| Photos (See all 19 | slideshow) | Videos (see all 6) |
| John Cena | ... | John Triton | |
| Robert Patrick | ... | Rome | |
| Kelly Carlson | ... | Kate Triton | |
| Anthony Ray Parker | ... | Morgan | |
| Abigail Bianca | ... | Angela | |
| Jerome Ehlers | ... | Van Buren | |
| Manu Bennett | ... | Bennett | |
| Damon Gibson | ... | Vescera | |
| Drew Powell | ... | Joe | |
| Frank Carlopio | ... | Frank | |
| Firass Dirani | ... | Al Qaeda Leader | |
| Remi Broadway | ... | Marine #1 | |
| Steve Harman | ... | Marine #2 | |
| Damien Bryson | ... | Marine #3 | |
| Robert Coleby | ... | Braun | |
| Ashley Lyons | ... | Chris | |
| Jeff Chase | ... | Billy | |
| Jamal Duff | ... | Paul | |
| Lincoln Kennedy | ... | Himself | |
| Christina Lindley | ... | Chop Shop Girl | |
| Gerry Day | ... | Mr. Titizian | |
| Todd Leigh | ... | Brian | |
| Alan B. McElroy | ... | Johnny (as Alan McElroy) | |
| Todd Levi | ... | Officer Herrera | |
| Christopher Morris | ... | Rick | |
| Jane Eppell | ... | Laura | |
| Laurence Breuls | ... | Fran | |
| Cory Robinson | ... | Officer Brady | |
| Peter Lamb | ... | Patrol Officer | |
| Damien Garvey | ... | River Boat Cop | |
| Helen Howard | ... | Female Clerk #1 | |
| Nicci Hope | ... | Female Clerk #2 | |
| Brad Haynes | ... | Male Clerk (as Brad Hayes) |
Directed by | |||
| John Bonito | |||
Writing credits(WGA) | ||
| Michelle Gallagher | (story) (as Michell Gallagher) | |
| Michelle Gallagher | (screenplay) (as Michell Gallagher) and | |
| Alan B. McElroy | (screenplay) (as Alan McElroy) | |
Produced by | |||
| Jed Blaugrund | .... | co-producer | |
| Frank Carlopio | .... | associate producer | |
| Matt Carroll | .... | executive producer | |
| Vince McMahon | .... | executive producer | |
| W. Mark McNair | .... | associate producer: Los Angeles (as Mark McNair) | |
| Joel Simon | .... | producer | |
| Kathryn Sommer-Parry | .... | producer (as Kathryn Sommer Parry) | |
| Jonathan Winfrey | .... | producer | |
Original Music by | |||
| Don Davis | |||
Cinematography by | |||
| David Eggby | (director of photography) | ||
Film Editing by | |||
| Dallas Puett | |||
Production Design by | |||
| Herbert Pinter | |||
Art Direction by | |||
| Daryl Porter | |||
Set Decoration by | |||
| Mandy Willaton | |||
Costume Design by | |||
| Graham Purcell | |||
Makeup Department | |||
| Linda Arnold | .... | department head hair: Los Angeles | |
| Paige Badenoch | .... | additional makeup artist | |
| Gail Kane | .... | hairdresser: second unit | |
| Gail Kane | .... | makeup artist: second unit | |
| Sue Kelly-Tait | .... | hairdresser: second unit | |
| Sue Kelly-Tait | .... | makeup artist: second unit | |
| Maree McDonald | .... | additional hair stylist | |
| Maree McDonald | .... | additional makeup artist | |
| Anita Morgan | .... | additional hair stylist | |
| Anita Morgan | .... | additional makeup artist | |
| Michelle Ritchie | .... | additional hair stylist | |
| Michelle Ritchie | .... | additional makeup artist | |
| Kate Shorter | .... | department head makeup: Los Angeles | |
| Margaret Stevenson | .... | key hair stylist | |
| Margaret Stevenson | .... | key makeup artist | |
Production Management | |||
| Ralph Bertelle | .... | production supervisor: Los Angeles | |
| Jennifer Cornwell | .... | unit production manager | |
| Nancy Hirami | .... | lead post-production supervisor | |
| Simon Klaebe | .... | post-production supervisor: Australia | |
| Jonathan McGarry | .... | unit production manager: Los Angeles | |
| Barbara Ostrowiecki | .... | post-production supervisor: USA (as Barbara Scooter Ostrowiecki) | |
Second Unit Director or Assistant Director | |||
| Julie Burton | .... | second assistant director: second unit | |
| Bac DeLorme | .... | key second assistant director: Los Angeles (as Bac De Lorme) | |
| Peter Fitzgerald | .... | first assistant director: second unit | |
| Tim Hughes | .... | third assistant director | |
| Kelly Johanson | .... | assistant director: cast | |
| Samantha Lavin | .... | second second assistant director: Los Angeles | |
| Jonathan McGarry | .... | first assistant director: Los Angeles | |
| Nick McKinnon | .... | second second assistant director | |
| Peter McLennan | .... | assistant director: additional photography | |
| Angela McPherson | .... | second assistant director (as Angella McPherson) | |
| Conrad E. Palmisano | .... | second unit director (as Conrad Palmisano) | |
| Stuart Wood | .... | first assistant director | |
| Timothy Wood | .... | additional assistant director: second unit | |
Special Effects by | |||
| Leanne Brooks | .... | special effects office coordinator | |
| Frank Ceglia | .... | special effects coordinator: Los Angeles | |
| Aaron Cox | .... | special effects technician | |
