David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes In Toyland, The ... See full summary »
A collaboration between filmmaker Jem Cohen and the Washington D.C. band Fugazi, covering the 10 year period of 1987-1996. Far from a traditional documentary, this is a musical document; a ... See full summary »
"Salad Days: A Decade of Punk in Washington, DC (1980-90)" examines the early DIY punk scene in the Nation's Capital. It was a decade when seminal bands like Bad Brains, Minor Threat, ... See full summary »
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, and yes, shopping malls and stadium shows... See full summary »
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys. Written by
A Good Time Capsule of the Eighties Hardcore Movement but...
Fans of this short window in time of musical history will surely enjoy it for its nostalgic merit alone. The footage is raw and accurately depicts the dingy and often violent world of Post "Germs, Sex Pistols" and Pre-metal years of hardcore. Many important bands of that era were not depicted in the film for various legal reasons IE: The Dead Kennedy's, and The Misfits, but the variety of bands presented is a noble effort. Surprising to me was what I considered a LACK of music in the film, as most of it came in the form of the final ten seconds of a songs performance, then cutting into the next scene. The film IS about music so it's not like there isn't any, however I would have enjoyed more extended live footage. My harshest criticism of the film is that it simply shrinks away as to the real explanation of how this movement really came to an end. While it glorifies many great bands that created some extremely potent and visceral music, it ultimately brushed aside why the hardcore scene seemed to sputter and almost vanish. The film near its summation briefly touches upon the influence of heavy metal and how some bands evolved into that new sound. They seem to suggest that the "atmosphere" had changed but in reality the bands changed. Kids showed up a year later and all their favorite bands had grown long hair and seemed to be interested little in their hardcore roots. Sad but true.. but this was a genre praised for its dedication to "Doing It Yourself" but in the end they chose to find a way to pay the bills instead. I have never faulted bands for deciding they wanted to eat more than a package of Dorrito's in the back of a tour van, and I do not view metal as a lesser form of art, but the fact remains that the bands create the music, which in turn produces an environment. I was all too happy to indulge in the personal trip down memory lane, but I would have liked a more probing response as to its demise. I have to review this film positively because I am biased as to the musical content and to the time in which it represents, but to omit that money and industry influence is what truly ruined this scene,(As in most others due to over exposure, parody and more seemingly lucrative musical paths) is a strange and unsatisfying oversight. Having just praised its unyielding, anti-conformist roots I was then expected to forget it ever happened. As I stated all in all it's an absorbing film and a greatly accurate depiction of a highly influential point in the musical landscape. It should be viewed if for no other reason than its tribute to the contribution that American Hardcore had to musical history.
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