In the 70's in Afghanistan, the Pushtun boy Amir and the Hazara boy Hassan, who is his loyal friend and son of their Hazara servant Ali, are raised together in Amir's father house, playing and kitting on the streets of a peaceful Kabul. Amir feels that his wise and good father Baba blames him for the death of his mother in the delivery, and also that his father loves and prefers Hassan to him. In return, Amir feels a great respect for his father's best friend Rahim Khan, who supports his intention to become a writer. After Amir winning a competition of kitting, Hassan runs to bring a kite to Amir, but he is beaten and raped by the brutal Assef in an empty street to protect Amir's kite; the coward Amir witness the assault but does not help the loyal Hassam. On the day after his birthday party, Amir hides his new watch in Hassam's bed to frame the boy as a thief and force his father to fire Ali, releasing his conscience from recalling his cowardice and betrayal. In 1979, the Russians ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Screenwriter David Benioff mentions on the DVD commentary that what Uncle Saifo the kite seller says in Dari is completely different from what is shown in the English subtitles. Director Marc Forster adds that the improvisation technique was common among the Afghan actors, many of whom weren't really actors. See more »
The last scene shows the kites flying in a strong wind, but there is none at ground level (note her hair), nor matching chop on the water, and the glimpse of a sailboat suggests a breeze from the another direction. See more »
This is truly one of those times when a film does great justice to a book!
I recently was lucky enough to see "The Kite Runner" in a small theater, surrounded by seasoned movie-goers who knew how to enjoy a masterpiece of such sophistication. With all the controversy surrounding this film's central scene these days, I was expecting a piece both crude and violent. But the way Mr. Forster handled the delicate subject was touching and really, deeply moving. Even though the film's credits indicated China as the main location for the shoot, I could have sworn I was seeing Kabul throughout the scenes which are meant to be taking place in Afghanistan. The acting, by non-professionals as well as professional actors, is excellent and the casting is magnificent. So, this is a movie I would see again and again, because though it is undeniably sad in its subject, the masterful way it has been made awakens a whole new hope in modern cinema.
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