| Brian Cox | .... | special effects supervisor | |
| Josh Head | .... | special effects technician | |
| Matt Kutcher | .... | special effects supervisor | |
| Jim Leng | .... | special effects technician | |
| Jeff Little | .... | special effects technician | |
| Chris Murray | .... | chief pyrotechnician | |
| Gulliver Page | .... | special effects technician | |
| Angelo Sahin | .... | on-set supervisor | |
| Julian Summers | .... | special effects technician | |
Visual Effects by | |||
| Alicia Aguilera | .... | digital compositor | |
| Kate Baird | .... | visual effects editor | |
| Jason Bath | .... | visual effects executive producer: FUEL International | |
| Jason Billington | .... | digital compositor | |
| Marten Blumen | .... | digital compositor | |
| Paul Booth | .... | visual effects editor: in-house | |
| Kent Boswell | .... | visual effects producer: Fuel | |
| Daniel Brown | .... | digital effects supervisor: Photon VFX | |
| Craig Clarke | .... | visual effects supervisor | |
| Luke Cole | .... | systems administrator: FUEL International | |
| Sam Cole | .... | senior compositor: FUEL | |
| Daniel James Cox | .... | digital matte artist | |
| Dexter Davey | .... | compositor | |
| Chris Davies | .... | digital compositor | |
| Rebecca Dunn | .... | senior compositor | |
| Simon Dye | .... | digital compositor | |
| Kane Elferink | .... | CG artist | |
| Suzanne Evans-Booth | .... | visual effects coordinator | |
| Matt Greig | .... | digital compositor | |
| Richard David Hall | .... | digital compositor | |
| Jamie Hediger | .... | digital compositor | |
| Andrew Hellen | .... | CG supervisor | |
| Jayne Herrmann | .... | digital effects coordinator: Photon | |
| Michelle Hunt | .... | digital compositor | |
| Konstantin Kovalenko | .... | junior compositor | |
| Steve Kreutzmann | .... | data wrangler: FUEL International | |
| Steve Kreutzmann | .... | render manager: FUEL International | |
| Steve Kreutzmann | .... | visual effects editor | |
| Daniel Loui | .... | digital compositor | |
| Matthew McCosker | .... | digital artist | |
| Damon Milman | .... | technical director | |
| Dave Morley | .... | visual effects supervisor: FUEL International | |
| Shelly Morrow | .... | digital compositor | |
| Mark Nettleton | .... | digital compositor | |
| An Nguyen | .... | system administrator/pipeline engineer: FUEL International | |
| Robert Nicol | .... | senior compositor | |
| Julian Parry | .... | visual effects producer | |
| Kim Pearce | .... | senior systems administrator | |
| Dylan Penhale | .... | systems manager | |
| Loren Robinson | .... | digital compositor: Photon | |
| Nicola Scarrott | .... | digital effects coordinator | |
| Murray Smallwood | .... | digital compositor | |
| Michele Stewart | .... | visual effects bidding producer: Photon VFX | |
| Takahiro Suzuki | .... | digital compositor | |
| Kim Tobin | .... | digital compositor (as Kim Worrall) | |
| Shereena-Lee van de Berkt | .... | digital effects production manager: PhotonVFX | |
| Randy Vellacott | .... | digital compositor | |
| Sandeep Vengsarkar | .... | digital compositor | |
| Andreas Wanda | .... | visual effects | |
| Derek Wentworth | .... | additional on-set visual effects supervisor | |
| Martin Wiseman | .... | visual effects producer | |
| Jamie Wood | .... | compositor | |
| Matthew Wynne | .... | compositor | |
| Koji Yamaguchi | .... | compositor | |
Casting Department | |||
| Jennifer Bender | .... | additional casting | |
| Allyson Bosch | .... | casting associate | |
| Mara Kelly | .... | casting assistant: U.S. | |
| Fiona McMaster | .... | extras casting | |
| Tom McSweeney | .... | casting: Australia | |
| Donna Rosenstein | .... | casting: USA | |
Costume and Wardrobe Department | |||
| Amanda Enders | .... | set costumer | |
| Deborah Hall | .... | costume supervisor: Los Angeles | |
| Sabrina Rosen | .... | costume designer: Los Angeles | |
| Samantha Walker | .... | set costumer | |
Editorial Department | |||
| Kate Baird | .... | first assistant editor | |
| Marc Fisher | .... | finishing editor | |
| Olivier Fontenay | .... | digital colorist | |
| Jamie Hediger | .... | digital conform editor | |
| Geoffrey Lamb | .... | assistant editor | |
| Veronica Marcano | .... | negative cutter: Computamatch (Australia ) | |
| Blu Murray | .... | assistant editor | |
| Ralph Tarr | .... | color timer | |
Music Department | |||
| Tom Calderaro | .... | supervising music copyist | |
| Greg Dennen | .... | score recordist | |
| Randy Gerston | .... | music supervisor | |
| Brian Leff | .... | music coordinator | |
| Scott Pettigrew | .... | music editor: temp | |
| Ellen Segal | .... | music editor | |
Transportation Department | |||
| Rich Bennetti | .... | transportation captain | |
