In the 70's in Afghanistan, the Pushtun boy Amir and the Hazara boy Hassan, who is his loyal friend and son of their Hazara servant Ali, are raised together in Amir's father house, playing and kitting on the streets of a peaceful Kabul. Amir feels that his wise and good father Baba blames him for the death of his mother in the delivery, and also that his father loves and prefers Hassan to him. In return, Amir feels a great respect for his father's best friend Rahim Khan, who supports his intention to become a writer. After Amir winning a competition of kitting, Hassan runs to bring a kite to Amir, but he is beaten and raped by the brutal Assef in an empty street to protect Amir's kite; the coward Amir witness the assault but does not help the loyal Hassam. On the day after his birthday party, Amir hides his new watch in Hassam's bed to frame the boy as a thief and force his father to fire Ali, releasing his conscience from recalling his cowardice and betrayal. In 1979, the Russians ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Author Khaled Hosseini describes the filming (in Kashgar, China) of the Kabul kite tournament scenes: "There weren't actually any kites in the sky. We were just kind of looking up at these strings going up to these cables and hanging from the other side there were water bottles to give the string a sense of tension." To which director Marc Forster adds "Yes, because we had no wind." CG kites were added in post-production. See more »
In the scene at the stadium just before the Taliban official gives his speech there is a soccer game going on and most of the players are wearing shorts. The Taliban did not allow shorts or revealing clothes of any kind to be worn, even at an athletic event. They imprisoned and persecuted members of visiting Pakistani teams for wearing shorts. See more »
[explaining Sohrab's presence]
You see, General Sahib, my father slept with his servant's wife, and she bore him a son named Hassan. Hassan is dead now. That boy sleeping in the other room is Hassan's son. He's my nephew. That's what you tell people when they ask. And one more thing, General Sahib: you will never again refer to him as "a Hazara boy" in my presence. He has a name, and it's Sohrab.
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Beds are Burning
Written by Peter Garrett, Peter Gifford, Rob Hirst (as Robert Hirst) and Jim Moginie (as James Moginie)
Performed by Midnight Oil
Courtesy of Columbia Records and Sony BMG Music Entertainment (Australia) Pty.
By Arrangement with Sony BMG Music Entertainment See more »
I just saw it at an advance screening I haven't read the book, but heard many good things about it.
The movie was absolutely fantastic, very moving. With a roller coaster of emotions you totally connect with the characters. Shaun Toub was great, it was a complete departure from his usual roles, and his acting for those who understand Persian/Dari was incredible.
One thing to notes it that Khaled Hosseini actually loved the film which is unusual for book adaptation movies. Even after seeing the movie several times "he was sobbing".
Also the animation from the intro was exquisite, with names displayed as if it were Persian calligraphy, very unique! At times the translation was not clearly conveying the message efficiently, but all in all this was a great movie.
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