Flama and Moko are fourteen years old; they have been best friends since they were kids. They have everything they need to survive yet another boring Sunday: an apartment without parents, ... See full summary »
The true story of the border town of Juarez, Mexico where since the mid-1990s thousands of women have gone missing or turned up as sun-burnt corpses in the desert. Can new police captain Blanca Bravo stop the savagery?
Ana de la Reguera,
In this deliciously kinky film that takes place in the wee hours of a Mexico City morning, long-absent Pedro returns to preside over his seriously bent family. But while Pedro is busy ... See full summary »
Juan Orol, was born in Galicia, Spain at the end of the XIX Century. As a child, his mother sent him away to Cuba, looking for a relative he never found. He grew up wildly and encroached in... See full summary »
Sebastian del Amo
Juan Manuel Bernal,
Juan Carlos Bonet
Old bachelor Benjamin (Lopez Rojas) still lives with his sister Micaela (Doria) in the boredom of a small town. His only entertainment is getting together with a bunch of old men and spare ... See full summary »
This story begins when Jose finds out that Nora, the woman he'd been married to for 30 years and then divorced, has committed suicide. The rabbi explains to Jose that due to the celebration... See full summary »
Tired and frustrated of being constantly awaken at midnight by his noisy young neighbor Mariana (Scanda), old Don Andres (Torre Laphame) engages himself into a solitaire crusade against his... See full summary »
Fernando Torre Laphame,
Ignacio Ortiz is a storyteller, no doubt about that. But this one is his masterpiece at the moment. We get to see a work following "Cuentos de hadas para dormir cocodrilos" but enhancing it and achieving a film far superior. Without denying his references to Shakespeare and Lowry, Ortiz make an entropic world, heir of Rulfo's Comala and hence Mitl Valdez' "Los Confines". El Parian is a little home town of few characters but a whole bunch of stories that come together in a strong tissue thanks to the good editing of the film. Sometimes very surrealistic, like the very essence of Mexico, the passages come in the story with equal tragedy and comedy, as allegories of deep concepts, all portrayed in an outstanding acting job by one of the better crews assembled. Alejandro Calva and Ana Graham may be an odd couple but a strong and believable one. Also some high points are the cinematography by Serguei Saldivar Tanaka and the music score by Lucía Alvarez, both with a fine gusto. A total triumph.
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