| Photos (See all 44 | slideshow) |
| Ben Chaplin | ... | Trent | |
| Penélope Cruz | ... | Gloria | |
| Ralph Fiennes | ... | Stephen Tulloch | |
| Ian Holm | ... | Edward Aylesbury | |
| Rhys Ifans | ... | Colin | |
| Damian Lewis | ... | Marcus Aylesbury | |
| Kristin Scott Thomas | ... | Iona Aylesbury | |
| Harriet Walter | ... | Penelope Aylesbury | |
| Anthony Higgins | ... | Geoffrey Wharton | |
| Archie Panjabi | ... | Sarita | |
| Michelle Gomez | ... | Bushey (as Michele Gormez) | |
| Clem Tibber | ... | Orlando Aylesbury | |
| Sasha Hailey | ... | Eve | |
| Christopher Simpson | ... | Derek | |
| Bronson Webb | ... | Hendrix | |
| Billy Seymour | ... | Tony | |
| Charles Mnene | ... | Demetrios | |
| Selina Cadell | ... | Therapist | |
| Michael Fitzgerald | ... | Cosmetic Surgeon | |
| Phil Cornwell | ... | Murray | |
| Natalie Press | ... | Fiona | |
| Liam McKenna | ... | Gavin McTeer | |
| David Cann | ... | Policeman | |
| Trevor Cooper | ... | Lord Killally | |
| Richard Hope | ... | Simon Whitemore | |
| Clive Carter | ... | Peter Soam | |
| Marcus Monroe | ... | Deer Stalker | |
| Stewart Bevan | ... | Middle-Aged Man | |
| Tanya Franks | ... | Christine | |
| Jason Tobin | ... | Fat Boy | |
| Nicola Grier | ... | Sadie (as Nicoloa Grier) | |
| Silas Carson | ... | Yoga Instructor | |
| Diana Hardcastle | ... | Mrs. Wharton | |
| Melissa Lloyd | ... | Doctor | |
| Johann Myers Phillips | ... | Orderly | |
| Georgina Bingham | ... | Reporter 1 | |
| Julie Etchingham | ... | Tv Newsreader 1 | |
| Jeremy Thompson | ... | Tv Newsreader 2 | |
| Zoe Conway | ... | Reporter 2 | |
| Christina Rotholz | ... | Store Manager | |
| Su Elliot | ... | Receptionist (as Su Elliott) | |
| Karen Seacombe | ... | Gloria's Neighbour | |
| Naomi Cooper-Davis | ... | Janet | |
| Sam Hazeldine | ... | Muso Assistant | |
| Sally Leonard | ... | Nurse | |
| Paul Smith | ... | Sandwich Staff | |
| Clare McCarron | ... | Marcus' Secretary | |
| Hannah Stokely | ... | P.R. Woman | |
| rest of cast listed alphabetically: | |||
| John Busow | ... | Schoolboy (uncredited) | |
| Michelle Butterly | ... | Social Services Supervisor (uncredited) | |
Directed by | |||
| Martha Fiennes | |||
Writing credits | ||
| Martha Fiennes | (written by) | |
| George Tiffin | additional screenplay (uncredited) | |
Original Music by | |||
| Magnus Fiennes | |||
Cinematography by | |||
| George Tiffin | |||
Film Editing by | |||
| Tracy Granger | |||
Casting by | |||
| Lucy Bevan | |||
Production Design by | |||
| Tony Burrough | |||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Michele Clapton | |||
Makeup Department | |||
| Darren Evans | .... | hair designer | |
| Darren Evans | .... | makeup designer | |
| Whitney James | .... | makeup artist: Penelope Cruz | |
| Sara Raeburn | .... | hair stylist supervisor | |
| Sara Raeburn | .... | makeup supervisor | |
| Martin Samuel | .... | hair stylist: Penelope Cruz | |
| Laura Schiavo | .... | makeup artist | |
Production Management | |||
| Meg Clark | .... | post-production supervisor | |
| Trevor Ingman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James Chasey | .... | third assistant director | |
| Ben Howarth | .... | first assistant director | |
| Samantha Smith | .... | second assistant director | |
Art Department | |||
| Yasmin Al-Naib | .... | art department assistant | |
| Matthew Broderick | .... | props | |
| Corina Burrough | .... | production buyer | |
| Graham Caulfield | .... | drapes | |
| Jonathan Downing | .... | dressing prop | |
| Katrina Dunn | .... | art department assistant | |
| Shane Harford | .... | dressing props | |
| Brian Neighbour | .... | construction manager | |
| Mitch Niclas | .... | stand-by prop | |
| David Weller | .... | on-set rigger | |
| Eddie Wolstencroft | .... | stand by painter | |
Sound Department | |||
| James Bennett | .... | adr recordist | |
| Paula Boram | .... | foley artist | |
| Mike Dowson | .... | sound re-recording mixer | |
| Paul Govey | .... | sound re-recording mixer | |
| Robin Green | .... | boom operator | |
