| Andreu Buenafuente | ... | Sancho (voice) | |
| David Fernández | ... | Rocinante (voice) | |
| Sonia Ferrer | ... | Dulcinea (voice) | |
| José Luis Gil | ... | Quijote (voice) | |
| Jordi González | ... | Narrador (voice) | |
| Sancho Gracia | ... | Sansón (voice) | |
| Joe Lewis | ... | Rucio (voice) | |
| Molly Malcolm | ... | Dulcinea | |
| Robert Paterson | ... | Rocinante | |
| James Phillips | ... | Sancho (voice) | |
| Luis Posada | ... | Rucio (voice) | |
| Joshua Zamrycki | ... | James Rooster (voice) |
Directed by | |||
| Jose Pozo | |||
Writing credits | ||
| Miguel de Cervantes y Saavedra | (novel "Don Quixote") | |
| Angel E. Pariente | (screenplay) | |
Produced by | |||
| Carlo Alfano | .... | co-executive producer | |
| Begoña Alonso | .... | line producer | |
| Franco Bevione | .... | co-producer | |
| Fabio Massimo Cacciatori | .... | producer | |
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Giulia Marletta | .... | executive producer | |
| Paco Rodríguez | .... | executive producer | |
| Sergio Toffetti | .... | co-producer | |
Original Music by | |||
| Andrea Guerra | |||
Film Editing by | |||
| Félix Bueno | |||
Art Direction by | |||
| Esteban Martín | |||
Production Management | |||
| Stefania Busca | .... | assistant production manager | |
| Ana Garcia Iglesias | .... | production lead: Bren Entertainment | |
| Iván González Penedo | .... | head of production | |
| Alberto Neira | .... | production manager | |
| Jesús L. Pérez Villar | .... | post-production manager | |
Art Department | |||
| Alfonso Blaas | .... | color designer | |
| Sergio Casas | .... | color designer | |
| Eva de Prado | .... | color designer | |
| Alfred Llupiá | .... | set designer | |
| Jacobo Navarro | .... | storyboard artist | |
| Carlos Ruano | .... | set designer | |
| Antonio Santamaría | .... | storyboard artist | |
| Pedro Daniel García Pérez | .... | model sheets (uncredited) | |
Sound Department | |||
| Jordi Casugas | .... | sound re-recording mixer | |
| Yvonne Miralles | .... | foley recordist | |
| Jaume Puig | .... | sound consultant: Dolby | |
| Edgar Vidal | .... | foley artist | |
| Edgar Vidal | .... | sound effects designer | |
| Erik Vidal | .... | foley artist | |
| Kiku Vidal | .... | foley artist | |
Special Effects by | |||
| Bruno López | .... | special effects supervisor | |
| Montse Sonsona | .... | layout operator | |
Visual Effects by | |||
| Borja Abeijón | .... | vfx compositor | |
| Francesco Alliaud | .... | lighting technical director | |
| Iker Alonso | .... | lighting artist | |
| Galder Apraiz | .... | lighting artist | |
| Katrin Arndt | .... | line producer: Trixter Film GmbH | |
| Lorenzo Basurto | .... | visual effects artist: Bren Entertainment | |
| Jaime Bescansa | .... | lead character rigger | |
| Sebastien Bruneau | .... | animator | |
| Francesco Canonico | .... | lighting technical director | |
| Antonio Carranza Pérez | .... | set modeler | |
| Carlos Casado | .... | visual effects & props | |
| Justine Codron | .... | lighting artist: Bren Entertainment | |
| Massimo Comuzio | .... | digital supervisor | |
| Cristiana Cossu | .... | final layout artist | |
| Cristiana Cossu | .... | visual effects artist | |
| Sergio Cremasco | .... | color designer | |
| Roberto D'Ippolito | .... | digital compositor (as D'Ippolito Roberto) | |
| Adolfo Dalda | .... | character modeling artist | |
| Enrico De Palo | .... | compositor | |
| Chiara De Pas | .... | lighting artist | |
| Eva de Prado | .... | digital artist: surfacing | |
| Chema del Fresno | .... | modeler | |
| Merche Delgado | .... | lead lighting technical director | |
| José A. Eiroa | .... | lighting artist: Bren Entertainment | |
| Iker Elorrieta | .... | compositor | |
| Diego Fernández Goberna | .... | digital artist: Bren Entertainment | |
| Mauro Frau | .... | lighting artist: Bren Entertainment | |
| Lorena G. Romero | .... | layout/previs artist | |
| Lorena G. Romero | .... | lighting artist | |
| Lorena G. Romero | .... | rendering & optimization artist | |
| Vidina Garcia | .... | layout artist | |
| Juan García Gonzalez | .... | layout | |
| Juan García Gonzalez | .... | rigging | |
| Marga García Visdómine | .... | layout artist | |
| Jose Luis Gomez Díaz | .... | software developer | |
