows and gilts uh two hundred twenty to two hundred sixty pounds, they're lower at forty dollars uh sows are steady three hundred five hundred pounds thirty four to thirty seven dollars going over to feeder cattle, beef steers - one hundred twenty to one hundred fifty dollars and two hundred to three hundred
[fade out]
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Crazy Credits

There is a credit for Sign Painter in the film, although it does not appear on the official site. See more »

Connections

Featured in Altman (2014) See more »

Soundtracks

A Bunch Of Guys
Music & Lyrics by Richard A. Dworsky (as Richard Dworsky)
Performed by The Guys All-Star Shoe Band
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User Reviews

 
Feb. 13th Berlinale showing of Altman's PHC a success
14 February 2006 | by (Germany) – See all my reviews

I saw "PHC" yesterday at the Berlinale: simultaneously laughing at the jokes and Guy's wonderful snarkiness, while - as a St. Paulite - blubbering, overcome with sentimental homesickness and memories of attending PHC broadcasts since the 70s. Thank you, GK, for bringing so much enjoyment to so many people for so many years.

I was dismayed to see that the film pressed the "Christian"-button so often. Is this a real representation of the PHC radio audience and/or the PHC staff? It disturbed me; seemed forced and fake. Are most PHC fans in this target audience? I think not.

The music was a hoot, of course, including all of its ragged edges and the Norwegian fish jingle. However it seemed too 'southern' to me. Where was the (non-southern) folk music that was such a main component of the show over the decades?

Kevin Kline, as always: a marvel and a delight. So fine to hear his melted-butter voice over the opening scene of Mickey's...."in a city that knows how to keep its secrets..."!

The livestock price reports in the opening 'roving across your radio dial' sequence were a cute, true, detail. The big stars attempting local (or Oshkosh, Wisconsin) accents were not at all convincing, at least to this native. That bugged me. The radio evangelist with a southern accent in the opening radio bits also seemed quite out of place.

I wonder how much of the movie is understandable to people who know nothing about the PHC show. The Berlinale audience seemed to 'get' the humor and enjoyed the film.

All in all: a delight.


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