L.A. soft-porn writer Carter Webb is frustrated enough, after his actress girlfriend dumps him, to need a serious break. He decides to spend it with his grandmother, who can't really take ... See full summary »
After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a ... See full summary »
Mary Kay Place
A down-and-out film producer agrees to make his nephew's film about 19th century English statesman Benjamin Disraeli, but can only get financing if he casts a well-known action star. ... See full summary »
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
L.A. soft-porn writer Carter Webb is frustrated enough, after his actress girlfriend dumps him, to need a serious break. He decides to spend it with his grandmother, who can't really take care of herself and her Detroit suburb house anyway. Helpful Carter soon overcomes mishaps to bond with the foxy neighbor across the street and her daughters. Helping them actually helps him regain perspective and self-confidence. Written by
Carter and Sarah are taking a walk and then decide to go to the grocery store. Sarah's necklace changes between scenes even though she never goes inside to change...her outfit stays the same. See more »
There's a big fucking world out there. It's messy, and it's chaotic, and it's never, never ever the thing you'd expect. It is ok to be scared, but you cannot allow your fears to turn you into an asshole, not when it comes to the people that love you, the people that need you.
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You've Got to be Kidding -- What a Waste of Talent
There are so many things wrong with this movie and screenplay, that I don't know where to start. We heard such negative reviews from friends that we just had to see for ourselves. Given the strong stable of actors, it just couldn't be that bad ... or could it? So let me start with the positive.
1) Actors - Great talent overall. Special kudos to young Makenzie Vega, who is on her way to a wonderful career. She stole every scene she was in. And Meg Ryan is always a great performer - but what happened to her lips? She looks like she got stung by a bee and had a bad reaction.
The Bad and the Ugly:
1) Editing - So poorly done, that it was hard to follow the flow of the story. It seemed like every ten minutes, the characters were making reference to a dialog or event that was left on the cutting room floor.
2) Storyline - Don't try to rationalize how believable this one is, it's not close to reality. Without giving anything away, the story is so painfully predictable that we were all cheering for at least one surprise or plot twist, but those never came. And the ending was so absurd - straight out of a bad TV movie.
3) Relationships - The characters' interaction with each other is so contrived and superficial, that it was hard to empathize with any one in this film. A good story draws you in to feel the emotions of the actors but none of us watching, from the teenagers to the adults, cared about any of the characters. And most of them were so neurotic and depressed, you just wanted to slap them across the face.
If you watch this for the actors, and pay no attention to the story, then you'll have a good time. And pay particular note to young actress Makenzie Vega, she's one to watch.
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