| Wolfgang Haas | .... | animator | |
| Stefano Jannuzzo | .... | shader writer | |
| Silvio Jemma | .... | visual effects supervisor | |
| Juan Carlos Lara | .... | character rigging supervisor: Bren Entertainment | |
| Bruno López | .... | compositing supervisor | |
| Bruno López | .... | visual effects supervisor | |
| Javier Mansilla | .... | lead lighting: Bren Entertainment | |
| Oscar Mata | .... | lighting artist: Bren Entertainment | |
| Pietro Materossi | .... | lighting technical director | |
| 'Txolo' Fernando Medrano | .... | modeler | |
| Fabrizio Nastasi | .... | post production coordinator | |
| Angel Navarro | .... | character modeler | |
| Jean Claude Nouchy | .... | visual effects: technical director | |
| Matteo Pastorino | .... | render supervisor | |
| Cinzia Pegorin | .... | lead color & lighting technical director: Bren Entertainment | |
| Ariele Podreider Lenzi | .... | final layout artist | |
| Elisa Pretta | .... | digital compositor | |
| Carlota Primo | .... | lighting/rendering: Bren Entertainment | |
| Orash Rahnema | .... | lighting technical director | |
| Charlie Ramos | .... | layout supervisor | |
| Alessandro Riberti | .... | lighting technical director | |
| Milo Riccarand | .... | animator | |
| Sascha Robitzki | .... | technical director: Trixter | |
| Matteo Rostagno | .... | visual effects animator | |
| Roberto Rubio | .... | character rigger | |
| Guillaume Ruegg | .... | digital artist | |
| Jesús Ruiz Torres | .... | character animator | |
| Jesús Ruiz Torres | .... | character rigger | |
| Valter Sagrillo | .... | final layout supervisor | |
| Valter Sagrillo | .... | technical director | |
| Francesca Salvatore | .... | final layout | |
| Gustavo Sanchez-Perez | .... | senior visual effects artist | |
| Debora Sangermano | .... | compositing supervisor | |
| Francesco Sansoni | .... | lighting supervisor | |
| Alessandro Savio | .... | render | |
| Armando Sepulveda | .... | modelling lipsync and effects | |
| Anna Sitjà | .... | digital artist | |
| Nathan Stone | .... | character animator | |
| Corrado Strada | .... | art director | |
| Oscar Tornincasa | .... | technical director | |
| Jon Uriarte | .... | color and lighting supervisor: Bren Entertainment | |
| Celine Velasco | .... | lighting artist | |
| Tilmann Vogt | .... | character animator: Trixter Film GmbH | |
| Jörg Volk | .... | animator | |
| Riccardo Zoccarato | .... | final layout artist | |
| Riccardo Zoccarato | .... | lighting artist | |
Editorial Department | |||
| Giovanni Bivi | .... | color grader | |
| Giovanni Bivi | .... | color timer | |
| Álex de Molina | .... | first assistant editor | |
Music Department | |||
| Antongiulio Frulio | .... | orchestrator | |
| Simon Rhodes | .... | music scoring mixer | |
Other crew | |||
| Eduardo Albaladejo | .... | management of rights: Filmax Entertainment | |
| Alberico Bonacci | .... | production assistant | |
| Vicente Canales | .... | head of sales | |
| Diego Cortassa | .... | computer engineering supervisor | |
| Oscar Garcia Amor | .... | systems engineer | |
| Ana Gómez Alcalde | .... | software engineer | |
| Rubén López Gómez | .... | software engineer | |
| Alberto Marini | .... | story editor | |
| Martin Samper | .... | making-of crew coordinator | |
| Elena Serra | .... | development executive | |
| Sebastian Sylwan | .... | chief technology officer: Lumiq Studios | |
| José Carlos Trillo Caamaño | .... | software engineer | |
| Jorge Tuca | .... | head of development | |
| Manel Vicaria | .... | press and promotion | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb Spain section |
My ten year old daughter and I just keep looking at each other in disbelief throughout this whole movie. The plot is awful, hard to follow, thrown together, and a big pile of crap, really. Attempts at humor are thrown in, random, and unfunny. This movie is BAD, and not in a good way. The animation is fairly decent, but as this kind of technology becomes more readily available for low budget producers, more junk of this kind will continue to be put out. It all seemed forced. They forced to get a plot line, they forced to get some humor, and they forced to create an emotional story that would draw the viewer in. I have to tell ya, they fail on every count.