A woman seeks revenge after being brutally attacked by dishonest land developers.
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Title: Defenceless: A Blood Symphony (2004)
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2 wins.
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Cast
| Cast overview, first billed only: | |||
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Susanne Hausschmid | ... |
The Woman
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Bethany Fisher | ... |
The Girl
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Colin Savage | ... |
The Husband
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Erin Walsh | ... |
The Lover
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Max Hopkins | ... |
The Son
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Yvette Johansson | ... |
Unhappy Wife
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Mitchell Turner | ... |
Developer
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George Gladstone | ... |
Developer
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Anthony Thorne | ... |
Developer
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Richard Wolstencroft | ... |
The Stepfather
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Pamela Croft | ... |
The New Tenant
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Nikita Fisher | ... |
Little Victim
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Heath Flint | ... |
Kidnapper
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Lenny Anderson | ... |
Kidnapper
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Craig Sayers | ... |
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Plot Summary
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Storyline
A woman seeks revenge after being brutally attacked by dishonest land developers.
Plot Keywords:
revenge | violence against a woman | female killer | rape and revenge | anger |Taglines:
Love conquers deathGenres:
HorrorCertificate:
Not RatedParents Guide:
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Details
Country:
AustraliaLanguage:
EnglishRelease Date:
29 August 2006 (USA) See more »Also Known As:
Blood Angel - Schutzlos See more »Company Credits
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IMDbPro »
This is going to polarize audiences because half the population out there hate nothing more than someone with a personal vision. The other half admire it. Reviews on here are positive so far, but this was slammed by Variety, and i can understand why. It's an unapologetic blend of high art and grotesque exploitation. You can't categorize it. The wife threatened to walk out of the Monday afternoon screening, but didn't make good on her threat. It took me a while to get comfortable with its dialog-free narrative, but I emerged a true admirer. The set-up is quite straightforward, although the complications mount. A woman, played by a beautiful Australian actress named Susanne Hausschmid (who was new to me), is murdered by real estate developers. She then takes revenge on them -- while dead. Yes, dead! Director Mark Savage hasn't made a film that will please all fans of bloody revenge movies because he's working from his own formula, not one thirty years old. The film has a strong French influence (a very Eric Rohmer-like seduction scene) and isn't possible to categorize. Is it horror? Partly. Is it art-house? Partly. For God's sakes, does it really matter? Do we have to know what it is? It's very different. And very explicit at times. Most importantly, it's highly individualistic. That's why it won't be loved by many. Nobody loves an orphan.