Morning Raga is about the meeting of worlds. It is a story that brings the modern and traditional together, unites the past with present, Carnatic music with Western music, as never before ... See full summary »

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2 wins & 1 nomination. See more awards »

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Cast

Credited cast:
...
Swarnlatha
Prakash Rao ...
Abhinay
...
Mrs. Kapoor
Perizaad Zorabian ...
Pinkie
Shaleen Sharma ...
Balaji
Vivek Mashru ...
Munna
...
Abhinay's father
T. Vijay ...
Mr. Shastri
Dharmavarapu Subramanyam ...
Appa Rau
Ranjani Ramakrishnan ...
Vaishnavi
Sanjay Swaroop ...
Manager
Rest of cast listed alphabetically:
Elahe Hiptoola ...
Crying Customer
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Storyline

Morning Raga is about the meeting of worlds. It is a story that brings the modern and traditional together, unites the past with present, Carnatic music with Western music, as never before in the history of humanity, fate and coincidence with individual choices. It is a story of our times where our worlds are interacting with each other. Written by Anwar

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A story of three lives. Struck by tragedy. United by destiny. Redefined by music... See more »

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Drama

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18 March 2005 (USA)  »

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Connections

Referenced in Bhoothnath Returns (2014) See more »

Soundtracks

Mathe
Music composer: Mani Sharma
Singer: Sudha Raghunathan
Raga: Kamas
Talam: Adi
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User Reviews

 
A fine mixture of carnatic music and funky band music
3 January 2006 | by (India) – See all my reviews

This film is the confluence of older and younger generation, of traditional music and contemporary music. Born out of a tragedy of a fatal accident in which Swarana (shabana Azmi) and her dear friend and their sons travel in which the friend and swarna's son die. Swarna is a mature carnatic music vocalist and her friend vaishnavi is a violinist. The survivor guilt of Swarna keeps her aloof from the outside world for 20 years and then vaishanavi's son Abhi, a modern music band leader wants to incorporate swarna's music into the band After some trauma Swarna agrees.

The story and direction is by the acclaimed theatre personality Mahesh Dattani. The carnatic music pieces are excellent and I am not an expert on modern music. The final piece, which is a fusion of carnatic musical piece "Thaye Yasodha" in Todi raga and the band music with heavy percussion, is excellent. In the final carnatic piece the Music Director cleverly used more of "swara" delineation and "thanam" pieces instead of complete "sahitya". The acting by Azmi is as usual superb and the actors, who portrayed the role of Abhi and his girl friend Pinky, give good support. There is a delightful cameo role by Lillete Dubey, (as Pinky's mother ), another acclaimed theater personality.

Once again an off beat film, off from the garish dressed women protagonists and unbelievable fight sequences by the male protagonist and loud music of the contemporary Indian films..

But there are some cinematic clichés. The accident is supposed to heave been caused by Pinky's ever drunken father.. Pinky seems to have learnt carnatic music in a few days or months from Swarna In spite of these clichés the film is an excellent film.


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