| Jamie Whitfield | .... | transportation manager: second unit | |
Other crew | |||
| Alexa Alden | .... | script supervisor: Los Angeles | |
| Austin Andrews | .... | production assistant | |
| Justin Brace | .... | accounting assistant | |
| Hannah Byrnand | .... | production assistant | |
| Joe Cappelletti | .... | adr voice director | |
| Caryn Cheever | .... | first assistant accountant: Los Angeles | |
| Haydn Dalton | .... | assistant safety supervisor | |
| Kaleb Day | .... | nurse: second unit | |
| Matt DiFranco | .... | production coordinator: additional photography | |
| Jonathan Dixon | .... | digital liaison | |
| Rachel Duxbury | .... | payroll | |
| Melissa Elliott | .... | end title artist | |
| Marianne Flynn | .... | production accountant | |
| Jenny Fulton | .... | script supervisor: second unit | |
| James S. Goff | .... | military advisor | |
| Cindy Gollagher | .... | assistant production coordinator | |
| Jeff Gribble | .... | armorer | |
| Katie Harris | .... | unit nurse | |
| Jennifer Kubler | .... | acting coach | |
| Richard Lowell | .... | executive assistant: Joel Simon (as Richie Lowell) | |
| Jasmin Lyford | .... | production secretary | |
| Danielle Mana | .... | office production assistant: additional photography | |
| Karen Mansfield | .... | script supervisor | |
| Justin McDonald | .... | digital projectionist | |
| Jamie McLennan | .... | location manager | |
| Merlind Mueller | .... | runner | |
| Sean Rigby | .... | safety supervisor | |
| Ryan Robertson | .... | main title producer | |
| Jason Rowling | .... | production assistant | |
| David Rudduck | .... | it technical support | |
| Stephen Rutter | .... | travel manager | |
| Bruce Shapiro | .... | dialogue coach | |
| Holly Smith | .... | assistant: Matt Carroll | |
| Sharyn Steele | .... | executive assistant: Jed Blaugrund | |
| Julie Stewart | .... | assistant accountant | |
| Lehi Tahau | .... | unit assistant | |
| Mark Wickham | .... | military advisor | |
| Lana Williams | .... | safety supervisor | |
| Michael Wolstenholme | .... | assistant accountant | |
| Steven Brown | .... | workshop assistant (uncredited) | |
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| The Professional: Golgo 13 | The Dark Knight | Derailed | Rambo | G.I. Joe: The Rise of Cobra |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I saw this movie on TV and it left me in a state of confusion. I simply could not understand why the people making this movie, made so many misstakes. And what was up with those opening scenes? I got Rambo flashbacks during that. I consider myself to be within the target audience, boys who like action movies with guns, babes, car chases, fights and so on. The problem with this movie IMO is that it underestimates its audience. Just because we like action movies, does not mean we like movies with just action scenes. Nor does it mean that you do not have to make any sense.
10 years ago i would have thought that this movie was tha bombe. I would have thought that it was cool. However this is not 1999, it's 2009 (yes, i know the movie is from 2006). After all the things that have happened in the last couple of years, you simply can not show such unbelievable stuff as getting shot at a 120 times from 3-10 meters away during a car chase and not get hit once (outside the Matrix of course).
This movie made me doubt myself. Have i learned so much about combat tactics, guns and ammo, warfare, law enforcement, crime and human frailty (from watching Discovery Channel and National Geographic) that i am simply incapable of enjoying a simple action movie? After thinking a lot about that i concluded that the answer is yes. Yes, i know to much to enjoy a simple action movie. And The Marine is about as simple as it gets. A bit more work on the script to make it more logical and coherent and this movie would have scored at least 1 more point (probably 2). I know the marines are tough guys, but i also know marines are not dumb. Stubborn yes, but not dumb. The marine in The Marine is tough and dumb.
The Marine is fun to watch, but only when you have nothing else to do. If you need to kill some time, then The Marine will kill it. And you will watch it all the way to the end because of Kelly Carlson. If you are a man you want her to be your lover or hostage. If you are a strait woman or gay man, Kelly Carlson's hair will make you go "oh wow, look at that, that is hot". But remember, if you want to enjoy it for more than Kelly Carlson, dumb yourself down a bit.
I gave this movie 5 stars. 1 for Kelly Carlson and her hair, 1 for Robert Patrick and his lines, 1 for the guns, fights and explosions, 1 for the cat-fight and 1 for giving me hope that one day someone will give me a multimillion dollar budget to make my own action movie.