Set during WWII, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a German concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences.
The journalist Sahebjam, whose car breaks down in a remote village in Iran and meets Zahra, who tells him the horrible story about her niece, Soraya, whose arranged marriage to an abusive tyrant, and the event the day before.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
While subjected to the horrors of World War II Germany, young Liesel finds solace by stealing books and sharing them with others. In the basement of her home, a Jewish refugee is being protected by her adoptive parents.
In the 70's in Afghanistan, the Pushtun boy Amir and the Hazara boy Hassan, who is his loyal friend and son of their Hazara servant Ali, are raised together in Amir's father house, playing and kiting on the streets of a peaceful Kabul. Amir feels that his wise and good father Baba blames him for the death of his mother in the delivery, and also that his father loves and prefers Hassan to him. In return, Amir feels a great respect for his father's best friend Rahim Khan, who supports his intention to become a writer. After Amir winning a competition of kiting, Hassan runs to bring a kite to Amir, but he is beaten and raped by the brutal Assef in an empty street to protect Amir's kite; the coward Amir witness the assault but does not help the loyal Hassam. On the day after his birthday party, Amir hides his new watch in Hassam's bed to frame the boy as a thief and force his father to fire Ali, releasing his conscience from recalling his cowardice and betrayal. In 1979, the Russians ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the DVD commentary, Mark Forster said he insisted that the Afghani characters speak Dari to make the film as authentic as possible. Author Khaled Hosseini says "Iran and Afghanistan share a language. They call it Farsi in Iran, and we call it Dari in Afghanistan. It's essentially the same language, but the accent is very different." The man at the soccer game speaks in Pashto, Afghanistan's other main language. See more »
Rahim looks at the picture of Soraya, Amir's wife, and puts it down on the table (at around 20 mins), but we don't actually see where he puts it. In the next shot, the picture is not seen anymore. See more »
There is only one sin, only one. And that is theft. Every other sin is a variation of theft... When you kill a man, you steal a life. You steal his wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness.
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Greetings again from the darkness. Based on the mega-best seller from author Khaled Hosseini, the film provides us a peak at the ugliness of post-Russia invaded Afghanistan and the terror of the Taliban. Director Marc Foster adds a gem to his resume, which already includes "Monster's Ball", "Finding Neverland" and "Stranger Than Fiction".
The story of young friends Amir and Hassan and the unknown bond they share into the next generation. This is a story of honor and courage and loyalty and is an unusual coming-of-age tale. Some great scenes of the boys when they are kids and then a couple of truly amazing scenes as Amir returns as an adult to find Hassan's imprisoned son.
This is tight, compelling story telling with a message. The acting is solid throughout, with no one actor stealing the screen. Although not a pleasant story to watch unfold, it is certainly meaningful and heart felt. Plus a quick shot of Midnight Oil playing in the pool hall is a welcome gift.
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