| Mark Holding | .... | sound mixer | |
| Marc Mnémosyne | .... | sound mix technician | |
| Sarah Morton | .... | adr & dialogue editor | |
| Paul Paragon | .... | sound mixer: pick ups | |
| James Seddon | .... | dolby consultant | |
| Esther Smith | .... | assistant sound re-recording mixer | |
Special Effects by | |||
| Chris Watson | .... | special effects supervisor | |
Visual Effects by | |||
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Lyndy Brown | .... | studio manager: Baseblack | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Max Horton | .... | digital colourist | |
| Zoe Izzard | .... | digital film recordist | |
| Per Karefelt | .... | digital compositor: Baseblack | |
| Ryan Knowles | .... | film recorder operator | |
| John Kozak | .... | researh & development: Baseblack | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Donal Nolan | .... | digital compositor | |
| Chris Panton | .... | digital compositor: Baseblack | |
| Thomas Urbye | .... | online film editor | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Pat Wintersgill | .... | online film editor | |
Stunts | |||
| Lee Sheward | .... | stunt coordinator | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Rebecca Duncan | .... | wardrobe mistress | |
| Suzie Harman | .... | assistant costume designer | |
Editorial Department | |||
| Ben Clayton | .... | first assistant editor | |
| Richard Elson | .... | associate editor | |
| Dan Farrell | .... | additional editor (as Daniel Farrell) | |
| Jason Wheeler | .... | negative cutter | |
| Robert A. Willis | .... | digital film recordist | |
Music Department | |||
| Andy Brown | .... | music contractor | |
| The London Metropolitan Orchestra | .... | music performed by | |
| Kle Savidge | .... | music supervisor | |
| Scott Shields | .... | composer: additional music | |
Transportation Department | |||
| Guy Bostock | .... | vehicle coordinator | |
| Ian Clarke | .... | vehicle technician | |
Other crew | |||
| Lucy Anthony | .... | unit nurse | |
| Donna Casey | .... | assistant accountant | |
| Veronica Coppola | .... | assistant production coordinator | |
| Robin Craine | .... | production assistant | |
| Tom Crooke | .... | assistant location manager | |
| Matt Curtis | .... | title designer | |
| Hollie Foster | .... | assistant coordinator: preparation | |
| Chris Ingram | .... | production runner | |
| Laura Macdonald | .... | creative executive | |
| Kelly Messias | .... | assistant: Ralph Fiennes | |
| Ali Moshref | .... | post-production accountant | |
| Jessica Parker | .... | production executive | |
| Holly Pullinger | .... | location assistant | |
| Paul Rosenblum | .... | production executive | |
| Nick Savva | .... | post-production coordination | |
| Charlie Simpson | .... | location unit manager | |
| Joss Skottowe | .... | supervising armorer | |
| Jane Soans | .... | location manager | |
| Jason Wheeler | .... | location scout | |
| John Busow | .... | stand-in (uncredited) | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
I had the unique chance of watching this movie at it's midnight premiere at Cannes, and this engaging story made the evening even more complete. Chromophobia is a depiction of how several upper-class Brits have become so obsessed with material things and their careers that they have become completely detached from the bare necessities: love, professional integrity, friendship and even their own children. Each of the characters will betray one of those ideals, and they will see their lives and relationships come crashing down. But while most of the movie is alienating, depressing and leaves you almost begging for some relief (it is there, you will laugh occasionally), in the end there is redemption: not in a glorious comeback or victory, but in the simple dignity of picking up the pieces and carrying on with a brave face. The train station scene is especially impressive, showing the sudden determination and loyalty in the main characters when faced with the ruin of their lives. Both chilling and warming: this is one solid piece of British drama.